• 1213P Calcium Matte -- -- c5 --

• 2nd Edition Indian Red -- Iron Saturate -- c6 -- Ox. or Red.

• 5-20's Tony Hansen -- -- c6 - 8 -- oxidation

• 974 Kawai Celadon -- Celadon -- c6 - 8 -- Reduction

• Adeena -- -- c5 -- Oxidation

• Albany Black -- Ca Mg SlipGlaze -- c5 - 6 -- Ox. or Red.

• Alfred Spodumene B.J. -- Ca Mg AlMatt -- c6 -- Reduction

• Alkaline Gloss Andy's -- Alkaline -- c5 -- Oxidation

• Alkaline Matt -- Alkaline -- c5-6 -- Oxidation

• Almond Mt St Helens -- -- c6 -- oxidation

• Amber -- -- c6-8 -- Oxidation

• Amber Ash Glaze -- Ash -- c6 -- Oxidation

• Amber Brown Dark Rich -- -- c6 -- Oxidation

• Amber Gloss II V.C. Easy -- Ca B -- c5 - 6 -- Oxidation

• Amber Gloss III V.C. Easy -- Ca B SlipGlaze -- c5 - 6 -- Oxidation

• Amber Honey -- -- c5 - 6 --

• Amber New Tyler -- -- c6 -- oxidation

• Apricot/Beige MMI -- -- c6 -- Oxidation

• Aqua V.C. Karen Starshine -- -- c6 -- Ox. or Red.

• Ash Barium Boron -- -- c6 - 8 --

• Ash Behrends recalc -- Ash -- c6 --

• Ash Behrens -- Ash -- c6 -- oxidation

• Ash Bush Fake -- -- c6 -- oxidation

• Ash Bush Fake NO GB -- Ash -- c6 -- oxidation

• Ash Fake -- Fake ash -- c6 --

• Ash Fake - Mid Range rev. -- Fake ash -- c6 - 8 --

• Ash Fake - Mid Range rev. -- Ash -- c6, 7, 8 -- Ox. or Red.

• Ash Fake - Mid Range rev. No GB -- Ash -- c6, 7, 8 -- Ox. or Red.

• Ash Fake 2 -- -- c6 -- oxidation

• Ash Fake 3 -- -- c6 -- Ox. or Red.

• Ash Fake Clear - Mid Range rev. -- Fake ash -- c6 - 8 --

• Ash Fake Glaze -- Fake ash -- c6 --

• Ash Fake Glaze -- -- c6 -- Ox. or Red.

• Ash Fake Revised Galloway -- Fake ash -- c6 -- Salt - Soda

• Ash Frasca -- Ash -- c6 -- Oxidation

• Ash Glaze -- -- c5 - 6 -- Ox. or Red.

• Ash Glaze cone 6 -- Ash -- c6 -- oxidation

• Ash Glaze Rhodes revised -- Ash -- c6 - 9 --

• Ash Golden Fake -- Ash -- c6 -- oxidation

• Ash Human Glaze -Su Standing Bear -- Ash -- c6 -- Oxidation

• Ash Levison -- Ash -- c6 --

• Ash Look -- Ash -- c6 -- oxidation

• Ash Rhodes Glaze revised -- Ash -- c6 - 9 --

• Ash V.C. 4 -- Ash -- c5 - 6 -- Reduction

• ash Zakin's GK -- Ash -- c5 - 6 -- Ox. or Red.

• Aventurine Apple Green -- Aventurine -- c5 -- Oxidation

• Aventurine Blue Green -- Aventurine -- c5 -- Oxidation

• Aventurine Chrome Copper Blue Green -- Aventurine -- c5 -- Oxidation

• Aventurine Chromium Green -- Aventurine -- c5 -- Oxidation

• Aventurine Circular Dot -- Aventurine -- c5 -- Oxidation

• Aventurine Iron -- Aventurine -- c5 -- Oxidation

• Aventurine Iron Variation -- Aventurine -- c5 -- Oxidation

• Aventurine Metallic Copper -- Aventurine -- c5 -- Oxidation

• Aventurine Sparkling Mint -- Aventurine -- c5 -- Oxidation

• Bacia's 20-30-40 -- -- c6 -- Ox. or Red.

• Barium Boron Ash -- -- c6 - 8 --

• Base -- -- c6 -- Oxidation

• Base 2 Overgloss Glaze -- -- c4 -- Oxidation

• Base 2 Overgloss Glaze No GB -- -- c4 -- Oxidation

• Base Alec Karros -- -- c6 -- Salt - Soda

• Base Amy's Shiny Magic -- -- c6 -- Oxidation

• Base Ayumi/Lorio 20/80 -- Mid-fire -- c6 -- Oxidation

• Base Ayumi/Lorio 20/80 no soda ash -- Mid-fire -- c6 -- Oxidation

• Base Bill Aycock's -- -- c6 -- Ox. or Red.

• Base Blend Steve's/ Lorio A 80/20 -- Mid-fire -- c6 -- Oxidation

• Base Blend Steve's/ Lorio A 80/20 no GB -- Mid-fire -- c6 -- Oxidation

• Base C. Gareri -- -- c4 - 8 -- Oxidation

• Base Charlie Cummings Color -- Mid-fire -- c1-3 -- Oxidation

• Base Dave's -- Mid-fire -- c6 -- Oxidation

• Base F-5 -- Lithium matt -- c6 -- Oxidation

• Base F1 -- Mid-fire -- c6 -- Oxidation

• Base F5 -- Mid-fire -- c6 -- Oxidation

• Base F5 no soda ash -- Mid-fire -- c6 -- Oxidation

• Base Franks G18-C -- Mid-fire -- c6 -- Oxidation

• Base Franks G18-C no NC4 spar -- Mid-fire -- c6 -- Oxidation

• Base Gareri -- -- c4 - 8 -- oxidation

• Base Glaze -- -- c6 --

• Base Hamada #2 -- -- c6 -- Oxidation

• Base Jamie's cone 6 -- -- c6 -- Oxidation

• Base Jun 5 -- Boron opalescent -- c6 -- Oxidation

• Base Kaplan's 3-6 -- -- c3 - 6 -- oxidation

• Base Kaplan's Revised 3-5 -- -- c3 - 5 -- oxidation

• Base Lorio A Blend 80/20 -- -- c6 -- Oxidation

• Base Lorio A/8-A 98/2 -- Mid-fire -- c6 -- Oxidation

• Base Lorio A/8-A 98/2 no GB -- Mid-fire -- c6 -- Oxidation

• Base Lorio A/A 90/10 -- Mid-fire -- c6 -- Oxidation

• Base Lorio A/A 90/10 no GB -- Mid-fire -- c6 -- Oxidation

• Base M-3 -- Mid-fire -- c6 -- Oxidation

• Base M-3 no GB -- Crystalline -- c6 -- Oxidation

• Base M2 -- Mid-fire -- c6 -- Oxidation

• Base Rob's/G.A. Blend- Wheeler -- Mid-fire -- c6 -- Oxidation

• Base Steve's #2 -- Mid-fire -- c6 -- Oxidation

• Base U -- -- c6 -- Oxidation

• Base Van Gilder -- Mid-fire -- c6 -- Oxidation

• Basic -- Ca 4-3-2-1 -- c5 - 6 -- Ox or Red

• Beads SDSU -- Bead -- c6 -- Oxidation

• Beady -- Bead -- c5 -- Oxidation

• Beady Eyes 2 -- Texture -- c6 - 8 -- Ox. or Red.

• BEIGE SPECKLED -- -- c6 --

• Black -- -- c6 -- Oxidation

• Black Albany -- Ca Mg SlipGlaze -- c5 - 6 -- Ox. or Red.

• Black Bright -- -- c5 -- Oxidation

• Black crystal -- Mid-fire -- c5-6 -- Oxidation

• Black crystal no gb -- Mid-fire -- c5-6 -- Oxidation

• Black Crystalline -- Crystalline -- c6 -- oxidation

• Black Cushing -- -- c5-6 --

• Black Granny's Shorts -- -- c5 - 6 -- Ox. or Red.

• Black IE -- Mid-fire -- c6 -- Oxidation

• Black Larry's -- -- c6 - 7 -- Ox. or Red.

• black Matt -- Mid-fire -- c5 -- Oxidation

• black Matt 2 -- -- c5 -- Oxidation

• Black Matte -- -- c6 -- Ox. or Red.

• Black Metallic -- Metallic -- c6 -- oxidation

• BLACK METALLIC 2 -- Metallic -- c6 --

• Black Metallic 3 -- Metallic -- c6 --

• Black Metallic 4 -- Metallic -- c6 -- oxidation

• Black Metallic Matt -- Metallic -- c6 - 9 --

• Black Metallic Patty's -- Metallic -- c6 -- Ox. or Red.

• Black Metallic Peter's -- Metallic -- c5 - 10 --

• black metallic1 -- Metallic -- c6 -- oxidation

• Black Mirror -- -- c6 -- oxidation

• Black Mountain -- -- c2 - 5 -- Ox. or Red.

• Black Patty's from Lee -- -- c6 -- Oxidation

• Black Reed's Glossy -- -- c6 -- oxidation

• Black Reeds Glory -- -- c6 -- Oxidation

• Black Rob Wadley's Barnard -- -- c6 -- Oxidation

• Black Semi-Gloss -- -- c5 -- Oxidation

• Black Shiny -- Mid-fire -- c5 - 6 -- Oxidation

• Black Silky Matt -- -- c5 - 6 -- Ox. or Red.

• Black Silky Matt no GB -- -- c5 - 6 -- Ox. or Red.

• Black Slip Glaze -- -- c2 - 5 -- Ox. or Red.

• Black Tenmoku -- -- c6 -- Oxidation

• Black With Gold -- Metallic -- c6 -- oxidation

• Blue Barium Jamie's -- Barium matt -- c6 -- Oxidation

• Blue Celadon -- -- c6 --

• Blue Celadon no ash -- -- c6 --

• Blue Cindy's -- -- c6 -- Oxidation

• Blue Cindy's -- Mid-fire -- c6 -- oxidation

• Blue Dark Specks -- -- c6 -- Oxidation

• Blue Deep Shiny -- -- c6 -- oxidation

• Blue Deep Shiny-Valerie's -- Mid-fire -- c6 -- Oxidation

• Blue Deep Shiny-Valerie's-no gb -- Mid-fire -- c6 -- Oxidation

• Blue Emily's -- -- c6 -- reduction

• Blue Floating (RISD) -- -- c6 -- oxidation

• Blue Floating (Clayart) -- -- c6 --

• Blue Floating Glaze -- -- c6 --

• Blue Green -- -- c6 --

• Blue Green IE 30 O Matt -- Mid-fire -- c6 -- Oxidation

• Blue Green Matt Robbie Srtm. Revised (VC) 92 -- -- c4 - 9 -- Ox. or Red.

• Blue Green Slip glaze -- -- c2 - 5 -- Ox. or Red.

• Blue Julie's Water -- Alkaline -- c5 -- Oxidation

• Blue matt -- -- c6 --

• Blue Midnight -- -- c5 - 8 -- Ox. or Red.

• Blue Mt. St. Helens -- -- c6 -- oxidation

• Blue Opal -- -- c5-7 -- Oxidation

• Blue Pale Rutile -- -- c6 -- oxidation

• Blue Slip glaze -- -- c2 - 5 -- Ox. or Red.

• Blue Spot Glaze -- Crystalline -- c5 -- Oxidation

• Blue Spruce -- -- c6 --

• Blue St. Helens -- Zinc matt -- c6 -- Oxidation

• Blue Tamaras -- -- c6 --

• Blue Yellow slip glaze -- -- c2 - 5 -- Ox. or Red.

• blue-grey speckled Gloss -- -- c6 - 8 -- Oxidation

• Bob Wicks Base -- -- c6 -- oxidation

• BQ Matt -- -- c6 -- oxidation

• Bright Pink -- -- c6 --

• Brilliant Matt Purple -- -- c6 --

• Brilliant Matt Turquoise -- -- c6 --

• Broken gloss/matt broken dark browns -- -- c5 --

• Bronze Aqua Lana Wilson -- -- c6 -- Oxidation

• Bronze cone 2-6 -- Metallic -- c2-6 -- Oxidation

• Bronze Green Matt -- -- c6 -- Ox. or Red.

• Bronze Metallic Gold Luster -- Metallic -- c6 -- Oxidation

• Bronze Ogden -- Metallic -- c6 -- Oxidation

• Bronze Sandy -- Metallic -- c7 -- Oxidation

• BROWN BUTTER -- -- c6 --

• Brown Matt -- -- c6 -- oxidation

• Brown Persimmon -- Iron Saturate -- c6 -- reduction

• Brown Pleasant -- -- c6 -- Oxidation

• brown Rowe -- -- c6 --

• browns Gloss broken cool -- -- c6 - 8 --

• Burgundy -- -- c6 --

• Burgundy Ozona -- -- c6 --

• Bush Fake Ash -- -- c6 --

• Butter New - Tig Duprey -- -- c --

• Butter New - Tig Duprey no Rottenstone -- -- c --

• Butter New - Tig Duprey- w/GB -- -- c --

• Butterscotch -- -- c2 - 5 -- Ox. or Red.

• BUTTERSCOTCH GLOSSY -- -- c6 --

• Buttery P103 from K Grandy -- -- c6 -- Oxidation

• Calcium Alumina Transparent Matte -- -- c5 - 6 -- Ox. or Red.

• CDG Base 1 Peach -- -- c4 -- Oxidation

• Celadon -- -- c6 -- Oxidation

• Celadon -- -- c6 -- Reduction

• Celadon 974 Kawai -- Celadon -- c6 - 8 -- Reduction

• Celadon Blue -- Mid-fire -- c6 -- reduction

• Celadon Blue no volcanic ash -- Mid-fire -- c6 -- reduction

• Celadon Faux -- Mid-fire -- c6 -- oxidation

• Celadon Glossy -- -- c6 -- Reduction

• Celadon Kawaii Revised -- Celadon -- c5 - 6 -- Reduction

• Celadon to Teal -- -- c6 --

• Celedon Satin -- -- c6 -- Oxidation

• Chappel Boron Lithium -- -- c6 --

• Charcoal -- -- c5 - 6 -- oxidation

• Chartreuse Matt Elyse's -- Mid-fire -- c6 -- Oxidation

• Chartreuse Matt Elyse's no GB -- Mid-fire -- c6 -- Oxidation

• Chocolate Super-Hiway -- -- c6 - 8 -- oxidation

• Clay Black VC -- Clay -- c5-6 -- Ox. or Red.

• Clay Castiing Off-White Scooter's -- -- c6-10 -- Ox. or Red.

• Clay Casting Bob Bruch Midrange -- Clay casting -- c5-6 -- Ox. or Red.

• Clay Casting Porcelain Andrew Martin -- Clay casting slip -- c6 -- Ox. or Red.

• Clay Casting Slip -- Clay (casting slip) -- c6 -- Ox. or Red.

• clay casting slip white Hensley/Polseno -- Casting slip -- c6-7 -- Oxidation

• Clay casting Wally's wonderslip -- Clay casting -- c5-9 -- Ox. or Red.

• Clay Casting White Corney via Kelly Palmer -- Clay casting -- c6 -- Oxidation

• Clay Casting White Rozman -- Clay casting -- c2-4 -- Oxidation

• Clay for outdoor use from Ted Randall -- Clay -- c6 --

• clay Off-White dense stoneware VC -- Clay (Stoneware) -- c6 -- Ox. or Red.

• Clay Orange-Brown Throwing VC -- Clay -- c5-6 -- Ox. or Red.

• Clay Porcelain Campana -- -- c6-7 -- Oxidation

• Clay Porcelain Glickman -- Clay (Porcelain) -- c6 -- Ox. or Red.

• clay porcelain Pinnell -- Clay (Porcelain) -- c6 -- Ox. or Red.

• Clay Porcellaneous Don Davis -- Clay (Porcelain) -- c5-7 -- Ox. or Red.

• Clay Red Rozman Throwing -- Clay -- c2-4 -- Oxidation

• Clay Sandy-Tan Stoneware -- -- c4-6 -- Oxidation

• Clay Sculptural Porcelain -- Clay -- c6-8 --

• clay Thom's Red -- -- c6 -- Oxidation

• Clay Warm Brown RISD 96 -- Clay (Stoneware) -- c6 -- Oxidation

• clay White Casting Brute 32 No Weigh Campana -- Clay casting -- c6 -- Ox. or Red.

• Clay White Casting c6 -- Casting slip -- c5-6 -- Oxidation

• Clay White Plastic VC -- Clay -- c5-6 -- Ox. or Red.

• Clay White Throwing -- Clay (Stoneware) -- c5-6 -- Reduction

• Clay White Translucent VC -- Clay -- c4-6 -- Ox. or Red.

• Clay: Revised Steve's White -- Clay (Mid-Range) -- c5-6 -- Ox. or Red.

• Clear -- -- c6 --

• Clear -- -- c6 -- reduction

• Clear -- -- c4 - 8 -- Ox. or Red.

• Clear (Huddleston) -- -- c5 - 6 -- oxidation

• Clear (Ian Begg) -- -- c5 - 6 --

• Clear 184 Gloss Bowes -- Mid-fire -- c5 -- Oxidation

• Clear 184 Gloss Bowes NO GB -- Mid-fire -- c5 -- Oxidation

• Clear 184 Gloss Bowes NO GB No Crazing -- Mid-fire -- c5 -- Oxidation

• clear 3 part -- -- c5 - 6 -- oxidation

• Clear 5-6 -- Mid-fire -- c5 - 6 -- Ox. or Red.

• clear absolutely -- -- c6 -- oxidation

• Clear Base -- -- c6 --

• Clear base -- -- c6 -- Oxidation

• Clear Base (Cone 5-10) -- -- c5 - 10 -- Oxidation

• Clear Base Bob Wicks -- -- c6 -- oxidation

• Clear Base David Pier Glaze -- -- c5-6 -- Oxidation

• Clear base Martin Warwick -- Mid-fire -- c6 -- Oxidation

• Clear Buttery Grandey -- Mid-fire -- c6 -- Oxidation

• Clear Dinah's Transparent -- -- c5 -- Oxidation

• Clear Frit 25 -- -- c5 - 7 --

• Clear Glaze 5-6 -- -- c5 - 6 --

• Clear Glaze 5-6 recalc -- -- c5 - 6 --

• Clear Gloss -- -- c5-7 -- Oxidation

• Clear Gronborg -- -- c5 --

• Clear GTB -- -- c6 -- Ox. or Red.

• Clear Katherine's 6 -- Mid-fire -- c6 -- Oxidation

• Clear Kitten's -- Mid-fire -- c5-6 -- Oxidation

• Clear Kitten's less crazy more clay -- Mid-fire -- c5-6 -- Oxidation

• Clear Kitten's No GB2 -- Mid-fire -- c5-6 -- Oxidation

• Clear Kitten's No GB2 less KNaO -- Mid-fire -- c5-6 -- Oxidation

• Clear Kitten's No GB2 less KNaO more clay -- Mid-fire -- c5-6 -- Oxidation

• Clear Kitten's No GB2 less KNaO more clay F-38 -- Mid-fire -- c5-6 -- Oxidation

• Clear Kitten's No GB2 less KNaO more clay2 -- Mid-fire -- c5-6 -- Oxidation

• Clear Kitten's revised by Steve -- -- c5 -- Oxidation

• Clear Kitten's Sally's -- Mid-fire -- c6 -- Oxidation

• Clear Kona Gloss -- -- c6 -- Reduction

• Clear Les Lawrence -- -- c6 -- oxidation

• Clear Parker Gloss 5 -- -- c5 -- Ox. or Red.

• Clear Patti's Crystal 5-7 -- -- c5 - 7 -- Ox. or Red.

• Clear Patty's Crystal 2 -- -- c5 -- Oxidation

• Clear Plainsman -- -- c6 --

• Clear semi-mat Glaze -- -- c6 --

• Clear Simple Glaze -- -- c6 -- oxidation

• Clear Tracy Wilson's -- Mid-fire -- c5 - 6 -- Ox. or Red.

• Clear V.C. 2 -- Ca Na B -- c5 - 6 -- Ox or Red

• Colemanite White Glaze -- -- c5 -- oxidation

• Copper Red -- -- c6 -- Reduction

• Crackle Snowflake #4 -- -- c6-7 -- Oxidation

• Crackle Snowflake #8 -- Crackle -- c6-7 -- Oxidation

• Crackle Snowflake Original -- Crackle -- c6-7 -- Oxidation

• Crater glaze -- Crater -- c6 -- Reduction

• Craters test -- Crater -- c6 -- Oxidation

• Crawl Ball -- Crawl -- c6 -- Ox. or Red.

• Crawl Bone Ash -- Crawl -- c6 -- Oxidation

• Crawl CM Ball -- Crawl -- c6 -- Ox. or Red.

• Crawl Jamie's -- Crawl -- c6 -- Oxidation

• Crawl Robin Hopper -- Crawl -- c6 -- Oxidation

• Crawl SDSU -- Crawl -- c6 -- Ox. or Red.

• Cream Breaking Red -- -- c6 -- Oxidation

• Creme of Mushroom -- -- c6 --

• Crystal Matt -- Crystalline -- c5-8 -- Oxidation

• Crystalline Black -- Crystalline -- c6 --

• Crystalline Manganese -- Crystalline -- c5-6 -- Ox. or Red.

• cullet glaze -- -- c2 - 6 -- oxidation

• Cyndi's Revision 5-A -- Magnesium matt -- c5-6 -- Oxidation

• Cyndi's Revision 5-C -- Magnesium matt -- c5-6 -- Oxidation

• D.K. 11 -- Ca Liner MidRoad -- c5 - 6 -- Ox. or Red.

• D.K. 11 Revised -- Ca Liner MidRoad -- c5 - 6 -- Ox. or Red.

• Darby 1 -- -- c6 -- Oxidation

• Darby 2 -- -- c6 -- Oxidation

• Dark Brown Gloss -- -- c6 -- oxidation

• Dark Brown Matt -- -- c6 -- oxidation

• DR -- -- c6 --

• Eggshell -- Zinc matt -- c6 -- Oxidation

• Eggshell David Hewitt's -- Magnesium matt -- c6 -- Oxidation

• Eggshell recalc -- Zinc matt -- c6 -- Oxidation

• Ellen's Halloween -- Ca Ba AlMatt -- c5 - 7 -- Reduction

• Engobe Black Vitreous -- Slip -- c6 -- Ox. or Red.

• G 1 -- Li Ba -- c5 -- Ox or Red

• G-200 Matt -- -- c5 -- Oxidation

• GDR6 -- -- c6 --

• Gloss #3 -- -- c6 -- Oxidation

• Gloss 184 -- -- c6 -- Oxidation

• Gloss Base Bill Aycock's -- -- c6 -- Ox. or Red.

• Gloss Base Bill Aycock's no GB -- -- c6 -- Ox. or Red.

• Gloss Clear -- -- c6 -- oxidation

• Gloss I V.C. Easy -- Ca B AlMatt -- c5 - 6 -- Ox or Red

• Gloss Off-White -- Mid-fire -- c6 -- Oxidation

• Gloss Parker -- -- c5 -- Oxidation

• Gloss Parker -- -- c5 --

• Gloss speckled blue-grey -- -- c6 - 8 -- Oxidation

• Gloss Transparent -- -- c2 - 5 -- Ox. or Red.

• GLOSS TRANSPARENT -- -- c6 -- oxidation

• Gloss White -- -- c4 - 5 - 6 - 7 - 8 -- oxidation

• Glossy -- Ca Mg AlMatt -- c5 - 6 -- Ox or Red

• Glossy Geoff Wheeler -- -- c6 -- Oxidation

• GNB11 -- -- c6 --

• GNB7 -- -- c6 -- oxidation

• GNB9 -- -- c6 -- oxidation

• Gold Klinesville (Jeff Dietrich) -- -- c6 - 7 -- Ox. or Red.

• Gold Metallic -- Metallic -- c6 -- Oxidation

• Gold Metallic Reynold's -- Metallic -- c6-10 -- Ox. or Red.

• Graphite Metallic Glaze -- Metallic -- c5 -- Oxidation

• Gray Gunmetal -- Metallic -- c6 --

• Gray-White Stony -- -- c5 -- oxidation

• Green Beth's Shiny -- -- c5 - 7 --

• Green Beth's Shiny -- Mid-fire -- c5 - 7 -- oxidation

• Green black matt - Brandeis -- -- c6 - 10 -- Oxidation

• Green Bullfrog -- -- c5 -- oxidation

• Green Dragon Matt -- Zinc matt -- c6 -- Oxidation

• Green Emerald -- -- c6 -- Oxidation

• Green Forrest -- -- c6 -- oxidation

• Green Glaze -- Zinc matt -- c5 -- Oxidation

• Green Gorgeous Gloss -- -- c6 -- Oxidation

• Green Hunter -- -- c6 --

• Green IE4E -- -- c6 -- Ox. or Red.

• GREEN MANNING -- -- c6 --

• Green Matt -- -- c5 --

• Green Metal Patina Reynolds -- Metallic -- c6 -- Oxidation

• Green Mexico Point -- Mid-fire -- c6 -- Ox. or Red.

• Green Mossy -- -- c6 -- Ox. or Red.

• Green Phila -- -- c6 -- reduction

• Green Randy's -- -- c5 - 6 -- oxidation

• Green Sana (C6 revision) -- -- c6 --

• Green Sana's (original formula) -- -- c6 - 10 --

• Green Sana's rev. -- -- c4 - 7 -- ox. or red.

• Green Soft with Pink Flecks -- -- c6 -- oxidation

• Green Sombright 3 -- Mid-fire -- c6 -- Oxidation

• Green Translucent Deep -- -- c5 - 6 -- oxidation

• Green, Randy's -- -- c5 - 6 -- oxidation

• Green-Black Pete's -- -- c6 -- Oxidation

• Grey -- -- c2 - 5 -- Ox. or Red.

• GTB Clear -- -- c6 -- Ox. or Red.

• Gun Metal -- Metallic -- c6 -- ?

• Happy -- Mid-fire -- c5 -- Oxidation

• Honey Lucas -- -- c6 -- Salt - Soda

• HOPS #2 -- -- c6 --

• IE 13 A -- -- c6 -- Oxidation

• IE 130 D -- -- c6 -- Oxidation

• IE 149 -- -- c6 --

• IE 149 -- -- c6 --

• IE 2 A -- -- c6 --

• IE 30 B -- -- c6 -- Oxidation

• IE 30 F -- -- c6 --

• IE 30 O -- -- c6 --

• IE 30M -- -- c6 --

• IE 30N -- -- c6 -- Oxidation

• IE 35 -- -- c6 -- Oxidation

• IE 4 -- -- c6 -- oxidation

• IE 4 E -- -- c6 -- oxidation

• IE 40 -- -- c6 -- Oxidation

• IE 41 -- -- c6 -- Oxidation

• IE 42 -- -- c6 -- Oxidation

• IE 43 -- -- c6 -- Oxidation

• IE 44 -- -- c6 -- Oxidation

• IE 45 -- -- c6 -- Oxidation

• IE 49 -- -- c6 --

• IE 50 -- -- c6 --

• IE 52 -- -- c6 --

• IE 6 -- -- c6 -- oxidation

• IE 68 -- -- c6 -- oxidation

• IE 76 -- -- c6 --

• IE 77 -- -- c6 -- oxidation

• IE 78 -- -- c6 -- oxidation

• IE 8 -- -- c6 -- oxidation

• IE 82 -- -- c6 --

• IE 84 -- -- c6 --

• IE 9 -- -- c6 --

• IE Black -- -- c6 --

• IE Red -- -- c6 -- Oxidation

• IE105H -- -- c6 --

• IE170 -- -- c6 --

• IE27A/H -- -- c6 -- Ox. or Red.

• IE27A/I -- -- c6 -- Ox. or Red.

• IE27A/O -- -- c6 --

• IE3 -- -- c6 -- Ox. or Red.

• IE30K -- -- c6 -- Ox. or Red.

• IE4C -- -- c6 --

• IE81 -- -- c6 -- Oxidation

• Indian Red -- -- c6 -- Oxidation

• Indian Red 2nd Edition -- -- c6 -- ox. or red.

• Iron Red -- Iron Saturate -- c6 -- Oxidation

• Ivory Smooth Matt -- -- c --

• Jade Green -- Mid-fire -- c4 -- Oxidation

• Jade Green Base cone 5 -- -- c5-6 -- Oxidation

• Jade Green Matt -- Ba -- c5 -- Oxidation

• Jade Matte -- Mid-fire -- c6 -- Oxidation

• JDB73 -- -- c6 --

• JDB81 -- -- c6 -- Ox. or Red.

• JDB84 -- -- c6 -- Ox. or Red.

• JDB84A -- -- c6 -- Ox. or Red.

• Karen's cone 6 -- -- c6 -- Oxidation

• Karen's Turquoise Satin -- -- c6 --

• Karen't Starshine Cone 6 -- -- c6 -- Oxidation

• Karen't Starshine Cone 6 no GB -- -- c6 -- Oxidation

• Kemp 1 -- -- c6 - 7 -- Ox. or Red.

• Kemp 10 -- -- c6 - 7 -- Ox. or Red.

• Kemp 11 -- -- c6 - 7 -- Ox. or Red.

• Kemp 12 -- -- c6 - 7 -- Ox. or Red.

• Kemp 13 -- -- c6 - 7 -- Ox. or Red.

• Kemp 14 -- -- c6 - 7 -- Ox. or Red.

• Kemp 15 -- -- c6 - 7 -- Ox. or Red.

• Kemp 16 -- -- c6 - 7 -- Ox. or Red.

• Kemp 17 -- -- c6 - 7 --

• Kemp 18 -- -- c6 - 7 -- Ox. or Red.

• Kemp 19 -- -- c6 - 7 -- Ox. or Red.

• Kemp 2 -- -- c6 - 7 -- Ox. or Red.

• Kemp 20 -- -- c6 - 7 -- Ox. or Red.

• Kemp 3 -- -- c6 - 7 -- Ox. or Red.

• Kemp 4 -- -- c6 - 7 -- Ox. or Red.

• Kemp 5 -- -- c6 - 7 -- Ox. or Red.

• Kemp 6 -- -- c6 - 7 -- Ox. or Red.

• Kemp 7 -- -- c6 - 7 -- Ox. or Red.

• Kemp 8 -- -- c6 - 7 --

• Kemp 9 -- -- c6 - 7 --

• Kendall Matt -- -- c6 --

• Lava Marilee's -- Lava -- c6 -- Ox. or Red.

• Lavender Satin -- -- c6 - 7 --

• Lewing 5CL -- -- c5 -- Ox. or Red.

• Lichen Bell's -- Lichen -- c6-8 -- Oxidation

• Lichen Glaze -- -- c6 -- Ox. or Red.

• Light Blue -- -- c5, 6, 7, 8 -- Ox. or Red.

• Light Peach -- -- c6 -- Ox. or Red.

• Lisa's Favorite -- -- c6 -- Ox. or Red.

• Lydahl 1 -- Ba Ca -- c5 -- Ox or Red

• Lydahl 3 -- Ca Zn Mg Na AlMatt -- c5 -- Ox or Red

• Majolica C 5 Version A Storer -- Majolica -- c5-6 -- Oxidation

• Majolica c4 -- Majolica -- c4 -- Oxidation

• Majolica c5 Storer -- Majolica -- c5 -- Oxidation

• Majolica c5 version H Storer -- Majolica -- c5 -- Oxidation

• Majolica cone 6 No GB -- Majolica -- c6 -- Oxidation

• Majolica Mid-range cone 6 -- Majolica -- c6 -- Oxidation

• Majolica Midrange 2 -- Ca B Majolica -- c5 - 6 -- Oxidation

• Majolica Midrange 96 -- Majolica -- c5-7 -- Oxidation

• Majolica Midrange 96 Revised -- Majolica -- c5-7 -- Oxidation

• Majolica Rozman -- Majolica -- c2-4 -- Oxidation

• Majolica Vina's -- Majolica -- c6 -- Oxidation

• Maroon Cyndi's Satin -- Mid-fire -- c6 -- Oxidation

• Matte #2 Adelaide Paul -- -- c6 -- Oxidation

• Matte 1213P Calcium -- Mid-fire -- c5 -- Ox. or Red.

• Matte Alkaline Base -- Alkaline -- c5-6 -- Ox. or Red.

• Matte B -- Lithium Matt -- c6 -- Oxidation

• Matte B from Geoff Wheeler -- Lithium Matt -- c6 -- Oxidation

• Matte base -- -- c6 -- ox. or red.

• Matte Base 5 -- Ca Mg -- c5 - 6 -- Ox or Red

• Matte base Amy's Magic -- -- c5 -- Oxidation

• Matte Base Glaze Chris Pickett -- Lithium matt -- c6 -- Oxidation

• Matte Base Hatch -- -- c6 --

• Matte Bird -- -- c6 -- Ox. or Red.

• Matte Black -- -- c6 --

• Matte BQ -- Magnesium matt -- c6 -- oxidation

• matte c6 -- -- c6 -- oxidation

• Matte Calcium Frank Martin -- -- c4-7 --

• Matte Clear -- -- c6 - 9 --

• Matte clear Bowes -- -- c5 -- Oxidation

• Matte Deep Mauve -- Mid-fire -- c6 -- Oxidation

• Matte EM Base -- -- c6 -- Oxidation

• Matte G200 -- -- c5 -- Oxidation

• Matte Kathy King Satin -- Mid-fire -- c6 -- Oxidation

• Matte Kendall -- -- c6 -- reduction

• Matte Mammo -- Magnesium matt -- c5-6 -- Oxidation

• matte original c6 -- -- c6 -- oxidation

• Matte Pete's Strontium -- -- c6-10 -- Ox. or Red.

• Matte Polished -- Ca Mg AlMatt -- c5 - 6 -- Ox or Red

• Matte purple/black -- -- c5 --

• matte R-1000 -- -- c6 -- Ox. or Red.

• Matte Robert Silverman -- Mid-fire -- c6 -- Oxidation

• Matte Satin VC -- -- c5-6 -- Ox. or Red.

• Matte SOFT ONE -- -- c5 - 6 -- Oxidation

• Matte Stoney Base Rozman -- Mid-fire -- c2-4 -- Oxidation

• Matte Stony -- -- c6 -- Oxidation

• Matte Strontium -- -- c5 -- Oxidation

• Matte Super Dry -- Mid-fire -- c6 -- Ox. or Red.

• Matte Super Dry no GB -- Mid-fire -- c6 -- Ox. or Red.

• Matte V.C. 3 -- Ca Zn AlMatt -- c5 - 6 -- Ox or Red

• Matte V.C. Polished -- Ca Mg AlMatt -- c5 - 6 -- Ox or Red

• Matte V.C. Polished -- Magnesium matt -- c5 - 6 -- Ox or Red

• Matte Val's Awsome KK Revised -- Mid-fire -- c6 -- Oxidation

• Matte Val's KK Revised True -- Mid-fire -- c6 -- Oxidation

• Matte Val's KK Revised True Revised -- Mid-fire -- c6 -- Oxidation

• Matte Val's True Revised -- -- c --

• Matte White -- -- c6 --

• metallic black -- -- c6 --

• Metallic Bronze cone 2-6 -- Metallic -- c2-6 -- Oxidation

• Metallic Matt Black -- -- c6 - 9 --

• Metallic Pewter Luster -- Metallic -- c6 -- Oxidation

• Mint Green -- -- c6 -- Oxidation

• MME -- -- c6 --

• MMI -- -- c6 --

• MMM -- -- c6 -- oxidation

• MMN -- -- c6 --

• MMO -- -- c6 -- oxidation

• Name 1 -- Ca B -- c5 - 6 -- Ox or Red

• Name 2 -- Na Ca Ba AlMatt -- c5 - 6 -- Ox or Red

• Name 3 -- Ca B -- c5 - 6 -- Oxidation

• Name 4 -- Ca B SlipGlaze -- c5 - 6 -- Ox or Red

• NDVC -- Ca Li AlMatt -- c5 - 6 -- Reduction

• new glaze -- -- c --

• No. 92 -- Ca Pb FritLead -- c4 - 6 -- Oxidation

• No. 98 -- Ca B MidRoad -- c4 - 6 -- Ox. or Red.

• Nutmeg Creamy -- -- c6 -- Oxidation

• Nutmeg Richard Busch's -- Lithium Matt -- c6 -- Oxidation

• Oatmeal Pike's -- -- c6 --

• Off-White Gloss -- Mid-fire -- c6 -- Oxidation

• Oil Spot -- -- c5 - 9 -- oxidation

• Old Gold Albany -- Li Ca Mg Zr SlipGlaze -- c5 - 6 -- Ox or Red

• Orange Brown Speckled Tan number 288 -- Mid-fire -- c6 - 8 -- reduction

• Orange Creamy Matte -- -- c5 -- Oxidation

• Orange Red -- Iron saturate -- c6 -- Oxidation

• Orange-Red Base -- Iron Saturate -- c6 -- Oxidation

• Orange/Brown gloss Kemp 8 -- -- c6 - 7 -- Ox. or Red.

• OSB -- -- c6 -- Ox. or Red.

• Oxblood -- -- c6 -- reduction

• Pearly -- -- c6 --

• Persimmon -- -- c6 -- Ox. or Red.

• PG-2 Transparent Gloss -- -- c6 --

• Pink -- -- c6 --

• Pink Base -- -- c5 --

• Pink Bright -- Lithium Matt -- c6-7 -- Oxidation

• Pink Cr-Sn Matt -- Chrome-tin pink -- c6 -- oxidation

• Pink Cr-Sn MME -- -- c6 --

• Pink Glaze -- Zinc matt -- c5 -- Oxidation

• PINK IE 157 -- -- c6 -- Oxidation

• Pink Nickel -- Mid-fire -- c6 -- oxidation

• Pink Pale Matt -- Mid-fire -- c6 -- oxidation

• Pink Powder Box -- Mid-fire -- c5 - 6 -- oxidation

• Pink Powder Box -- -- c5 - 6 -- oxidation

• Pinnell Strontium Matt Glaze -- -- c6 --

• Plum Ed's -- Chrome-tin pink -- c6 --

• Plum Ed's 6 -- -- c6 -- Oxidation

• PMSP 4 Base -- -- c6 - 8 -- oxidation

• Purple -- -- c6 -- oxidation

• Purple Bright Matt -- -- c5 -- Oxidation

• Purple Dark -- -- c6 --

• Purple Eggplant -- Magnesium matt -- c6 --

• Purple Elyse's Matt -- Mid-fire -- c6 -- Oxidation

• Purple Emily's -- Magnesium matt -- c6-8 -- Ox. or Red.

• Purple Jeannie's -- Mid-fire -- c6 -- Oxidation

• Purple Matt Elyse's -- Mid-fire -- c6 -- Oxidation

• Purple Matt Elyse's no GB -- Mid-fire -- c6 -- Oxidation

• Purple semi-matte -- Zinc matt -- c5 -- Oxidation

• purple/black Matt -- -- c5 -- Oxidation

• Pussywillow c 5-6 -- -- c5-6 -- Oxidation

• Pussywillow Matte c 5-6 -- -- c5-6 -- Oxidation

• Pussywillow no GB -- -- c6 -- Oxidation

• Raspberry -- Mid-fire -- c6 -- Oxidation

• Red Chrome-Tin Gloss Scott's -- -- c5 -- Oxidation

• Red Copper/Blue-Green -- Copper red -- c6 -- Ox. or Red.

• Red Iron Test#^6/23 Cone Six -- Iron saturate -- c6 -- Oxidation

• Red Ketchup - iron red -- Iron Saturate -- c6 -- oxidation

• Red Pink to Purple Mauve -- -- c6 -- oxidation

• Red Randy's iron -- Iron Saturate -- c6 - 10 -- Ox. or Red.

• Red Rich Deep -- Copper red -- c6 - 8 -- Oxidation

• Red Rust -- Iron Saturate -- c6 -- Reduction

• Red Scott's chrome-tin -- Chrome-tin pink -- c5-6 --

• RED TENMOKU -- -- c6 --

• Red Tomato -- Iron Saturate -- c6 -- oxidation

• Red Towy -- Iron saturate -- c6 -- Oxidation

• Red/Burgundy -- Chrome-tin pink -- c6 -- Oxidation

• Red/Gold Shaner Revision -- -- c5-6 -- Oxidation

• Red/Purple/Green Vivian's -- -- c6 --

• Ron Roy PMSP-4 -- -- c6 - 8 -- oxidation

• Rutile Gibby's -- -- c6 --

• Salvation Glaze -- -- c6 -- Oxidation

• Satin Base -- -- c6 -- Ox. or Red.

• Satin Base -- -- c6 -- Ox. or Red.

• Satin Base C. Gareri -- Mid-fire -- c4 - 8 -- oxidation

• Satin Black -- -- c6 --

• Satin Clear Kyla Toomey -- -- c6 -- Oxidation

• Satin Clear Odyssey -- -- c6 -- Oxidation

• Satin Dixon 5-6 -- Magnesium matt -- c5-6 -- Oxidation

• Satin Dixon no GB -- Mid-fire -- c6 -- Oxidation

• Satin Dixon no GB Revised -- Mid-fire -- c6 -- Oxidation

• Satin Dixon Revised Alyssa Welch -- -- c6 -- Oxidation

• Satin Dixon Revised Bowes -- -- c5 -- Oxidation

• Satin EM from Chandra DeBuse -- Mid-fire -- c6 -- Oxidation

• Satin Frosty Lindsay's -- -- c5-6 -- Oxidation

• Satin Gloss Butter -- -- c6 -- Oxidation

• Satin Matte 4 -- Ca B AlMatt -- c5 - 6 -- Ox or Red

• Satin Matte Cushing -- -- c4 -- Oxidation

• Satin Matte G218 Conrad's -- -- c5-9 -- Ox. or Red.

• Satin Matte Gray-Green Pete's -- Lithium Matt -- c6 -- Oxidation

• Satin Matte Kathy King -- Mid-fire -- c5-6 -- Oxidation

• Satin Matte King- Pinnell recalc -- Mid-fire -- c8 -- Oxidation

• Satin Matte Rexrode -- -- c6 -- Oxidation

• Satin Matte V.C. Good Color -- Ba Ca Na B -- c5 - 6 -- Ox or Red

• Satin Matte white L. A. -- -- c5 -- Ox. or Red.

• Satin Matte Xavier -- -- c6 -- Oxidation

• Satin no GB -- Mid-fire -- c6 -- Oxidation

• SATIN OATMEAL -- -- c6 --

• Satin Spodumene -- -- c6 -- reduction

• Satin Wanamaker (Jeff Dietrich) -- -- c6 - 7 -- Oxidation

• Satin Zakin Butter -- -- c6 -- Oxidation

• SCVC 5 -- Ca Mg -- c5 - 6 -- Ox or Red

• Sea Foam -- -- c6 -- Ox. or Red.

• Seafoam Pete's -- Alkaline -- c6 -- Oxidation

• Semi-gloss gray-brown -- -- c5 -- Oxidation

• Semi-matte High Calcium Base 2 -- -- c6 --

• Semi-transparent Matte -- -- c5 -- oxidation

• SG Dryish Stone Matt -- Mg Ca Na -- c5 - 6 -- Reduction

• SG Less Silky Test -- Magnesium matt -- cone 5-6 -- Oxidation

• SG Silky -- -- c5 -- Oxidation

• SG Silky c 5-6 -- -- c5-6 -- Oxidation

• SG-42 Clear Glaze -- -- c5 - 7 -- Ox. or Red.

• Shaner Revision -- Mid-fire -- c5-6 -- Ox. or Red.

• Shaner Revision 1 -- Ca AlMatt MidRoad -- c5 - 6 -- Reduction

• Shaner Revision 2 -- Ca MidRoad AlMatt -- c5 - 6 -- Reduction

• Shimmer -- -- c4 - 8 --

• Shino -- -- c6 -- reduction

• Shino Falls Creek -- Shino -- c5 - 7 -- Ox. or Red.

• Shino type Glaze -- -- c6 --

• Shiny -- -- c5 -- Oxidation

• Shiny cone 5-6 -- -- c5-6 -- Oxidation

• Slip #1818 Kawai -- Slip -- c6 - 10 -- Ox. or Red.

• slip Barranger -- Slip -- c5-6 -- Ox. or Red.

• Slip Cushing HF3 White Base -- Slip -- c4-12 --

• Slip for dry to bisque application -- Slip -- c4-6 -- Ox. or Red.

• Slip G-String Slap-On Slick Thick -- -- c5 -- Ox. or Red.

• Slip Hands in Clay white -- -- c6 - 11 --

• Slip Ozona Burgundy -- Slip -- c6 --

• slip Ozona gritty variations -- Slip -- c6 --

• Slip Ozona Naples Yellow -- Slip -- c6 -- Oxidation

• Slip Ozona Red -- -- c6 --

• Slip Ozona White -- Slip -- c6 --

• slip redart -- Slip -- c5-6 -- Ox. or Red.

• Slip Rob's White -- Slip -- c5-6 -- Ox. or Red.

• Slip Ron Meyers -- Slip -- c02 -- Ox. or Red.

• Slip Rutile -- -- c2 - 5 -- Ox. or Red.

• slip Speirs -- Slip -- c5 - 10 --

• Slip White Base VC -- Slip -- c4-6 -- Reduction

• slip Yellow Ozona Naples -- Slip -- c6 --

• Soft Green with Pink Flecks -- -- c6 --

• Speckled glaze -- -- c6 -- Oxidation

• Spodumene -- -- c6 --

• Spodumene Alfred B.J. cone 6 -- Magnesium matt -- c6 -- Reduction

• Stone Matt -- -- c5-6 -- Oxidation

• Straw -- -- c6 -- Ox. or Red.

• Strontium Matte cone 2 -- -- c2 -- Oxidation

• Super Deluxe -- -- c5 - 8 --

• Superglaze -- -- c6 -- Ox. or Red.

• Swoosh #1 -- -- c6 -- Ox. or Red.

• Swoosh #2 -- -- c6 -- Ox. or Red.

• Tan Dave's Base -- Mid-fire -- c5-6 -- Oxidation

• Tan Annette's Florida -- -- c6 -- Ox. or Red.

• Tan Permanent -- -- c6 -- oxidation

• Tan Satin Matt -- -- c6 -- reduction

• Tan SPECKLED -- Mid-fire -- c6 -- Oxidation

• Tan Vals -- -- c5 - 6 -- oxidation

• TAVC -- Ca Na -- c5 - 6 -- Ox. or Red.

• Tea Dust Temmoku Gold -- Temmoku (Tea dust) -- c5-6 -- Oxidation

• Temmoku -- -- c6 -- reduction

• Temmoku Gold V's -- Mid-fire -- c5-7 -- Reduction

• Temmoku Pete Pinnell revised -- Temmoku -- c6 -- Ox. or Red.

• Temmoku-tea dust -- Temmoku (Tea dust) -- c6-10 -- Reduction

• Ten ZA -- -- c6 --

• TESSHA LIKE -- -- c4 - 6 --

• TIZZY F -- -- c6 -- Ox. or Red.

• TMH 4 -- -- c6 -- oxidation

• Tomato Red John Post's -- Iron Saturate -- c6 -- Oxidation

• Tomato Red Pete Pinnell -- Iron Saturate -- c6 -- Oxidation

• Tomato Red Pete's #3 -- -- c6 -- Oxidation

• Tomato Red Test#^6/23 Cone Six Iron -- -- c6 --

• Translucent Base -- Zn Ca Na -- c5 - 6 -- Ox. or Red.

• Translucent Deep Green -- -- c5 - 6 --

• Transparent 1 -- Ca Na -- c5 - 6 -- Ox or Red

• Transparent 2 -- Ca MidRoad -- c5 - 6 -- Ox or Red

• Transparent 3 -- Ca B MidRoad -- c5 - 6 -- Ox or Red

• Transparent 4 -- Ca Na B -- c5 - 6 -- Ox. or Red.

• Transparent 5 -- Zn Ca Na -- c5 - 6 -- Ox or Red

• Transparent 6 -- Ca Zn RawLead -- c5 - 6 -- Oxidation

• Transparent 7 -- Zn Ca Pb B FritLead -- c5 - 6 -- Oxidation

• Transparent 8 -- Ca B MidRoad -- c5 - 6 -- Ox or Red

• Transparent Base Glaze Tipton -- -- c6 -- Oxidation

• Transparent Glossy 3 -- Ca B -- c5 - 6 -- Ox. or Red.

• Transparent Semi-matte -- -- c5 - 6 -- Ox. or Red.

• Turquoise -- -- c6 -- Ox. or Red.

• Turquoise -- -- c5-6 --

• Turquoise -- -- c5-6 --

• Turquoise Brilliant Matt -- Mid-fire -- c6 -- oxidation

• Turquoise Glaze -- Zinc matt -- c5 -- Oxidation

• Turquoise Matt -- -- c5 --

• Turquoise Matt rev1 -- -- c5 -- oxidaition

• Turquoise Rhodes -- Zn B MidRoad -- c2 - 5 -- Oxidation

• Turquoise V.C. Karen Starshine -- -- c6 -- Ox. or Red.

• Turquoise/Green Crystal Nelson -- Lithium Matte -- c5-6 -- Oxidation

• Underglaze Mason Stain Mixture -- Underglaze -- c5 - 6 -- Ox. or Red.

• V.C. 5 -- Ca Na -- c5 - 6 -- Ox or Red

• V.C. 1 -- Ca Ba Na B -- c4 - 6 -- Ox or Red

• V.C. 1-6 -- Ca B -- c5 - 6 -- Ox or Red

• V.C. 2 -- Ca Na -- c4 - 6 -- Ox or Red

• V.C. 2-6 -- Na Ca Ba AlMatt -- c5 - 6 -- Ox or Red

• V.C. 3 -- Ca Na -- c4 - 6 -- Ox or Red

• V.C. 4 -- Ca Na -- c4 - 6 -- Ox or Red

• V.C. 5 -- Ca Na B -- c4 - 6 -- Ox. or Red.

• V.C. 5 -- Ca Na B -- c4 - 6 -- Ox. or Red.

• V.C. 7 -- Ca Na Mg SlipGlaze AlMatt -- c4 - 6 -- Ox or Red

• V.C. 71 -- Mid-fire -- c6 -- Oxidation

• V.C. 8 -- Ca AlMatt -- c4 - 6 -- Ox or Red

• V.C. G 3 -- Ca Zn AlMatt -- c5 - 6 -- Ox or Red

• V.C. G 4 -- Ca B AshGlaze -- c5 - 6 -- Reduction

• V.C. G 5 -- Ca Na -- c5 - 6 -- Ox or Red

• V.C. Karen Weinkauf -- Na Ca -- c4 - 6 -- Oxidation

• V.C. Med Temp 1 -- Ca Zn Na AlMatt -- c5 - 6 -- Ox or Red

• Val Cushing's SCVC5 -- -- c6 --

• Vickie's Barnard -- -- c6 - 9 --

• Vivikas reduction -- -- c2 - 6 -- reduction

• Waxy #3 -- -- c6 -- Oxidation

• Waxy base -- Mid-fire -- c6-10 -- Oxidation

• Waxy Kevin's -- Magnesium matt -- c6 -- Oxidation

• Weathered Bronze -- Strontium matt -- c6 -- Oxidation

• White -- -- c2 - 5 -- Ox. or Red.

• white Axner -- Mid-fire -- c6 - 7 -- oxidation

• White Base UM -- Mid-fire -- c6 -- Oxidation

• White base yee vian shin 1 -- -- c6 -- Oxidation

• White Cornball -- -- c6 -- oxidation

• White Gloss -- -- c4-8 -- oxidation

• White Gloss IV V.C. Easy -- Ca Na B -- c5 - 6 -- Ox or Red

• White Happy -- Magnesium matt -- c6 -- Oxidation

• White Jane's Gloss -- Majolica -- c6 -- Oxidation

• White Kona -- -- c6 -- oxidation

• White Liner Cushing -- -- c5-6 -- Oxidation

• White Liner Val Cushing -- Mid-fire -- c5-6 -- Ox. or Red.

• White Matte -- -- c2 - 5 -- Ox. or Red.

• White Matte -- -- c6 -- Oxidation

• White Matte V.C. Soft -- Na Li MidRoad Shino -- c5 - 6 -- Ox or Red

• White Opaque (Blue) -- -- c6 --

• White Ozona -- -- c6 --

• White Paul's -- -- c6 --

• white Satin Matte L. A. -- Zinc matt -- c5 -- Ox. or Red.

• White Semi-Opaque Satin Lois Marcet -- Ca Li -- c4 - 5 -- Oxidation

• White Slip Glaze -- -- c2 - 5 -- Ox. or Red.

• White Super -- -- c6 -- oxidation

• White UM -- -- c6 --

• White Very Glossy Liner Glaze -- -- c6 -- Oxidation

• White Waxy -- -- c6 -- Ox. or Red.

• White WG -- -- c5 - 6 -- oxidation

• Wood Ash Look -- -- c6 -- oxidation

• yee vian shin 1 -- -- c6 --

• Yellow Bright -- Mid-fire -- c2 - 5 -- Ox. or Red.

• Yellow green slip glaze -- -- c2 - 5 -- Ox. or Red.

• Yellow Ochre Glaze -- Zinc matt -- c6 -- Ox. or Red.

• Yellow Seto Leach -- -- c6 -- oxidation

• Yellow Woo -- -- c6 --

• Yum Yum Chandra's -- -- c6 -- Oxidation

• Yum Yum Chandra's more Si -- -- c6 -- Oxidation

• Yum Yum Chandra's more Si 2 -- -- c6 -- Oxidation

• Yum Yum Chandra's more Si less KNaO -- -- c6 -- Oxidation

• Zakin K15-1 -- -- c6 -- oxidation

Glaze name: 1213P Calcium Matte

Recipe: (Percent, Batch)

Wollastonite             33.9       33.90
Ferro frit 3134          21.1       21.10
Kaolin                   45.0       45.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Smooth, beautiful matte surface submitted by: Michelle Campbell
e-mail: Lackacreek@ccinet.ab.ca source for original recipe: Plainsman
Clays

Glaze name: 2nd Edition Indian Red

Recipe: (Percent, Batch)

Potash feldspar          40.0       40.00
Zinc oxide                4.0        4.00
Dolomite                  3.0        3.00
Whiting                  15.0       15.00
China clay                5.0        5.00
Silica                   33.0       33.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

chrome oxide              0.5        0.50
Red iron oxide            4.0        4.00

Comments:

In oxidation at cone 6 a deep red iron oxide red. In reduction at
cone 6 a deep brown with a slight green tint at close inspection.
source for the original recipe: Emmanuel Coopers Glaze books
submitted by: J.D. e-mail: CLAYJUNKIE@AOL.COM

Glaze name: 5-20's Tony Hansen

Recipe: (Percent, Batch)

EPK                      20.0       20.00
Custer feldspar          20.0       20.00
Wollastonite             20.0       20.00
Frit 3134                20.0       20.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Chemical Analysis Na2O 0.14 Al2O3 0.38 SiO2 3.44 K2O 0.07 B2O3 0.22
MgO 0.02 CaO 0.76 Alumina:Silica ratio is 1.00 : 9.08 Neutral:Acid
ratio is 1.00 : 5.75 Alkali:Neutral:Acid ratio is 1.00 : 0.60 : 3.44
Expansion coefficient: 69.2 x 10e-7 per degree C Oxides causing
abnormal expansion effects: B2O3 John Post jp6mchp@moa.net Sterling
Heights, Michigan

Glaze name: 974 Kawai Celadon

Recipe: (Percent, Batch)

Potash feldspar          62.2       62.24
Whiting                   7.6        7.61
China clay                5.0        4.97
Silica                   25.2       25.18
                        -----    --------
Totals:                 100.0      100.00

Also add:

Black iron oxide          1.5        1.52

Comments:

Original recipe called for limestone, substituted whiting, although
using dolomite might be better. Add 2% Barium Carbonate for bluish
celadon. Also can substitute red iron oxide for the black to get a
yellow green celadon. submitted by: GURUSHAKTI@aol.com

Glaze name: Adeena

Recipe: (Percent, Batch)

K-200 feldspar           21.0       21.00
cz 108-2                 50.0       50.00
Zinc oxide               29.0       29.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Titanium dioxide         12.0       12.00

Comments:

From Sandy Lance. Runny and needs to be feathered to a lighter application at
bottom.

Glaze name: Albany Black

Recipe: (Percent, Batch)

Albany Slip              75.0       75.00
Nepheline syenite        20.0       20.00
Gerstley borate           5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              5.0        5.00

Comments:

Albany sub.= Yellow Banks Red #101 + Whiting 14% approx. + Dolomite
2-3% approx.

Glaze name: Alfred Spodumene B.J.

Recipe: (Percent, Batch)

Kona F-4 feldspar        20.0       20.00
Custer feldspar          20.0       20.00
Spodumene                20.0       20.00
Dolomite                 20.0       20.00
Whiting                   5.0        5.00
Kaolin                   15.0       15.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Tin oxide                 4.0        4.00

Comments:

This is the Alfred Spodumene glaze revised to C/6.

Glaze name: Alkaline Gloss Andy's

Recipe: (Percent, Batch)

Gerstley borate           5.8        5.80
EPK                       7.2        7.20
Frit 3110                76.9       76.90
Silica                   10.1       10.10
                        -----    --------
Totals:                 100.0      100.00

Comments:

From George Bowes

Glaze name: Alkaline Matt

Recipe: (Percent, Batch)

Nepheline syenite        30.0       30.00
Frit 3110                25.0       25.00
Barium carbonate         10.0       10.00
Whiting                  15.0       15.00
EPK                      10.0       10.00
Flint                    10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Base glaze is a whitish, stony point matt. From Val Cushing on Studio Potter web
site.
Variations --
1.1% copper carbonate - light blue
2.5% iron oxide - yellow with orange-greenish streaks
3.1% manganese dioxide - pinkish-purple

Glaze name: Almond Mt St Helens

Recipe: (Percent, Batch)

Custer feldspar          40.0       40.00
Zinc oxide                8.6        8.60
Whiting                  14.9       14.90
EPK                      11.8       11.80
Flint                     4.7        4.70
Mount St. Helens Volcanic   20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    8.0        8.00

Comments:

The following is a Mt. St. Helens ash glaze from the Seattle area.
recipe Makes 1 gal. Good luck! Wendy from Bainbridge Island WA
whampton@aol.com

Glaze name: Amber

Recipe: (Percent, Batch)

Custer feldspar          30.3       30.27
Whiting                  25.7       25.65
Silica                   36.5       36.53
EPK                       7.6        7.55
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide           11.7       11.66

Comments:

Clay Times May/June 2002.  Root beer color on iron-bearing clays. Golden yellow on white clays.  Layers well with oribe green on top or bottom.  Good base for other oxide combinations.

Glaze name: Amber Ash Glaze

Recipe: (Percent, Batch)

Cedar Heights Redart     40.0       40.00
Ferro frit 3124          30.0       30.00
Ash wood                 30.0       30.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    4.0        4.00

Comments:

I used sieved unwashed fireplace ash. An excellent honey gold gloss
 submitted by: Lori Wilkinson e-mail: lorwilk@lookingglass.net
Variations --
Add 3% cobalt for a perfect Black Tested on Dillo White clay at a
full ^6.

Glaze name: Amber Brown Dark Rich

Recipe: (Percent, Batch)

Gerstley borate          46.6       46.70
EPK                      22.9       22.90
Flint                    30.3       30.40
Bone ash                  0.2        0.20
                        -----    --------
Totals:                 100.0      100.20

Also add:

Red iron oxide           10.0       10.00

Comments:

Variations --
refire to cone 08 for opaque rust

Glaze name: Amber Gloss II V.C. Easy

Recipe: (Percent, Batch)

Gerstley borate          50.0       50.00
Barnard clay             25.0       25.00
EPK                      25.0       25.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Glaze Type: Ca B. Firing type: Oxidation From Val Cushing. VC ed

Glaze name: Amber Gloss III V.C. Easy

Recipe: (Percent, Batch)

Gerstley borate          50.0       50.00
Albany slip              25.0       25.00
EPK                      25.0       25.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Base glaze is amber in oxidation, green in reduction.

Glaze name: Amber Honey

Recipe: (Percent, Batch)

Dolomite                 20.0       20.00
Ferro frit 3134          20.0       20.00
Spodumene                20.0       20.00
Kentucky OM #4           20.0       20.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.0        2.00
Manganese dioxide         3.0        3.00
Red iron oxide            5.0        5.00

Comments:

Works at cone 5 or 6.
Lovely amber with some tiny bubbles, floating dust crystals, nice
surface Janet Price, Chief Information Officer Carroll College,
Waukesha WI 53186 jprice@carroll1.cc.edu or jprice@ccadmin.cc.edu
414-524-7120

Glaze name: Amber New Tyler

Recipe: (Percent, Batch)

Ferro frit 3110          20.0       20.00
Red clay                 60.0       60.00
Gerstley borate          20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

tested on white stoneware. AMBER WITH TINY BLACK FLECKS. SHINY.
TRANSLUCENT. submitted by: Sharon LaRocca-Miranda e-mail:
FMIRANDA@alpha.CC.OBERLIN.EDU , FMiranda@oberlin.edu source for
original recipe: Zakin

Glaze name: Apricot/Beige MMI

Recipe: (Percent, Batch)

Potash feldspar          28.2       28.18
Whiting                  18.2       18.18
Talc theoretical          9.1        9.09
Kaolin                   26.4       26.36
Silica                    9.1        9.09
Zinc oxide                9.1        9.09
                        -----    --------
Totals:                 100.0       99.99

Also add:

Chrome oxide              1.8        1.82
Cobalt carbonate          0.2        0.23

Comments:

Semi matt, apricot/beige, even, good. From Brian Kemp, Singapore,
(kempb@nievax.nie.ac.sg) via Rose Downs on ClayArt listserv. CLAY
COLOR/TYPE: Buff Stoneware Fired at 100 degrees per hour to 600
degrees, then free for all to cone 6-7. Kiln Size, Cromarty 25 cu ft.
Manufactured in the UK. CONTRIBUTOR: Brian Kemp Nanyang Technological
University Block B, Room 216 469 Bukut Timah Rd. Singapore, 1025 TEST
SITE: Nanyang Technological University, Singapore
Variations --
Tan = +Iron oxide 0.45 +chrome oxide 1.82

Glaze name: Aqua V.C. Karen Starshine

Recipe: (Percent, Batch)

K-200 feldspar           46.0       46.00
Soda ash                  5.0        5.00
Gerstley borate          12.0       12.00
Whiting                  10.0       10.00
Barium carbonate          5.0        5.00
Lithium carbonate         2.0        2.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Macaloid                  2.0        2.00
Titanium dioxide          4.0        4.00
Copper carbonate          5.0        5.00

Comments:

AU Sp '92 tested by KG in OXIDATION at C/6 on dark brown clay body -
a knockout glaze! The most interesting of the Starshine series to
date tho the green hue was lost. Definitely RUNNY. Good in SODA. Now
- how do we get this color at C/9-10? VC ed

Glaze name: Ash Barium Boron

Recipe: (Percent, Batch)

Wood ash                 24.1       24.07
Barnard clay             20.4       20.37
Custer feldspar          28.4       28.40
Gerstley borate          13.6       13.58
Barium carbonate          9.9        9.88
Zinc oxide                3.7        3.70
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          1.9        1.85

Comments:

Needs to be corrected for fit and pinholes but every clay body is a
different can of worms. The barium/boron eutectic makes it hard to
say what cone this fires to - the longer it is in kiln or the greater
the thermal mass of the kiln the more it will flux. Formulated
originally without the ash or slip clay it was semi-satin, semi-
gloss somewhere around cone 2. Boron subdues the copper coloration.
I'm not taking responsibility for anyone using these glazes, etc.
Something is probably toxic. They are examples of my research and
they work out in formulation. Which is what they are examples of. So
go formulate your own non-toxic glazes, if that is possible. It's
probably bad for the environment too. Email me with questions as to
household performance, as that may be indicative of other problems.
The badly crazed surfaces are not considered to be a continous-non
porous sanitary surfaces. Eric Hansen, Lawrence, Kansas
wabi_sabi@mailexcite.com

Glaze name: Ash Behrends recalc

Recipe: (Percent, Batch)

Feldspar                 57.6       57.60
Gerstley borate          41.6       41.60
Dolomite                  0.3        0.30
Whiting                   0.5        0.50
                        -----    --------
Totals:                 100.0      100.00

Comments:

fluidity: very try useing 65% volcanic ash, 35% gerstly borate. This
is a very fluid glaze, but does not run off the pot. It works very
well over matt glazes. Good luck. submitted by: behrends e-mail:
bluemoon@win.bright.net

Glaze name: Ash Behrens

Recipe: (Percent, Batch)

Volcanic ash             65.0       65.00
Gerstley borate          35.0       35.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

fluidity: very fluid try useing 65% volcanic ash, 35% gerstly borate.
This is a very fluid glaze, but does not run off the pot. It works
very well over matt glazes. Good luck. submitted by: behrends e-mail:
bluemoon@win.bright.net

Glaze name: Ash Bush Fake

Recipe: (Percent, Batch)

Barnard clay             20.0       20.00
Ball clay                26.0       26.00
Wollastonite             30.0       30.00
Gerstley borate          24.0       24.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    1.0        1.00

Comments:

Glaze name: Ash Bush Fake NO GB

Recipe: (Percent, Batch)

Kaolin - theoretical      3.2        3.20
Dolomite                  4.4        4.40
Whiting                  26.1       26.10
Frit 3195                43.2       43.20
Silica                   23.1       23.10
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    1.6        1.60
Manganese dioxide         0.8        0.80
Red iron oxide            3.0        3.00

Comments:

Recalc to substitute for Gerstley borate

Glaze name: Ash Fake

Recipe: (Percent, Batch)

Gerstley borate          50.0       50.00
Barnard clay             25.0       25.00
EPK                      25.0       25.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Nice light glossy golden brown but not really a runny glaze Tested on
Dillo White clay at a full ^6. submitted by: Lori Wilkinson e-mail:
lorwilk@lookingglass.net I think this one is already in glazebase. r

Glaze name: Ash Fake - Mid Range rev.

Recipe: (Percent, Batch)

Gerstley borate          17.1       17.08
Redart clay              37.2       37.16
Nepheline syenite         3.0        2.98
Whiting                  31.0       31.01
Talc                      2.8        2.83
Flint                     2.5        2.54
Strontium carbonate       6.4        6.39
                        -----    --------
Totals:                 100.0       99.99

Comments:

Revised from a recipe that used Albany Slip and Barium Carbonate
originally from Dale Huffman via GlazeBase. Richard Burkett 1994

Glaze name: Ash Fake - Mid Range rev.

Recipe: (Percent, Batch)

Gerstley borate          17.1       17.10
Redart                   37.2       37.20
Nepheline syenite         3.0        3.00
Whiting                  31.0       31.00
Talc                      2.8        2.80
Flint                     2.5        2.50
Strontium carbonate       6.4        6.40
                        -----    --------
Totals:                 100.0      100.00

Comments:

Revised from a recipe that used Albany Slip and Barium Carbonate
originally from Dale Huffman via GlazeBase. Richard Burkett 1994

Glaze name: Ash Fake - Mid Range rev. No GB

Recipe: (Percent, Batch)

Dolomite                  9.2        9.20
Whiting                  23.3       23.30
Strontium carbonate       6.5        6.50
Kaolin - theoretical     17.8       17.80
Silica                    8.7        8.70
Frit 3134                34.3       34.30
Bone ash                  0.2        0.20
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    0.5        0.50
Red iron oxide            2.8        2.80

Comments:

Revised from a recipe that used Albany Slip and Barium Carbonate
originally from Dale Huffman via GlazeBase. Richard Burkett 1994

Glaze name: Ash Fake 2

Recipe: (Percent, Batch)

Gerstley borate          50.0       50.00
Barnard clay             25.0       25.00
EPK                      25.0       25.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Nice light glossy golden brown but not really a runny glaze Tested on
Dillo White clay at a full ^6. submitted by: Lori Wilkinson e-mail:
lorwilk@lookingglass.net I think this one is already in glazebase. r

Glaze name: Ash Fake 3

Recipe: (Percent, Batch)

Whiting                  20.0       20.00
Ferro Frit 3134          20.0       20.00
Custer feldspar          20.0       20.00
Barium carbonate         15.0       15.00
EPK                      15.0       15.00
Gerstley borate          10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

add nickel oxide at 5% for an apple green pooling dark brown runs
nicely and provides lots of interesting results on top of other
glazes. Probably not for food surfaces. Works well with Randy's Red
and Silky Black Matt clay body: Laguna B-mix a white stoneware
submitted by: Iain Begg e-mail: begg@MPRGATE. MPR.CA

Glaze name: Ash Fake Clear - Mid Range rev.

Recipe: (Percent, Batch)

Gerstley borate          17.5       17.48
Nepheline syenite        12.0       11.97
EPK                      13.1       13.11
Whiting                  31.7       31.74
Talc                      4.8        4.81
Flint                    14.4       14.35
Strontium carbonate       6.5        6.54
                        -----    --------
Totals:                 100.0      100.00

Comments:

Revised from a glaze using Albany Slip, originally from Dale Huffman
via GlazeBase. Richard Burkett 1994

Glaze name: Ash Fake Glaze

Recipe: (Percent, Batch)

Cedar Heights Redart     27.2       27.15
Dolomite                 23.8       23.80
Barium sulfate           12.2       12.20
Tennessee #5 ball clay   20.4       20.40
Lithium carbonate         1.7        1.71
Gerstley borate           9.6        9.64
Bone ash                  5.1        5.10
                        -----    --------
Totals:                 100.0      100.00

Comments:

Firing: firing type: oxidation or reduction Here is a cone 6 fake ash
I used when I was taking classes with Kevin Hluch at Montgomery
College in Maryland. It's fairly yellow with greenish runs in
oxidation. Not usually as nice in reduction where it is quite brown
although I liked it thin on certain things back then. You can
probably figure from the decimal places that I copied this from a
10,000 g batch recipie and that whoever figured it out first probably
calculated the amounts rather than testing. Good luck. submitted by:
Evan Dresel e-mail: PEDresel@AOL.COM

Glaze name: Ash Fake Glaze

Recipe: (Percent, Batch)

Cedar Heights RedArt Clay   27.2       27.15
Dolomite                 23.8       23.80
Barium sulfate           12.2       12.20
Tennessee #5 ball clay   20.4       20.40
Lithium carbonate         1.7        1.71
Gerstley borate           9.6        9.64
Bone ash                  5.1        5.10
                        -----    --------
Totals:                 100.0      100.00

Comments:

Here is a cone 6 fake ash I used when I was taking classes with Kevin
Hluch at Montgomery College in Maryland. It's fairly yellow with
greenish runs in oxidation. Not usually as nice in reduction where it
is quite brown although I liked it thin on certain things back then.
You can probably figure from the decimal places that I copied this
from a 10,000 g batch recipie and that whoever figured it out first
probably calculated the amounts rather than testing. Good luck.
submitted by: Evan Dresel e-mail: PEDresel@AOL.COM

Glaze name: Ash Fake Revised Galloway

Recipe: (Percent, Batch)

Custer feldspar          16.8       17.00
Kona F-4 feldspar         9.9       10.00
Ball clay                11.9       12.00
Silica                   17.8       18.00
Dolomite                  8.9        9.00
Whiting                  25.7       26.00
Barium carbonate          8.9        9.00
                        -----    --------
Totals:                 100.0      101.00

Also add:

Rutile                    4.0        4.00
Copper carbonate          2.0        2.00

Comments:

Clay Times May/Jn 2004. See Galloway web site for more glazes www.juliagalloway.com
Variations --
Galloway says rutile 4-12, copper 2-6

Glaze name: Ash Frasca

Recipe: (Percent, Batch)

Whiting                  11.0       11.00
Ash wood                 56.0       56.00
Potash feldspar          11.0       11.00
Ball clay                11.0       11.00
Silica                   11.0       11.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          4.0        4.00

Comments:

Works best dipped or sprayed over another glaze. Alone very dry.
Variations --
blue = cobalt carb 2%

Glaze name: Ash Glaze

Recipe: (Percent, Batch)

Gerstley borate          13.6       13.60
Lithium carbonate         4.5        4.50
wood Ash                 18.2       18.20
Whiting                  18.2       18.20
Albany Slip              36.4       36.40
Kaolin                    9.1        9.10
                        -----    --------
Totals:                 100.0      100.00

Comments:

eally hot Cone 6 ash glaze from: lowell baker on ClayArt Received:
Thu, 16 Feb 1995 08:52:49

Glaze name: Ash Glaze cone 6

Recipe: (Percent, Batch)

Cedar Heights Redart clay   40.0       40.00
Ferro Frit 3124          30.0       30.00
Ash wood                 30.0       30.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    4.0        4.00

Comments:

I used sieved unwashed fireplace ash. An excellent honey gold gloss
Add 3% cobalt for a perfect Black Tested on Dillo White clay at a
full ^6. submitted by: Lori Wilkinson e-mail: lorwilk@lookingglass.net

Glaze name: Ash Glaze Rhodes revised

Recipe: (Percent, Batch)

Hardwood ash (washed)    28.0       28.00
G-200 feldspar           36.0       36.00
Dolomite                 10.0       10.00
Kentucky OM #4           21.0       21.00
EPK kaolin                5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

use mixed hardwood ash + CMC Last year, with a lot of help from Tom
Buck and some of the other Clayart gurus, I adjusted one of the old
Daniel Rhodes ash glazes. Original recipe (Cone 9-10): Mixed hard
wood ash 35 Oxford spar 35 China clay 15 Talc 15 I fire in an
electric kiln. I would never describe it as a foolproof glaze, but if
applied with care, it's so beautiful that it just knocks out all the
reliable competition. I bisque at ^06 and am now firing at ^6. I have
gone to ^9, but that seems to present more problems with pinholing
and crazing. Also, I wash the ash. I have also used the same recipe
with unwashed ash. The difference is that I would describe the
unwashed ash glaze as stony matt and the washed ash glaze as opaque
satin matt. Haven't tried this recipe at a lower temperature. You
might want to give it a try. marjory r. kline

Glaze name: Ash Golden Fake

Recipe: (Percent, Batch)

Redart clay              27.0       27.00
Dolomite                 24.0       24.00
Barium carbonate         12.0       12.00
Ball clay                20.0       20.00
Lithium carbonate         2.0        2.00
Gerstley borate          10.0       10.00
Bone ash                  5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Two years ago I took a part-time job teaching
ceramics at Navarro College in Corsicana, Texas. The college has only
one kiln. It' an ancient Paragon High Fire. The design is square and
toploading with very small cu. ft. It's been a real challenge to
develop an attractive palette of clays and glazes for oxidation
firing. I do majolica, colored clays, and cone 6 oxidation ( cone 7
in the sitter). Rafael Molina Rmr3431@dcccd.edu

Glaze name: Ash Human Glaze -Su Standing Bear

Recipe: (Percent, Batch)

Wollastonite             10.0       10.00
Silica                   15.0       15.00
EPK                      20.0       20.00
G-200 feldspar           20.0       20.00
Frit 3134                30.0       30.00
Bone ash                  5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

This glaze is for human bone ash. From Bill Edwards 
on ClayArt
http://www.tallapoosariverpottery.com/
The bone ash will need screened and in my case it took
further pulverizing. Once I screen the content I took
some of the larger particles and included it in the
clay. The largest particles left over, and there most
likely will be some, was put in the urns and sealed.
So the finished product contained bone ash in the
clay, in the glaze and in the end after final firing
the cremains left over were sealed in each container
and returned to the family.
some of the small calcined
(from cremation) fragments acted like iron bleeding in
spots through the clay and glaze. It didn't run and I
did add some colorants to this glaze. The results were
nice!

Glaze name: Ash Levison

Recipe: (Percent, Batch)

Wood ash                 40.0       40.00
Custer feldspar          40.0       40.00
Ball clay                10.0       10.00
Silica                   10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    4.0        4.00
Cobalt carbonate          2.0        2.00

Comments:

Original recipe called for washed ash. Glaze in blue/greyish mottled
matt. I like it but I have not been able to have it bead-up and run.
What chemical should I add to change its' melting characteristics?
Should I fire to cone 7 or even 8? should I soak? I would also like
to have an ash glaze in the green (forest) and brown/tan hues. Any
suggestions? submitted by: Mitch Levison e-mail: Mitchlev@aol.com

Glaze name: Ash Look

Recipe: (Percent, Batch)

Ferro Frit 3195          46.0       46.00
Whiting                  34.0       34.00
EPK                      20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

A fake wood ash at cone 6 oxidation. It does
run in those rivulets. I added 3% copper carbonate but I am sure some
other colorants would be worth a try. submitted by: Suzanne Fuqua
e-mail: Suzanne511@aol.com

Glaze name: Ash Rhodes Glaze revised

Recipe: (Percent, Batch)

Hardwood ash (washed)    28.0       28.00
G-200 feldspar           36.0       36.00
Dolomite                 10.0       10.00
Kentucky OM #4           21.0       21.00
EPK kaolin                5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

use mixed hardwood ash + CMC  I would never describe it as a foolproof glaze, but
if applied with care, it's so beautiful that it just knocks out all the reliable
competition. I wash the ash. I have also used the same recipe with unwashed ash.
The unwashed ash glaze is stony matt and the washed ash glaze as opaque satin
matt.  marjory r. kline 

Glaze name: Ash V.C. 4

Recipe: (Percent, Batch)

Apple Wood Ash           50.0       50.00
Gerstley borate          20.0       20.00
Whiting                  12.0       12.00
EPK                       8.0        8.00
Flint                    10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Typical ash looking, drippy, webby, rivulets. Val, please name this
series. Glaze Type: Ca B AshGlaze. Opacity: Mixed. Firing type:
Reduction .

Glaze name: ash Zakin's GK

Recipe: (Percent, Batch)

Ferro frit 3124          18.2       18.20
Magnesium carbonate       7.1        7.10
Nepheline syenite        10.1       10.10
Strontium carbonate      11.1       11.10
Spodumene                15.2       15.20
EPK                      10.1       10.10
Whiting                  13.1       13.10
Wood ash                 15.2       15.20
                        -----    --------
Totals:                 100.0      100.10

Also add:

Opax                     12.1       12.10
Bentonite                 2.0        2.00

Comments:

> ClayArt Listserv recipe < If you find this glaze useful, please
consider submitting it to the GlazeBase project with full
documentation. Use one of the GlazeBase submission formats available
on the CeramicsWeb web page.

comments: Use unwashed fireplace ash. Doesn't add to 100 because of
the strontium/barium substitution, the bentonite, and the ash. This
may be closer to cone 5 than cone 6 but seems to work over a range of
a couple cones. This is Zakin's GK base with 15% unwashed, mixed
fireplace ashes, with strontium substituted for barium and superpax
for opax. By itself over porcelain, the glaze is not particularly
interesting. But other glazes on top of it run and drip and blend
together nicely. I've found that if I glaze the lower 2/3 or 3/4 of a
pot with a well-behaved glossy glaze, brush a coat of this ZGK ash
glaze on the top 1/3 or so and then brush or dip some third glaze on
top of the ash glaze, I get a nice pattern of runs that don't go off
the bottom of the pot onto the kiln shelf (usually). Different glazes
give different kinds of runs and bands of different glazes are
interesting too. The few times I tried a matte glaze on the bottom,
the pots cracked. Could have been coincidence. But I've been sticking
with glossy glazes on the bottom since then. submitted by: Janet
Price e-mail: jprice@kzoo.edu

Glaze name: Aventurine Apple Green

Recipe: (Percent, Batch)

Fusion Frit F-15         62.5       70.00
Barium carbonate         26.8       30.00
Silica                   10.7       12.00
                        -----    --------
Totals:                 100.0      112.00

Also add:

Chrome oxide              1.6        1.80
Bentonite                 0.9        1.00

Comments:

Contains small metallic glitter crystals. Not for food use. Clay Times Mar/Apr. 07 p.50

Glaze name: Aventurine Blue Green

Recipe: (Percent, Batch)

Fusion Frit F-15         70.0       70.00
Barium carbonate         30.0       30.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          2.0        2.00
Chrome oxide              1.5        1.50
Bentonite                 1.0        1.00

Comments:

Contains small metallic glitter crystals. Clay Times Mar/Apr. 07 p. 50. Minimally
crazed. Should be applied thinly.Not for food use.

Glaze name: Aventurine Chrome Copper Blue Green

Recipe: (Percent, Batch)

Fusion Frit F-496        15.0       15.00
Custer feldspar          21.0       21.00
Whiting                  17.0       17.00
Strontium carbonate      15.0       15.00
Kaolin                    7.0        7.00
Silica                   25.0       25.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          4.5        4.50
Chrome oxide              1.5        1.50

Comments:

Contains small metallic glitter crystals. Clay Times Mar/Apr. 07, p. 51. Not for food
use. Add CMC gum for better application.

Glaze name: Aventurine Chromium Green

Recipe: (Percent, Batch)

Fusion Frit F-245        52.0       52.00
Custer feldspar          20.0       20.00
Barium carbonate         16.0       16.00
Silica                   12.0       12.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          1.5        1.50
Chromium oxide            1.0        1.00
Macaloid                  1.0        1.00

Comments:

From Robert and Beatric Pearson in Clay Times Mar/Apr 07.NOT for food.

Glaze name: Aventurine Circular Dot

Recipe: (Percent, Batch)

Nepheline syenite        23.5       24.00
Sodium bicarbonate       28.4       29.00
Whiting                  10.8       11.00
Silica                   35.3       36.00
Fluorspar                 2.0        2.00
                        -----    --------
Totals:                 100.0      102.00

Also add:

Macaloid                  1.0        1.00
Red iron oxide           21.6       22.00

Comments:

From Robert and Beatric Pearson in Clay Times Mar/Apr 07. Calls for Spanish Red Iron
Oxide. Due to soluble sodium bicarb, mix just before using and do not store.NOT for food.

Glaze name: Aventurine Iron

Recipe: (Percent, Batch)

Sodium bicarbonate       47.0       47.00
Bentonite                20.0       20.00
Kona F-4 feldspar        10.0       10.00
Silica                   23.0       23.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide           22.0       22.00

Comments:

Contains small metallic glitter crystals.Clay Times Mar/Apr. 07 p.50. Soluble bicarb.
Mix glaze fresh; don't store. Calls for Spanish Red Iron.

Glaze name: Aventurine Iron Variation

Recipe: (Percent, Batch)

Sodium bicarbonate       49.0       49.00
Bentonite                25.0       25.00
Whiting                   4.0        4.00
Silica                   22.0       22.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide           21.0       21.00

Comments:

From Robert and Beatric Pearson in Clay Times Mar/Apr 07. Calls for Spanish Red Iron
Oxide.Due to soluble sodium bicarb, mix just before using and do not store.NOT for food.

Glaze name: Aventurine Metallic Copper

Recipe: (Percent, Batch)

Fusion Frit F-79         37.0       40.00
Barium carbonate         44.4       48.00
Silica                   11.1       12.00
Sodium bicarbonate        7.4        8.00
                        -----    --------
Totals:                 100.0      108.00

Also add:

Copper carbonate          0.9        1.00
Chromium oxide            1.4        1.50
Macaloid                  0.9        1.00

Comments:

From Robert and Beatric Pearson in Clay Times Mar/Apr 07.NOT for food.

Glaze name: Aventurine Sparkling Mint

Recipe: (Percent, Batch)

Frit 3278                52.0       52.00
Barium carbonate         16.0       16.00
Kaolin                   16.0       16.00
Silica                   16.0       16.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          2.0        2.00
Chromium oxide            1.5        1.50
Macaloid                  1.0        1.00

Comments:

From Robert and Beatric Pearson in Clay Times Mar/Apr 07.NOT for food.

Glaze name: Bacia's 20-30-40

Recipe: (Percent, Batch)

Kaolin                   22.2       22.20
Whiting                  33.3       33.30
Feldspar                 44.4       44.40
                        -----    --------
Totals:                 100.0       99.90

Comments:

A variation for light color is to add a small am't (2%) MnCO3. I am
breaking all rules with some of the high-fire stuff from 20 yrs. ago
I couldn't bear to throw out. I use the 20-30-40 over highly textured
clay, painted with either Barnard clay, one of my many old mixes
containing Albany, or even over colored terra sig.s and FIRE TO CONE
6. The terra sig's were never meant for this temp, but they work. The
glaze at cone 6 looks more like an engobe but richer in the valleys
of the texture. I remember how I used this glaze in high fire
reduction and liked it a lot. It can turn gray in reduction. So
experiment with opax. submitted by: Bacia Edelman e-mail:
medelman@facstaff.wisc.edu

Glaze name: Barium Boron Ash

Recipe: (Percent, Batch)

Wood ash                 24.1       24.07
Barnard clay             20.4       20.37
Custer feldspar          28.4       28.40
Gerstley borate          13.6       13.58
Barium carbonate          9.9        9.88
Zinc oxide                3.7        3.70
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          1.9        1.85

Comments:

Needs to be corrected for fit and pinholes but every clay body is a
different can of worms. The barium/boron eutectic makes it hard to
say what cone this fires to - the longer it is in kiln or the greater
the thermal mass of the kiln the more it will flux. Formulated
originally without the ash or slip clay it was semi-satin, semi-
gloss somewhere around cone 2. Boron subdues the copper coloration.
I'm not taking responsibility for anyone using these glazes, etc.
Something is probably toxic. They are examples of my research and
they work out in formulation. Which is what they are examples of. So
go formulate your own non-toxic glazes, if that is possible. It's
probably bad for the environment too. Email me with questions as to
household performance, as that may be indicative of other problems.
The badly crazed surfaces are not considered to be a continous-non
porous sanitary surfaces. Eric Hansen, Lawrence, Kansas
wabi_sabi@mailexcite.com

Glaze name: Base

Recipe: (Percent, Batch)

Nepheline syenite        47.3       47.30
Gerstley borate          14.2       14.20
Flint                    27.5       27.50
Whiting                   9.3        9.30
Zinc oxide                1.7        1.70
                        -----    --------
Totals:                 100.0      100.00

Also add:

Tin oxide                 1.0        1.00
Copper carbonate          0.3        0.30

Comments:

Variations --
deep leaf green= + 5% copper carb
soft green = + 1% chrome ox
amber = + 5% RIO

Glaze name: Base 2 Overgloss Glaze

Recipe: (Percent, Batch)

Barium carbonate          6.8        6.80
Gerstley borate          17.5       17.50
Talc                      6.4        6.40
Zinc oxide                8.1        8.10
Custer feldspar          38.7       38.70
Flint                    22.5       22.50
                        -----    --------
Totals:                 100.0      100.00

Also add:

Titanium dioxide          3.0        3.00
Red iron oxide            3.0        3.00

Comments:

CM May 2000 p101
Variations --
Overspray for mottled effects:
ZnO 10
3124 70
Barnard 20

Glaze name: Base 2 Overgloss Glaze No GB

Recipe: (Percent, Batch)

Strontium carbonate       4.9        4.90
Dolomite                 10.8       10.80
Whiting                   3.4        3.40
Zinc oxide                7.7        7.70
Custer feldspar          32.7       32.70
Silica                   17.8       17.80
Frit 3185                19.9       19.90
Kaolin - theoretical      2.8        2.80
                        -----    --------
Totals:                 100.0      100.00

Also add:

Titanium dioxide          2.9        2.90
Red iron oxide            2.9        2.90

Comments:

CM May 2000 p101
Variations --
Overspray for mottled effects:
ZnO 10
3124 70
Barnard 20

Glaze name: Base Alec Karros

Recipe: (Percent, Batch)

Kona F-4 feldspar         9.8       11.00
Nepheline syenite        18.8       21.00
EPK                       8.9       10.00
Gerstley borate          10.7       12.00
Silica                   35.7       40.00
Whiting                   3.6        4.00
Wollastonite              7.1        8.00
Frit 3124                 5.4        6.00
                        -----    --------
Totals:                 100.0      112.00

Comments:

From Julia Galloway in Clay Times May/Jn 2004.
Variations --
Color combinations:
Black stain 8 + Barnard 2
Red stain 8-10 + RIO 2
Orange stain 8-10 + rutile 2
yellow stain 8-10 + rutile 2-6
copper carb 2-6
cobalt ox 2-12
RIO 2 + rutile 4

Glaze name: Base Amy's Shiny Magic

Recipe: (Percent, Batch)

Custer feldspar          20.0       20.00
EPK                      20.0       20.00
Frit 3134                20.0       20.00
Wollastonite             20.0       20.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Variations --
+ 10 zircopax

Glaze name: Base Ayumi/Lorio 20/80

Recipe: (Percent, Batch)

Soda ash                  1.0        0.70
Dolomite                  3.1        2.20
Kona F-4 feldspar         9.9        7.10
EPK                      22.6       16.20
Strontium carbonate       5.4        3.90
Flint                     1.4        1.00
Frit 3124                 1.4        1.00
Custer feldspar          55.3       39.70
                        -----    --------
Totals:                 100.0       71.80

Comments:

From Sally Brogden.

Glaze name: Base Ayumi/Lorio 20/80 no soda ash

Recipe: (Percent, Batch)

Dolomite                  3.2        3.20
Whiting                   0.2        0.20
Strontium carbonate       5.5        5.50
Custer feldspar          72.3       72.40
Kaolin - theoretical     14.7       14.70
Frit 3124                 1.4        1.40
Alumina hydrate           2.7        2.70
                        -----    --------
Totals:                 100.0      100.10

Comments:

From Sally Brogden. Re-calc to eliminate soluble ingredients.

Glaze name: Base Bill Aycock's

Recipe: (Percent, Batch)

Custer feldspar          29.6       29.60
Nepheline syenite         8.6        8.60
Strontium carbonate       4.9        4.90
Zinc oxide                3.3        3.30
Gerstley borate          20.7       20.70
Whiting                   1.8        1.80
Silica                   31.1       31.10
                        -----    --------
Totals:                 100.0      100.00

Comments:

The base glaze is shiny, almost clear, that is a little fluid at ^6+
. My glazes that get the effect are all at ^6, and usually contain
Boron- whether from Gerstley Borate, a frit, or Colemanite. I use a
dark Rutile, and some zinc- which is a little contradictory, because
of the effect of zinc on Iron colorant. Rutile has a secondary effect
when blue is from Cobalt-- the color effect from Cobalt is somewhat
transparent, and the opacifier effect of rutile gives the Cobalt blue
something to show up against A nice 'hint' of blue can be the effect
of a small amount of Cobalt in a transparent glaze with a fair amount
of Rutile. and Iron wash under it can also cause interesting
variations. This gives a good white with 5% rutile, with opalescent
tones and, with luck and a good clay to work on, some blues. Try
adding a small amount of Cobalt. This glaze seems to have a lot of
ingredients, but I had to change spars, and readjust the recipe using
a line blend to zero in on what I wanted. Note that there is no
clay-- you may need to use a suspender, or add a little Bentonite.
The Strontium I substituted for Barium is a little coarse and can
settle. If you try it- please let me know the results. submitted by:
Bill Aycock e-mail: baycock@AIRnet.net

Glaze name: Base Blend Steve's/ Lorio A 80/20

Recipe: (Percent, Batch)

Kona F-4 feldspar        30.5       30.53
Whiting                  14.1       14.11
Dolomite                 11.4       11.41
Magnesium carbonate       7.6        7.61
EPK                      14.5       14.51
Flint                     7.6        7.61
Gerstley borate           4.6        4.60
Custer feldspar           9.6        9.61
                        -----    --------
Totals:                 100.0       99.99

Comments:

From Sally Brogden.

Glaze name: Base Blend Steve's/ Lorio A 80/20 no GB

Recipe: (Percent, Batch)

Nepheline syenite        24.4       24.30
Whiting                   6.3        6.30
Dolomite                 27.1       26.90
Kaolin - theoretical     16.9       16.80
Silica                   17.4       17.30
Frit 3134                 7.8        7.80
                        -----    --------
Totals:                 100.0       99.40

Comments:

From Sally Brogden. Re-calculated w/o the gerstley borate.

Glaze name: Base C. Gareri

Recipe: (Percent, Batch)

Nepheline syenite        34.6       34.60
EPK                       1.8        1.80
Gerstley borate          16.6       16.60
Silica                   32.3       32.30
Whiting                   4.0        4.00
Zinc oxide                6.2        6.20
Strontium carbonate       4.5        4.50
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.0        2.00

Comments:

Glaze name: Base Charlie Cummings Color

Recipe: (Percent, Batch)

Frit 3134                50.0       50.00
Tile 6 clay              20.0       20.00
Flint                    30.0       30.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Charlie Cummings [Clay@claylink.com]
This is the base for most of my glazes.  It is somewhat shiny.  I like it that way
and I don't care what anyone else thinks!

I mix them to close to 46 on the hydrometer.  The metal oxides effect the
thickness and each variation is adjusted within a range of 45-48. I always layer
my glazes.  I like the way they break when layered.  I dip for at least 3 full
seconds for each coat.  Thin pots need longer.  The glaze goes on thick.  I've
found that fritted glazes tend to thin as they fire.  Three layers of glaze is
generally a bad idea.  The rule in my studio is, “if you insist on using 3 layers,
the third layer must be applied only on the top 1/3 of the pot."

See this glaze in action at: http://www.claylink.com/Dinner2004/cummings.html Or
http://www.claylink.com/Earthenware2005/Cummings2.html

See what my studio members have done with it at:
http://www.claylink.com/cccs2006.html (Actually all of our glazes and clays are
represented in this show.)

I use a black glaze under this glaze on most of my pots.  I have to keep some
secrets.
Variations --
Chrome does well at less than 1%.  Cobalt 1%.  Black iron oxide works better than
red iron.  Copper looks beautiful but causes the glaze to bubble and shiver.
Rutile can be unpredictable.  I use titanium dioxide instead.  Mason stains give
great colors.  Add 5% 6-tile if you want to use encapsulated cadmium stains.

Glaze name: Base Dave's

Recipe: (Percent, Batch)

Kaolin                   29.3       29.30
Flint                    17.4       17.40
Frit 3134                53.3       53.30
                        -----    --------
Totals:                 100.0      100.00

Also add:

Tin oxide                 8.7        8.70
Rutile                    4.0        4.00
Red iron oxide            3.0        3.00

Comments:

Glaze name: Base F-5

Recipe: (Percent, Batch)

Whiting                   5.0        4.80
Kona F-4 feldspar        36.0       34.60
Dolomite                 16.0       15.40
EPK                      18.0       17.30
Strontium carbonate      15.0       14.42
Flint                     6.0        5.77
Lithium carbonate         4.1        3.90
                        -----    --------
Totals:                 100.0       96.19

Comments:

From Sally Brogden.

Glaze name: Base F1

Recipe: (Percent, Batch)

Whiting                   4.8        4.81
Kona F-4 feldspar        34.6       34.62
Dolomite                 15.4       15.38
Soda ash                  3.8        3.85
EPK                      17.3       17.31
Strontium carbonate      14.4       14.42
Flint                     5.8        5.77
Frit 3110                 3.8        3.85
                        -----    --------
Totals:                 100.0      100.01

Comments:

From Sally Brogden

Glaze name: Base F5

Recipe: (Percent, Batch)

Whiting                   4.8        4.80
Kona F-4 feldspar        34.6       34.60
Dolomite                 15.4       15.40
Soda ash                  3.9        3.90
EPK                      17.3       17.30
Strontium carbonate      14.4       14.40
Flint                     5.8        5.80
Lithium carbonate         3.9        3.90
                        -----    --------
Totals:                 100.0      100.10

Comments:

From Sally Brogden.

Glaze name: Base F5 no soda ash

Recipe: (Percent, Batch)

Whiting                   6.0        5.80
Lithium carbonate         4.0        3.90
Dolomite                 16.0       15.60
Strontium carbonate      14.8       14.40
Nepheline syenite        40.8       39.70
Kaolin - theoretical      7.0        6.80
Silica                   11.5       11.20
                        -----    --------
Totals:                 100.0       97.40

Comments:

From Sally Brogden.

Glaze name: Base Franks G18-C

Recipe: (Percent, Batch)

Cornwall Stone           22.7       22.68
Whiting                  18.6       18.56
EPK                       5.2        5.15
Zinc oxide                8.3        8.25
NC-4 feldspar            45.4       45.36
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Sally Brogden

Glaze name: Base Franks G18-C no NC4 spar

Recipe: (Percent, Batch)

Nepheline syenite        38.9       39.30
Whiting                  20.2       20.40
Zinc oxide                8.2        8.30
Kaolin - theoretical      9.4        9.50
Silica                   23.3       23.50
                        -----    --------
Totals:                 100.0      101.00

Comments:

From Sally Brogden. Re-calculated to replace NC-4 spar

Glaze name: Base Gareri

Recipe: (Percent, Batch)

Nepheline syenite        34.1       34.10
EPK                       1.8        1.80
Colemanite               16.3       16.30
Silica                   31.8       31.80
Whiting                   3.9        3.90
Zinc oxide                6.1        6.10
Barium carbonate          5.9        5.90
                        -----    --------
Totals:                 100.0       99.90

Also add:

Bentonite                 2.0        2.00

Comments:

Gerstley Borate or Colemanite.  submitted by: Charles Gareri e-mail:
cgareri@ideanet.doe.state.in.us

Glaze name: Base Glaze

Recipe: (Percent, Batch)

Spodumene                20.0       20.00
Dolomite                 20.0       20.00
Ferro frit 3124          20.0       20.00
Kentucky OM #4           20.0       20.00
Silica                   20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Note: the original article calls for Frit 3134. After having
experimented with both 3124 and 3134, we found we liked 3124 better.
I have used the following glaze with the Degussa stains and have
achieved good results. The glaze appeared in an article written by
Gerald Rowan in the December, 1981 issue of CM. It would be worth
getting a copy of the article because there are many color variations
suggested, many of which we've tested and had beautiful results. If
you have trouble finding a copy, e-mail me directly with your address
and I'll mail you one. With 5% tin it is a beautiful, fat white
semi-mat glaze. The clay body you use makes a huge difference. When I
have used the glaze over the GWU clay body (which fires from cones
6-10), the glaze is yucky and transparent. When used over a cone 6
temp clay made with Redart, it is beautiful. Good luck. Barbara
barbara lewis 

Glaze name: Base Hamada #2

Recipe: (Percent, Batch)

Custer feldspar          49.1       49.10
Kona F-4 feldspar         7.4        7.40
Ball clay                 1.9        1.90
Frit 3124                13.9       13.90
Whiting                   8.3        8.30
Strontium carbonate      11.1       11.10
Zinc oxide                8.3        8.30
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Julia Galloway in Clay Times May/Jn 2004.
Variations --
Recipe says 3124 0-15. Colors: copper carb 2-8; cobalt ox 1/4 -2; tin ox 4-10; RIO
2-4; mang diox 2-6; grey stain 2-8; black stain 2-6

Glaze name: Base Jamie's cone 6

Recipe: (Percent, Batch)

Nepheline syenite         4.7        3.30
Barium carbonate         34.1       24.00
Silica                   32.7       23.00
Gerstley borate          14.2       10.00
Ball clay                 8.5        6.00
Whiting                   4.3        3.00
Magnesium carbonate       1.4        1.00
                        -----    --------
Totals:                 100.0       70.30

Comments:

Variations --
black 5% stain
yellow 13-15% stain
bermuda green + 13-15% Mason Bermuda stain

Glaze name: Base Jun 5

Recipe: (Percent, Batch)

Colemanite               12.4       12.40
Nepheline syenite         6.0        6.00
Spodumene - theoretical    4.8        4.80
Dolomite                  9.9        9.90
Whiting                   0.8        0.80
Zinc oxide                1.1        1.10
Kaolin - theoretical     16.3       16.30
Silica                   46.4       46.40
Titanium dioxide          2.4        2.40
                        -----    --------
Totals:                 100.0      100.10

Comments:

Calculated from p. 88 Glazes Cone 6 by Michael Bailey

Glaze name: Base Kaplan's 3-6

Recipe: (Percent, Batch)

EPK                      10.6       10.56
Whiting                  17.4       17.43
Silica                   22.8       22.75
Custer feldspar          39.4       39.36
Zinc oxide                9.9        9.90
                        -----    --------
Totals:                 100.0      100.00

Also add:

Zircopax                  9.9        9.90

Comments:

I use a cone 3-5, even cone 6 white versatile majolica (electric
firings) for a major client and this glaze shows off its drips quite
well. In fact, it is contributing to some unwanted seconds. The glaze
is a great white, but the application is crutial and I am wondering
about the glaze poise, or the set of the glaze on the ware. I think
the glaze is adequately flocculated with a solution of bentonite and
Flocs, and runs at an SG of about 1.6. We have experimented with
various dipping strategies, to no avail.There are still streak marks,
thick and thin marks, from dipping. The pots are mugs, all the same,
and all glazed the same. Usign tongs with sharpened points, the mugs
are dipped in an arc motion to glaze both the inside and the outside
and as they are raised from the glaze bucket, on an angle, the
interior glaze slowly decants out. There are still streaks and uneven
parts on the ourside surface, but only on the side that the glaze
runs off. The opposite side is perfect. submitted by: Jonathan Kaplan
e-mail: jonathan@csn.net

Glaze name: Base Kaplan's Revised 3-5

Recipe: (Percent, Batch)

Custer feldspar          36.0       36.00
Whiting                  16.0       16.00
Strontium carbonate      17.0       17.00
Kaolin                   10.0       10.00
Silica                   21.0       21.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Zircopax                 10.0       10.00

Comments:

(The following is in response to a glazeing problem that J. Kaplan
was haveing with the original base.) It sounds like the problem is
one of glaze formulation rather than of application. I would guess
that the glaze has too high a surface tension because of the
(relatively) high amount of zinc. Looking at it chemically it looks
like a higher fire glaze that has been brought down in temperature by
the addition of zinc, so the zinc can't just be left out. I guess the
easiest solution is to substitute an oxide with a lower surface
tension for the zinc. That would point to lead, barium and strontium.
I assume that lead and barium are out of the question, so I did a
quick substitution using strontium carbonate. The additions of
bentonite and floccs would definitly help this glaze for dipping.
submitted by: Pete Pinnell e-mail: ppinnell@unlinfo.unl.edu

Glaze name: Base Lorio A Blend 80/20

Recipe: (Percent, Batch)

Kona F-4 feldspar        30.5       30.50
Whiting                  14.1       14.10
Dolomite                 11.4       11.40
Magnesium carbonate       7.6        7.60
EPK                      14.5       14.50
Flint                     7.6        7.60
Gerstley borate           4.6        4.60
Custer feldspar           9.6        9.60
                        -----    --------
Totals:                 100.0       99.90

Comments:

From Sally Brogden.

Glaze name: Base Lorio A/8-A 98/2

Recipe: (Percent, Batch)

Custer feldspar          47.1       47.10
Whiting                  32.0       32.00
EPK                      15.4       15.40
Gerstley borate           3.8        3.80
Frit 3110                 0.9        0.90
Lithium carbonate         0.1        0.10
Barium carbonate          0.1        0.10
Flint                     0.6        0.60
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Sally Brogden.

Glaze name: Base Lorio A/8-A 98/2 no GB

Recipe: (Percent, Batch)

Custer feldspar          45.2       45.00
Spodumene                 0.6        0.60
Whiting                  32.0       31.80
Kaolin - theoretical     15.5       15.40
Frit 3134                 6.5        6.50
Silica                    0.2        0.20
                        -----    --------
Totals:                 100.0       99.50

Comments:

From Sally Brogden. Re-calculated w/o Gerstley Borate

Glaze name: Base Lorio A/A 90/10

Recipe: (Percent, Batch)

Custer feldspar          43.3       43.30
Whiting                  29.4       29.40
EPK                      15.5       15.50
Gerstley borate           3.5        3.50
Frit 3110                 4.4        4.40
Lithium carbonate         0.4        0.40
Barium carbonate          0.7        0.70
Flint                     2.8        2.80
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Sally Brogden.

Glaze name: Base Lorio A/A 90/10 no GB

Recipe: (Percent, Batch)

Custer feldspar          47.7       47.70
Spodumene                 2.2        2.20
Whiting                  29.6       29.60
Barium carbonate          0.7        0.70
Kaolin - theoretical     12.2       12.20
Frit 3134                 6.5        6.50
Silica                    1.0        1.00
                        -----    --------
Totals:                 100.0       99.90

Comments:

From Sally Brogden. Re-calculated w/o Gerstley Borate.

Glaze name: Base M-3

Recipe: (Percent, Batch)

Nepheline syenite        41.5       41.50
Barium carbonate         27.8       27.80
Lithium carbonate         4.9        4.90
Whiting                   4.9        4.90
Flint                    14.5       14.50
Gerstley borate           1.9        1.90
EPK                       4.5        4.50
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.0        2.00

Comments:

from Sally Brogden.
Variations --
Turquoise/Green Crystal + copper carb 2.87

Glaze name: Base M-3 no GB

Recipe: (Percent, Batch)

Nepheline syenite        44.8       41.30
Spodumene                 4.3        4.00
Strontium carbonate      22.6       20.80
Lithium carbonate         4.6        4.20
Whiting                   5.9        5.40
Silica                   14.4       13.30
Frit 3195                 3.4        3.10
                        -----    --------
Totals:                 100.0       92.10

Also add:

Bentonite                 2.2        2.00

Comments:

from Sally Brogden.Re-calculated to eliminate Gerstley Borate and barium.
Variations --
Turquoise/Green Crystal opper carb 2.87

Glaze name: Base M2

Recipe: (Percent, Batch)

Dolomite                 21.0       21.00
Gerstley borate           5.3        5.25
Custer feldspar          15.8       15.75
Nepheline syenite        26.5       26.50
Ball clay                21.0       21.00
Flint                    10.5       10.50
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Sally Brogden
Variations --
Crystal Black + cobalt carb 6 + copper carb 6

Glaze name: Base Rob's/G.A. Blend- Wheeler

Recipe: (Percent, Batch)

Cornwall Stone           34.6       34.60
Whiting                   8.4        8.40
Gerstley borate           2.9        2.90
Strontium carbonate       9.3        9.30
Kona F-4 feldspar        23.2       23.20
Frit 3110                10.6       10.60
Flint                     9.3        9.30
Lithium carbonate         1.7        1.70
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 3.0        3.00

Comments:

From Geoffrey Wheeler Geoffreywheeler@hotmail.com

Glaze name: Base Steve's #2

Recipe: (Percent, Batch)

Kona F-4 feldspar        42.9       42.90
Barium carbonate          8.6        8.60
Magnesium carbonate       8.6        8.60
EPK                      17.2       17.20
Wollastonite              8.6        8.60
Flint                     8.5        8.50
Strontium carbonate       5.7        5.70
                        -----    --------
Totals:                 100.0      100.10

Comments:

From Sally Brogden.

Glaze name: Base U

Recipe: (Percent, Batch)

Custer feldspar          27.2       27.20
Whiting                  27.6       27.60
Zinc oxide               12.8       12.80
EPK                      22.6       22.60
Flint                     8.2        8.20
Colemanite                1.5        1.50
                        -----    --------
Totals:                 100.0       99.90

Comments:

Glaze name: Base Van Gilder

Recipe: (Percent, Batch)

Custer feldspar          20.0       20.00
Frit 3134                20.0       20.00
Wollastonite             20.0       20.00
Silica                   20.0       20.00
EPK                      20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Glaze name: Basic

Recipe: (Percent, Batch)

K-200 Feldspar           43.0       43.00
EPK                      14.0       14.00
Whiting                  20.0       20.00
Flint                    23.0       23.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

A base mixture to which mustbe added 17 parts of any of the usual
flux materials: zinc, barium, colemanite, dolomite, talc, wood ash,
other alkalines. Base is C/9 Redtn. as is. Glaze Type: Ca 4-3-2-1.
Firing type: Ox or Red. From Val Cushing. VC ed

Glaze name: Beads SDSU

Recipe: (Percent, Batch)

Magnesium carbonate      25.0       25.00
Nepheline syenite        70.0       70.00
Kentucky OM #4            5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Glaze name: Beady

Recipe: (Percent, Batch)

Frit 3134                10.0       10.00
Nepheline syenite        35.0       35.00
Wollastonite             10.0       10.00
Magnesium carb           35.0       35.00
EPK                      10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Sandy Lance.

Glaze name: Beady Eyes 2

Recipe: (Percent, Batch)

Custer feldspar          25.0       25.00
Whiting                   6.0        6.00
Magnesium carbonate      35.0       35.00
Kentucky OM #4           10.0       10.00
Flint                     8.0        8.00
Ferro frit 3134          16.0       16.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

This is not really a glaze, it is too high in secondary fluxes. It
has a snake - alligator like crawling texture. This looks good over a
black slip or over some velvet underglazes. Chemical Analysis Na2O
0.07 Al2O3 0.12 SiO2 1.12 K2O 0.05 B2O3 0.09 TiO2 0.00 MgO 0.67 Fe2O3
0.00 CaO 0.21 Alumina:Silica ratio is 1.00 : 9.09 Neutral:Acid ratio
is 1.00 : 5.19 Alkali:Neutral:Acid ratio is 1.00 : 0.22 : 1.12
Expansion coefficient: 67.2 x 10e-7 per degree C Oxides causing
abnormal expansion effects: B2O3 Here's some recipes for a couple of
crawling glazes. The high magnesium content of the glazes is what
encourages the crawling action. The first one crawls into rounded
bumps. Someone on the list sent it to me. The only problem that I
have with this glaze (and I use the word glaze loosely in this case)
is that after you dip your pieces into the glaze it tends to flake
off before and sometimes during the firing. I usually brush Amaco
Velvet Underglazes on the pots first and then dip them in glaze. The
glaze application should be thick to encourage the crawling... happy
testing, John Post jp6mchp@moa.net Sterling Heights, Michigan

Glaze name: BEIGE SPECKLED

Recipe: (Percent, Batch)

Gerstley borate          14.7       14.71
Spodumene                31.6       31.59
EPK                       3.2        3.16
Dolomite                  7.4        7.37
Talc theoretical         13.7       13.69
Flint                    29.5       29.48
                        -----    --------
Totals:                 100.0      100.00

Also add:

Granular manganese        0.5        0.53
Manganese dioxide (milled)    0.5        0.53

Comments:

Here's a recipe that Bonnie Hellman sent me that got me thinking about this
speckley business: Best Wishes Dan Saultman  http://www.concentric.net/~clay-art/Index.shtml

Glaze name: Black

Recipe: (Percent, Batch)

Bone ash                 10.0       10.00
Whiting                  15.0       15.00
Frit 3124                20.0       20.00
Nepheline syenite        20.0       20.00
EPK                      18.0       18.00
Silica                   17.0       17.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

+ 6616 stain 12%. Surface is mottled and almost metallic. From Kenny Delio CM Feb. 07 p. 47

Glaze name: Black Albany

Recipe: (Percent, Batch)

Albany slip              75.0       75.00
Nepheline syenite        20.0       20.00
Gerstley borate           5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              5.0        5.00

Comments:

Albany sub.= Yellow Banks Red #101 + Whiting 14% approx. + Dolomite
2-3% approx.

Glaze name: Black Bright

Recipe: (Percent, Batch)

Albany slip              72.0       72.00
Spodumene                12.0       12.00
Gerstley borate          16.0       16.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              2.4        2.40

Comments:

Glaze name: Black crystal

Recipe: (Percent, Batch)

Dolomite                 21.0       21.00
Gerstley borate           5.3        5.25
Custer feldspar          15.8       15.75
Nepheline syenite        26.5       26.50
Ball clay                21.0       21.00
Flint                    10.5       10.50
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          6.0        6.00
Copper carbonate          6.0        6.00

Comments:

From Shannon Nelson

Glaze name: Black crystal no gb

Recipe: (Percent, Batch)

Magnesium carbonate      11.0       11.00
Whiting                  10.5       10.50
Nepheline syenite        34.2       34.20
Kaolin - theoretical     17.5       17.50
Silica                   16.3       16.30
Frit 3134                10.4       10.40
                        -----    --------
Totals:                 100.0       99.90

Also add:

Cobalt carbonate          6.0        6.00
Copper carbonate          6.0        6.00

Comments:

From Shannon Nelson

Glaze name: Black Crystalline

Recipe: (Percent, Batch)

Dolomite                 21.0       21.00
Gerstley borate           5.3        5.25
Custer feldspar          15.8       15.75
Nepheline syenite        26.5       26.50
Ball clay                21.0       21.00
Flint                    10.5       10.50
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          6.0        6.00
Copper carbonate          6.0        6.00

Comments:

Too many ingredients (these ingredients are also to be added to the
recipe) (can't remember who posted this originally, might've been me
;) Mishy Michelle Lowe, potter in the Phoenix desert
mishlowe@indirect.com mishlowe@aztec.asu.edu
http://www.amug.org/~mishlowe/index.html

Glaze name: Black Cushing

Recipe: (Percent, Batch)

Albany slip              65.0       65.00
Barium carbonate         10.0       10.00
Nepheline syenite        10.0       10.00
Talc                     15.0       15.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chromium oxide            1.0        1.00
Manganese dioxide         2.0        2.00
Cobalt carbonate          2.0        2.00

Comments:

Glaze name: Black Granny's Shorts

Recipe: (Percent, Batch)

PV Clay                  15.0       15.00
Custer spar              35.0       35.00
Flint                    10.0       10.00
Whiting                  10.0       10.00
Gerstley borate          30.0       30.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Black stain               7.0        7.00

Comments:

(Granny's shorts with black stain) Beautiful black gloss, pulls away
from edges, detail will be white, very nice. This is a good base
glaze for trying many oxides and stains in. from Michelle Lowe,
potter in the Phoenix desert mishlowe@indirect.com
mishlowe@aztec.asu.edu

Glaze name: Black IE

Recipe: (Percent, Batch)

Whiting                  17.0       17.00
Nepheline syenite        34.0       34.00
Kaolin                    8.0        8.00
Silica                   41.0       41.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Iron oxide               13.0       13.00

Comments:

Shiny black/brown, ok. From Brian Kemp, (kempb@nievax.nie.ac.sg) via
Rose Downs on ClayArt listserv. CLAY COLOR/TYPE: Buff Stoneware Fired
at 100 degrees per hour to 600 degrees, then free for all to cone
6-7. Kiln Size, Cromarty 25 cu ft. Manufactured in the UK.
CONTRIBUTOR: Brian Kemp, Nanyang Technological University, Block B,
Room 216, 469 Bukut Timah Rd., Singapore, 1025 TEST SITE: Nanyang
Technological University, Singapore

Glaze name: Black Larry's

Recipe: (Percent, Batch)

Custer feldspar          46.7       46.70
Whiting                  14.4       14.40
EPK                       8.9        8.90
Barium carbonate          2.2        2.20
Silica                   22.2       22.20
Lithium carbonate         5.6        5.60
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          3.3        3.30
Iron oxide                4.4        4.40
Manganese dioxide         2.2        2.20

Comments:

Here's a glaze I adapted from ^10 (just leave out the lithium for
^10). It's a very glossy black black with a very long firing range in
either oxidation or reduction. You may want to add just a touch of
chrome oxide. I've handed this glaze out in my tile workshops for
years, and I know a lot of people have had success with it. submitted
by: Paul Lewing e-mail: PJLewing@aol.com

Glaze name: black Matt

Recipe: (Percent, Batch)

Barnard slip             90.0       90.00
Whiting                  10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Rob Wadey (robert wadey ) 9734B - 100 Ave
Grande Prairie, Alberta t8V 0T6 Phone: (403) 538-3731 Fax: (403)
538.3732

Glaze name: black Matt 2

Recipe: (Percent, Batch)

Barnard slip             90.0       90.00
Whiting                  10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Rob Wadey (robert wadey ) 9734B - 100 Ave Grande Prairie, Alberta t8V
0T6 Phone: (403) 538-3731 Fax: (403) 538.3732

Glaze name: Black Matte

Recipe: (Percent, Batch)

Alberta slip             70.0       70.00
Ferro Frit 3124          20.0       20.00
Wollastonite             10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    5.0        5.00
Mason stain 6600          5.0        5.00
Bentonite                 2.0        2.00

Comments:

Here's a recipe I used just recently for a dinnerset and it works
very well. Has a nice matte finish and is good for food surfaces. I
experimented with increasing amounts of black stain (I think that's a
mason #?..in any event, not the stain with the cobalt base) up to an
additional 10% and they were all good. submitted by: Dan Taylor
e-mail: dataylor@mlc.awinc.com

Glaze name: Black Metallic

Recipe: (Percent, Batch)

Gerstley borate          11.0       11.00
Whiting                   6.0        6.00
Custer feldspar          77.0       77.00
EPK                       6.0        6.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              2.0        2.00
Copper carbonate          4.0        4.00
Manganese dioxide         4.0        4.00

Comments:

I use this ^6 black and love it. If you layer it with white glaze it
turns a nice blue. submitted by: Barbara Webb e-mail:
barbara@atl.fujikura.com. This version from George Bowes.
Black gloss w a hint of metallic.

Glaze name: BLACK METALLIC 2

Recipe: (Percent, Batch)

Custer feldspar          36.0       36.00
Whiting                   9.0        9.00
Colemanite                5.0        5.00
Dolomite                  5.0        5.00
Talc theoretical         16.0       16.00
Barium carbonate          8.0        8.00
Flint                    16.0       16.00
Bentonite                 5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Black iron oxide          3.0        3.00
Zircopax                 15.0       15.00
Rutile                   20.0       20.00
Cobalt oxide              3.0        3.00

Comments:

(Mishy suggests subbing Strontium 5 for the Barium) Here are a few
black cone 6 glazes I gleaned from clayart. If you sub Strontium carb
for the Barium in the second they will all be food safe. from Dan
Taylor I have also added 3% #6600 Black Mason stain for an even more
black glaze. Mishy Michelle Lowe, potter in the Phoenix desert
mishlowe@indirect.com mishlowe@aztec.asu.edu

Glaze name: Black Metallic 3

Recipe: (Percent, Batch)

Custer feldspar          36.7       36.73
Whiting                   9.2        9.18
Colemanite                5.1        5.10
Dolomite                  5.1        5.10
Talc theoretical         16.3       16.33
Barium carbonate          8.2        8.16
Silica                   16.3       16.33
Black iron oxide          3.1        3.06
                        -----    --------
Totals:                 100.0       99.99

Also add:

Bentonite                 5.1        5.10
Zircopax                 15.3       15.31
Rutile                   20.4       20.41
Cobalt oxide              3.1        3.06

Comments:

Here is one I have used for some time now and have found it to be
very stable. It's not the simplest of recipes and probably could be
simplified but I've never taken the time to do so because I don't use
it that often so a batch lasts for a couple of years and reworking it
doesn't seem to be on the top of my need-to list. So I'll give it to
you like I have it in my grubby little book. I have also added 3%
#6600 Black Mason stain for an even more black glaze. submitted by:
Dan Taylor e-mail: dataylor@mlc.awinc.com

Glaze name: Black Metallic 4

Recipe: (Percent, Batch)

Gerstley borate          11.0       11.00
Whiting                   5.0        5.00
Custer feldspar          79.0       79.00
EPK                       5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              2.0        2.00
Copper carbonate          4.0        4.00
Manganese dioxide         4.0        4.00

Comments:

I use this ^6 black and love it. If you layer it with white glaze it
turns a nice blue. submitted by: Barbara Webb e-mail:
barbara@atl.fujikura.com

Glaze name: Black Metallic Matt

Recipe: (Percent, Batch)

Wood ash                 25.0       25.00
Nepheline syenite        37.5       37.50
Talc                     18.8       18.75
Ball clay                18.8       18.75
                        -----    --------
Totals:                 100.0      100.00

Also add:

Iron oxide                2.5        2.50
Black copper oxide        3.8        3.75
Cobalt oxide              2.9        2.92

Comments:

I've been using the same wood ash formula for about 10
years and have used wood ash from all kinds of known and unknown tree
sources (washed and unwashed), fired to cone 6, 7, 8, 9 but mostly to
cone 7 in an electric kiln. Write me if you have any questions about
these glazes submitted by: Anne Fallis-Elliott e-mail: FallisT@aol.com
Variations --
Other colors (delete black colorants): for matt brown with lots of
texture add: Rutile 1.74 Iron Oxide 3.50 Manganese Dioxide 3.50 for
matt blue breaking to something greenish add: Cobalt Carbonate 3.00
Rutile 3.00

Glaze name: Black Metallic Patty's

Recipe: (Percent, Batch)

Kaolin                    5.0        5.00
Custer feldspar          79.0       79.00
Whiting                   5.0        5.00
Colemanite               11.0       11.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper oxide              2.0        2.00
Copper carbonate          3.0        3.00
Manganese dioxide         4.0        4.00
Cobalt oxide              2.0        2.00

Comments:

from Patty Block in Tupelo, MS. Very reliable, doesn't run or pit. More metallic
in reduction.

Glaze name: Black Metallic Peter's

Recipe: (Percent, Batch)

Custer feldspar          78.8       78.84
Colemanite               10.7       10.69
Whiting                   5.5        5.51
EPK                       5.0        4.96
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          4.2        4.19
Manganese dioxide         4.2        4.19
Cobalt carbonate          2.1        2.09

Comments:

A really great glossy black. from Michelle Lowe, potter in the
Phoenix desert mishlowe@indirect.com mishlowe@aztec.asu.edu

Glaze name: black metallic1

Recipe: (Percent, Batch)

Spodumene                50.0       50.00
Gerstley borate          25.0       25.00
Flint                    25.0       25.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Black iron oxide         10.0       10.00
Cobalt oxide              2.0        2.00
Copper carbonate          4.0        4.00

Comments:

(wonderful!) Here are a few black cone 6 glazes I gleaned from
clayart. If you sub Strontium carb for the Barium in the second they
will all be food safe. From Sharon LaRocca-Miranda via Mishy Michelle
Lowe, potter in the Phoenix desert mishlowe@indirect.com
mishlowe@aztec.asu.edu

Glaze name: Black Mirror

Recipe: (Percent, Batch)

Potash feldspar          38.2       38.20
Silica                   23.6       23.60
Whiting                  13.6       13.60
Kaolin                   13.6       13.60
Zinc oxide               10.9       10.90
                        -----    --------
Totals:                 100.0       99.90

Also add:

Red iron oxide            7.3        7.30
Cobalt oxide              0.9        0.90

Comments:

Here is a Cone 6 glaze that I have found to be very reliable This
gives a shiny, mirror black. regards Brian Kemp. Simgapore
kemob@nievax.nie.ac.sg

Glaze name: Black Mountain

Recipe: (Percent, Batch)

Bainbridge spar          30.0       30.00
Whiting                  20.0       20.00
Flint                    20.0       20.00
Kaolin                   10.0       10.00
Talc theoretical         20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

From a University of Georgia class handout on glaze & clay from Andy
Nasisse. Original recipe just said "Bainbridge" - assumed to mean
Bainbridge soda feldspar.

Glaze name: Black Patty's from Lee

Recipe: (Percent, Batch)

EPK                       5.0        9.60
Custer feldspar          78.8      152.60
Whiting                   5.5       10.60
Colemanite               10.7       20.80
                        -----    --------
Totals:                 100.0      193.60

Also add:

Copper carbonate          2.6        5.00
Copper oxide              1.5        3.00
Manganese dioxide         4.1        8.00
Cobalt oxide              2.1        4.00

Comments:

Glaze name: Black Reed's Glossy

Recipe: (Percent, Batch)

Gerstley borate          11.0       11.00
EPK                       5.0        5.00
Custer feldspar          79.0       79.00
Whiting                   5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          4.0        4.00
Manganese dioxide         4.0        4.00
Cobalt oxide              2.0        2.00

Comments:

I have used the following glaze with an electric kiln and found good
results. The glaze 'Reed's Glossy Black' needs to be put on thick and
does not seem to run. submitted by: Frank Helme e-mail: fhelme@aol.com

Glaze name: Black Reeds Glory

Recipe: (Percent, Batch)

Gerstley borate          11.0       11.00
EPK                       5.0        5.00
Custer feldspar          79.0       79.00
Whiting                   5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          4.0        4.00
Manganese dioxide         6.0        6.00
Cobalt oxide              2.0        2.00
Red iron oxide            1.0        1.00

Comments:

A true glossy black Tested on Dillo White clay at a full ^6.
submitted by: Lori Wilkinson e-mail: lorwilk@lookingglass.net
WARNING: Manganese fumes starting at low-fire temps and the fumes are TOXIC.

Glaze name: Black Rob Wadley's Barnard

Recipe: (Percent, Batch)

Barnard clay             65.0       65.00
Feldspar                 15.0       15.00
Whiting                  10.0       10.00
Gerstley borate          10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Test fired on Plainsman M340 (an off white clay) in an electric kiln. (I used
Gerstley Borate for the Colemanite) Crawls if thick and can be used on greenware!! My
tests were on bisque. It's dark brown, more runny, semi-gloss breaking to gloss where
thick. BB3 I added 2% Manganese just for fun. This was a more intense version of BB2.
Thanks Rob! From Vickie Sproule via clayart email: jsproule@mars.ark.com Kathy Darby
sent two recipes, which I've called Darby 1&2

Glaze name: Black Semi-Gloss

Recipe: (Percent, Batch)

Custer feldspar          34.0       32.00
Strontium carbonate      17.0       16.00
Barnard clay             17.0       16.00
EPK                       8.5        8.00
Zinc oxide                8.5        8.00
Silica                    7.4        7.00
Gerstley borate           7.4        7.00
                        -----    --------
Totals:                 100.0       94.00

Also add:

Copper oxide              3.2        3.00
Cobalt carbonate          2.1        2.00
Red iron oxide            2.1        2.00

Comments:

From George Bowes

Glaze name: Black Shiny

Recipe: (Percent, Batch)

Potash feldspar          43.2       43.21
Kaolin                    9.9        9.88
Silica                   23.5       23.46
Whiting                  11.1       11.11
Gerstley borate          12.3       12.35
                        -----    --------
Totals:                 100.0      100.01

Also add:

Iron oxide                9.9        9.88

Comments:

Shiny black, ok. from Michelle Lowe, potter in the Phoenix desert
mishlowe@indirect.com mishlowe@aztec.asu.edu

Glaze name: Black Silky Matt

Recipe: (Percent, Batch)

Gerstley borate           7.5        7.50
Talc theoretical          5.4        5.40
Dolomite                  3.3        3.30
Kona F-4 feldspar        16.7       16.70
Neph Sye                 32.9       32.90
Whiting                   7.1        7.10
Zinc oxide                6.5        6.50
EPK                      12.6       12.60
Flint                     8.0        8.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              1.0        1.00
Copper oxide              3.0        3.00
Red iron oxide            3.0        3.00
Bentonite                 1.0        1.00

Comments:

from Michelle Lowe, potter in the Phoenix desert
mishlowe@indirect.com mishlowe@aztec.asu.edu

Glaze name: Black Silky Matt no GB

Recipe: (Percent, Batch)

Magnesium carbonate       5.4        5.40
Whiting                   7.9        7.90
Zinc oxide                6.0        6.00
Nepheline syenite        40.8       40.80
Kaolin                   16.8       16.80
Silica                    9.6        9.60
Frit 3134                13.6       13.60
                        -----    --------
Totals:                 100.0      100.10

Also add:

Cobalt oxide              1.0        1.00
Copper oxide              3.0        3.00
Red iron oxide            3.0        3.00
Bentonite                 1.0        1.00

Comments:

from Michelle Lowe, potter in the Phoenix desert
mishlowe@indirect.com mishlowe@aztec.asu.edu

Glaze name: Black Slip Glaze

Recipe: (Percent, Batch)

Barnard clay             36.4       36.40
Frit 5301                54.5       54.50
Zinc oxide                9.1        9.10
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.7        2.70

Comments:

From a University of Georgia class handout on glaze & clay from Andy
Nasisse. Can be used on greenware.

Glaze name: Black Tenmoku

Recipe: (Percent, Batch)

Cornwall Stone           75.0      375.00
Kaolin                   10.0       50.00
Whiting                  10.0       50.00
Gerstley borate           5.0       25.00
                        -----    --------
Totals:                 100.0      500.00

Also add:

Red iron oxide            9.0       45.00

Comments:

> ClayArt Listserv recipe < If you find this glaze useful, please
consider submitting it to the GlazeBase project with full
documentation. Use one of the GlazeBase submission formats available
on the CeramicsWeb web page.
 Originally specified Conish stone. comments: Semi matt jet black, no
breaking to rust. ok. From Brian Kemp, (kempb@nievax.nie.ac.sg) via
Rose Downs on ClayArt listserv. CLAY COLOR/TYPE: Buff Stoneware Fired
at 100 degrees per hour to 600 degrees, then free for all to cone
6-7. Kiln Size, Cromarty 25 cu ft. Manufactured in the UK.
CONTRIBUTOR: Brian Kemp, Nanyang Technological University, Block B,
Room 216, 469 Bukut Timah Rd., Singapore, 1025 TEST SITE: Nanyang
Technological University, Singapore

Glaze name: Black With Gold

Recipe: (Percent, Batch)

Kentucky ball clay        7.0        7.00
Redart                   86.0       86.00
Silica                    7.0        7.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          8.8        8.80
Cobalt carbonate          7.0        7.00
Manganese dioxide        64.0       64.00

Comments:

Dull satin black with a bronz cast. Tested on Dillo White clay at a
full ^6. submitted by: Lori Wilkinson e-mail: lorwilk@lookingglass.net
NOT for foodware.

Glaze name: Blue Barium Jamie's

Recipe: (Percent, Batch)

Nepheline syenite        64.4       65.00
Barium carbonate         34.7       35.00
EPK                       1.0        1.00
                        -----    --------
Totals:                 100.0      101.00

Also add:

Copper carbonate          2.0        2.00
Bentonite                 1.0        1.00

Comments:

NOT for food surfaces. From Jamie Walker.

Glaze name: Blue Celadon

Recipe: (Percent, Batch)

Volcanic ash             48.7       48.70
Wollastonite             12.2       12.17
Ball clay                10.4       10.43
Gerstley borate           8.7        8.70
Silica                    7.0        6.96
Alberta slip             13.0       13.04
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          0.2        0.22

Comments:

kiln type: gas goes a little gray over stoneware, nicely translucent
on porcelain. submitted by: John Anthony e-mail: JTRAX@AOL.COM

Glaze name: Blue Celadon no ash

Recipe: (Percent, Batch)

Custer feldspar          32.5       31.90
Dolomite                  2.2        2.20
Whiting                  10.0        9.80
Kaolin - theoretical     11.7       11.50
Silica                   29.4       28.90
Frit 3134                14.2       13.90
                        -----    --------
Totals:                 100.0       98.20

Also add:

Cobalt carbonate          0.2        0.20

Comments:

kiln type: gas goes a little gray over stoneware, nicely translucent
on porcelain. submitted by: John Anthony e-mail: JTRAX@AOL.COM

Glaze name: Blue Cindy's

Recipe: (Percent, Batch)

Nepheline syenite        20.0       20.00
Whiting                  20.0       20.00
EPK                      20.0       20.00
Silica                   20.0       20.00
Ferro frit 3124          20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.0        2.00
Cobalt carbonate          5.0        5.00

Comments:

It is a nice, dark cobalt blue--Satin to
glossy. I have to soak on medium for about 2 hrs. after the kiln
sitter goes off to get it to smooth out. submitted by: Cindy P
Russell e-mail: crussel@tenet.edu

Glaze name: Blue Cindy's

Recipe: (Percent, Batch)

Nepheline syenite        20.0       20.00
Whiting                  20.0       20.00
EPK                      20.0       20.00
Silica                   20.0       20.00
Ferro Frit 3124          20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.0        2.00
Cobalt carbonate          5.0        5.00

Comments:

It is a nice, dark cobalt blue--Satin to
glossy. I have to soak on medium for about 2 hrs. after the kiln
sitter goes off to get it to smooth out. submitted by: Cindy P
Russell e-mail: crussel@tenet.edu

Glaze name: Blue Dark Specks

Recipe: (Percent, Batch)

Silica                   34.7       35.00
EPK                      15.8       16.00
Gerstley borate          49.5       50.00
                        -----    --------
Totals:                 100.0      101.00

Also add:

Cobalt oxide              1.0        1.00

Comments:

Glaze name: Blue Deep Shiny

Recipe: (Percent, Batch)

Custer feldspar          42.3       42.31
EPK                       1.9        1.92
Colemanite               19.2       19.23
Whiting                   3.8        3.85
Barium Carb               4.8        4.81
Flint                    24.0       24.04
Lithium Carb              3.8        3.85
                        -----    --------
Totals:                 100.0      100.01

Also add:

Copper Carb               5.8        5.77
Cobalt oxide              0.9        0.87

Comments:

I am using the following cone 6 recipe, which makes a gorgeous, shiny
glaze. It contains only 5 percent barium, so I am hoping it is
foodsafe. Does anyone know? Thanks, Ruth Jacobson skyceramic@aol.com

Glaze name: Blue Deep Shiny-Valerie's

Recipe: (Percent, Batch)

Custer feldspar          22.0       22.00
Gerstley borate          10.0       10.00
Whiting                   2.0        2.00
Barium carbonate          2.5        2.50
Flint                    16.3       16.30
Frit 3124                 8.0        8.00
Nepheline syenite        11.8       11.80
Dolomite                  4.1        4.10
Wollastonite             12.3       12.30
EPK                      11.0       11.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          4.0        4.00
Cobalt carbonate          4.8        4.80
Lithium carbonate         2.0        2.00

Comments:

Thin application is semi-opaque, thick is opaque. From Valerie Duncan

Glaze name: Blue Deep Shiny-Valerie's-no gb

Recipe: (Percent, Batch)

Custer feldspar          21.9       21.90
EPK                      11.5       11.50
Lithium carbonate         3.9        3.90
Whiting                   2.3        2.30
Strontium carbonate       3.6        3.60
Silica                   23.9       23.90
Frit 3134                32.8       32.80
                        -----    --------
Totals:                 100.0       99.90

Also add:

Copper carbonate          5.8        5.80
Cobalt carbonate          8.8        8.80

Comments:

Thin application is semi-opaque, thick is opaque. From Valerie Duncan

Glaze name: Blue Emily's

Recipe: (Percent, Batch)

Custer feldspar          36.5       36.60
Gerstley borate          19.4       19.40
OM-4 Ball Clay           11.8       11.80
Talc theoretical         15.1       15.10
Silica                   10.8       10.80
Dolomite                  6.5        6.50
                        -----    --------
Totals:                 100.0      100.20

Also add:

Zircopax                  4.3        4.30
Cobalt carbonate          3.2        3.20

Comments:

We use the second one at cone 6 in reduction, and it gives a
beautiful bright purple. I have also done a series of color
variations on the base glaze replacing the cobalt. The most promising
of those was the one using 6% rutile. It gave a warm tan-yellow. The
outstanding quality of the glaze (aside from the purple, of course)
is the smooth texture and its reliability. submitted by: Rick
Malmgren e-mail: r-malmgren@sjca.edu

Glaze name: Blue Floating (RISD)

Recipe: (Percent, Batch)

Nepheline syenite        47.3       47.30
Colemanite               27.0       27.00
Flint                    20.3       20.30
Kaolin                    5.4        5.40
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            2.0        2.00
Cobalt oxide              1.0        1.00
Rutile                    4.0        4.00

Comments:

I just tried 2 slightly different Floating
Blue's last night. One of them is from Clayart database the other
from my RISD noteboo RISD Floating Blue is much much nicer, as it has
better coverage and less runny, and the blue is accented much better.
OMER BERAT ARTUN Institute for Brain and tel: 401
421 2879 (home) Neural Systems, 401 863 3920 (office) Department of
Physics 401 863 3494 (fax) Box 1843 Brown University URL:
http://www.physics.brown.edu/people/artun Providence RI 02912 e-mail:
artun@cns.brown.edu

Glaze name: Blue Floating (Clayart)

Recipe: (Percent, Batch)

Nepheline syenite        47.3       47.30
Gerstley borate          27.0       27.00
Silica                   20.3       20.30
EPK                       5.4        5.40
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            2.0        2.00
Cobalt oxide              1.0        1.00
Milled rutile             4.0        4.00

Comments:

I just tried 2 slightly different Floating
Blue's last night. One of them is from Clayart database the other
from my RISD notebook RISD Floating Blue is much much nicer, as it
has better coverage and less runny, and the blue is accented much
better.  OMER BERAT ARTUN Institute for Brain and
tel: 401 421 2879 (home) Neural Systems, 401 863 3920 (office)
Department of Physics 401 863 3494 (fax) Box 1843 Brown University
URL: http://www.physics.brown.edu/people/artun Providence RI 02912
e-mail: artun@cns.brown.edu

Glaze name: Blue Floating Glaze

Recipe: (Percent, Batch)

Nepheline syenite        47.3       47.31
Gerstley borate          27.0       27.00
Silica                   20.3       20.30
EPK                       5.4        5.40
                        -----    --------
Totals:                 100.0      100.01

Also add:

Red iron oxide            2.0        2.00
Cobalt oxide              1.0        1.00
CMC                       1.0        1.00
Rutile (milled)           4.0        4.00

Comments:

I substitute Cobalt Carb 2.0. What caught my eye, was the description
of it as slate blue, which doesn't fit my results. So, I picked up
the original recipe, and it differs from the one Sharon posted. You might try this version in your tests. It is
called Floating Blue...from James Chappell's book, Clay and Glazes.
This glaze produces a deep blue-brown background of great depth with
lighter mottled blues that seem to float on the surface of the
background glaze. The glaze has more of the lighter mottled blues
where the application is thickest. Watch thickness near the bottom of
the pot. The C.M.C. measurement refers to a premixed CMC and water
solution. For the Silica, I use 325 mesh Flint. The rutile, is just
powdered rutile from the ceramics supply. It fires best on the light
side of cone 6 (standard cone just bending), seems to get greener and
more fluid the higher you go. Cone 5 works well, too. I do not find a
need for bentonite. The book says to weigh the ingredients very
carefully, use distilled water or water that is known to have a low
mineral content. Mix then add the CMC solution. Sieve two or three
times through a 60 to 80 mesh sieve to thoroughly disperse the
cobalt, iron, and rutile. The book warns that the glaze is fickle,
and recommends against firing this glaze in the same kiln with glazes
that contain copper, chrome, nickel or manganese. Mineral content of
the water is an important factor. I have noticed an adverse effect as
the author noted, and now fire an entire kiln load of this glaze. The
glaze should be stirred occasionally during application because the
iron has a tendency to settle. Chappell's Suggested variations:
Stipple on additional glaze with brush or apply with sponge for an
even more mottled effect. Or: lightly sponge a thin wash of 3 grams
of chrome oxide to 100 grams of water plus a tablespoon of CMC over
the top to produce a floating blue glaze with subtle green tints. Or:
Over the glaze, sponge lightly with a rutile wash consisting of 2
grams rutile per 100g of water for a floating blue glaze with
slightly tan crystalline tints on the surface. submitted by: Candice
Roeder e-mail: CRoeder1@aol.com source for original recipe: James
Chappell

Glaze name: Blue Green

Recipe: (Percent, Batch)

Gerstley borate          30.0       30.00
Silica                   30.0       30.00
Dolomite                 20.0       20.00
EPK                      20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              2.5        2.50
Cobalt oxide              0.3        0.30

Comments:

submitted by: Cindy Russell e-mail: crussel@tenetedu

Glaze name: Blue Green IE 30 O Matt

Recipe: (Percent, Batch)

Strontium carbonate      30.3       27.50
Nepheline syenite        65.2       59.20
Ball clay                 4.5        4.10
                        -----    --------
Totals:                 100.0       90.80

Also add:

Titanium dioxide          4.0        3.60
Cobalt carbonate          0.6        0.50

Comments:

From Brian Kemp, (kempb@nievax.nie.ac.sg)
via Rose Downs on ClayArt listserv. CLAY COLOR/TYPE: Buff Stoneware
Fired at 100 degrees per hour to 600 degrees, then free for all to
cone 6-7.  Brian Kemp, Nanyang Technological University, Block B,
Room 216, 469 Bukut Timah Rd., Singapore, 1025 TEST SITE: Nanyang
Technological University, Singapore

Glaze name: Blue Green Matt Robbie Srtm. Revised (VC) 92

Recipe: (Percent, Batch)

Nepheline syenite        56.0       56.00
Strontium carbonate      23.0       23.00
Lithium carbonate         4.0        4.00
Ball clay                 6.0        6.00
Flint                    11.0       11.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          4.0        4.00

Comments:

Tested AU Sp '92. Pref. 4% CuCO3 - surface a bit dry. Try with 2, 4,
6, 8% CuCO3. VC ed

Glaze name: Blue Green Slip glaze

Recipe: (Percent, Batch)

Albany slip              60.0       60.00
Frit 5301                40.0       40.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          3.0        3.00
Rutile                    4.0        4.00

Comments:

From a University of Georgia class handout on glaze & clay from Andy
Nasisse.

Glaze name: Blue Julie's Water

Recipe: (Percent, Batch)

Frit 3110                 3.0        3.00
Nepheline syenite        18.0       18.00
Whiting                   2.0        2.00
Strontium carbonate      25.0       25.00
EPK                      14.0       14.00
Flint                    38.0       38.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          3.0        3.00

Comments:

2 coats if brushing. Gum recommended for brushing. Runs. From George Bowes.
Recalcualted to substitute Strontium for Ba.
Variations --
blue = 3-7% Cu
chartreuse = .5% Chrome

Glaze name: Blue matt

Recipe: (Percent, Batch)

Volcanic ash             55.0       55.00
Whiting                  25.0       25.00
Barium carbonate         10.0       10.00
Kentucky OM #4           10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              0.5        0.50

Comments:

(I used 7.5 of Stronium carb in place of the Barium and it worked OK)
Lyn lyn peelle 

Glaze name: Blue Midnight

Recipe: (Percent, Batch)

Feldspar                 44.0       44.00
Whiting                  17.0       17.00
Ball clay                 8.0        8.00
China clay                9.0        9.00
Silica                   22.0       22.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

translucency: Opaque Cobalt 5% for rich midnight blue. Superpax 10%
for bright white, very good color response with on glaze stains.
submitted by: Jo Ann Stevens e-mail: jstevens@niagara.com source for
original recipe: Emanuel Cooper

Glaze name: Blue Mt. St. Helens

Recipe: (Percent, Batch)

Custer feldspar          39.6       39.59
Flint                     5.4        5.35
Whiting                  14.1       14.08
EPK                      11.6       11.57
Zinc oxide                8.2        8.17
Dolomite                  0.4        0.44
Colemanite                0.9        0.88
Mount St. Helens Volcanic Ash   19.9       19.92
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              0.1        0.10

Comments:

5000g recipe Makes 3 gal. Good luck! Wendy from Bainbridge Island WA
whampton@aol.com

Glaze name: Blue Opal

Recipe: (Percent, Batch)

Strontium carbonate       4.0        4.00
Gerstley borate          20.6       20.80
Whiting                   1.5        1.50
Custer feldspar          43.9       44.30
EPK                       2.1        2.10
Flint                    24.7       24.90
Zinc oxide                3.3        3.30
                        -----    --------
Totals:                 100.0      100.90

Also add:

Tin oxide                 7.0        7.10
Rutile                    3.1        3.10
Cobalt carbonate          2.6        2.60

Comments:

Glaze name: Blue Pale Rutile

Recipe: (Percent, Batch)

Gerstley borate           8.5        8.50
Magnesium carbonate       1.9        1.90
Whiting                  15.3       15.30
Wood ash                 14.5       14.50
Nepheline syenite        15.6       15.60
Kaolin                   10.9       10.90
Flint                    33.4       33.40
                        -----    --------
Totals:                 100.0      100.10

Also add:

Rutile                    1.7        1.70

Comments:

I fired cone 6 oxidation pretty exclusively for five years and worked
with many glazes (being a glaze testing maniac). One that I really
enjoyed using, for several years (and I still use it occasionally)
was a Rutile Pale Blue that has no cobalt in it, yet goes most
definitely blue in oxidation. It is a tan mat if it isn't fired high
enough and glossy pale translucent blue (almost celadon-like) at
temp. Usually crazes... Mishy, enjoying an unusually cold and rainy
Sonoran desert Michelle Lowe, potter in the Phoenix desert
mishlowe@indirect.com mishlowe@aztec.asu.edu
http://www.amug.org/~mishlowe

Glaze name: Blue Slip glaze

Recipe: (Percent, Batch)

Albany slip              60.0       60.00
Frit 5301                40.0       40.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          3.0        3.00

Comments:

From a University of Georgia class handout on glaze & clay from Andy
Nasisse.

Glaze name: Blue Spot Glaze

Recipe: (Percent, Batch)

Gerstley borate          20.5       20.50
Sodium bicarbonate       18.0       18.00
Zinc oxide               19.0       19.00
Kaolin                    8.0        8.00
Flint                    34.5       34.50
                        -----    --------
Totals:                 100.0      100.00

Also add:

Nickel carbonate          2.0        2.00

Comments:

Clay Times NOv/Dec. 2005 p.51. No firing directions were given, but I assume slow
cooling is needed. This is a very high Zn, low Al glaze, and probably is very runny.

Glaze name: Blue Spruce

Recipe: (Percent, Batch)

Whiting                  18.2       18.18
Ferro frit 3124          22.7       22.73
Nepheline syenite        22.7       22.73
Kaolin                   13.6       13.64
Flint                    13.6       13.64
Zircopax (or Ultrox)      9.1        9.09
                        -----    --------
Totals:                 100.0      100.01

Also add:

Copper carbonate          1.8        1.82
Cobalt carbonate          1.8        1.82
Rutile                    4.5        4.55

Comments:

Frank Helme sent me the correct recipe for Blue Spruce. ( I fire with
a ^ 7 in sitter) The recipe published in ClayTimes left out the
Cobalt Carb. I remixed and retested and it is an improvement over the
lime-green (with no copper carbonate). A semi-gloss to glossy
texture. The color is a soft blue gray with some visual
texture/mottling. I also fire it in a ^ 7 Soda in reduction and its a
more intense blue. Good luck! Rafael Molina-Rodriguez
rmr3431@dcccd.edu

Glaze name: Blue St. Helens

Recipe: (Percent, Batch)

Custer spar              39.6       39.60
Flint                     5.4        5.40
Whiting                  14.1       14.10
EPK                      11.6       11.60
Zinc oxide                8.2        8.20
Dolomite                  0.4        0.40
Colemanite                0.9        0.90
Volcanic ash - Mt. St. Helens   19.9       19.90
                        -----    --------
Totals:                 100.0      100.10

Also add:

Cobalt oxide              0.1        0.10

Comments:

This makes 3 gallons of glaze here are two glazes I have used
successfully but not put thru any analysis. I got them at an art
studio where I used to take classes. They are better if layered with
other glazes. Wendy Hampton  from Bainbridge Island
WA
A

Glaze name: Blue Tamaras

Recipe: (Percent, Batch)

Custer feldspar          39.0       39.00
Silica                    9.0        9.00
EPK                       7.0        7.00
Whiting                  17.0       17.00
Zinc oxide                8.0        8.00
Volcanic ash - Mt. St. Helens   20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              1.5        1.50

Comments:

Good luck! Wendy from Bainbridge Island WA
whampton@aol.com

Glaze name: Blue Yellow slip glaze

Recipe: (Percent, Batch)

Albany slip              60.0       60.00
Frit 5301                40.0       40.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          3.0        3.00
Manganese dioxide         2.0        2.00

Comments:

From a University of Georgia class handout on glaze & clay from Andy
Nasisse.

Glaze name: blue-grey speckled Gloss

Recipe: (Percent, Batch)

Albany slip              47.4       47.37
Potash feldspar          28.4       28.42
Flint                     9.5        9.47
Zinc oxide                9.5        9.47
Whiting                   5.3        5.26
                        -----    --------
Totals:                 100.0       99.99

Also add:

Rutile                    5.3        5.26

Comments:

Rob Wadey (robert wadey ) 9734B - 100 Ave Grande Prairie, Alberta t8V
0T6 Phone: (403) 538-3731 Fax: (403) 538.3732

Glaze name: Bob Wicks Base

Recipe: (Percent, Batch)

Nepheline syenite        47.0       47.00
Colemanite               27.0       27.00
EPK                       6.0        6.00
Silica                   20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

I have a simplecone 6 base glaze that exhibits some very fine
qualities. Then I add the following coloring agents in given
percentages. Zircopax 12% makes the base glaze white Copper Carbonate
makes a nice green I suggest you use both of these together and it
will give you a nice gloss irredecent green in an oxidation fire.
submitted by: Bob Wicks e-mail: BobWicks@aol.com

Glaze name: BQ Matt

Recipe: (Percent, Batch)

Dolomite                 10.9       10.87
Wollastonite             18.1       18.12
Nepheline syenite        36.2       36.23
EPK                      18.1       18.12
Gerstley borate          16.7       16.67
                        -----    --------
Totals:                 100.0      100.01

Comments:

add 5% zircopax and 8% mason st. 6485 for a light, delicate yellow. I
use a fairly dark clay body so your results may be quite different.
good luck with the yellows. submitted by: Mary Kuilema e-mail:
kuil@k2.iserv.net

Glaze name: Bright Pink

Recipe: (Percent, Batch)

Nepheline syenite        43.3       43.33
Whiting                  20.0       20.00
Lithium carbonate        16.7       16.67
Barium carbonate          5.0        5.00
Gerstley borate           8.3        8.33
Silica                    6.7        6.67
                        -----    --------
Totals:                 100.0      100.00

Also add:

Tin oxide                 8.3        8.33
Chrome oxide              0.4        0.42

Comments:

Semi matt mauve, nice. From Brian Kemp, (kempb@nievax.nie.ac.sg) via
Rose Downs on ClayArt listserv. CLAY COLOR/TYPE: Buff Stoneware Fired
at 100 degrees per hour to 600 degrees, then free for all to cone
6-7. Kiln Size, Cromarty 25 cu ft. Manufactured in the UK.
CONTRIBUTOR: Brian Kemp, Nanyang Technological University, Block B,
Room 216, 469 Bukut Timah Rd., Singapore, 1025 TEST SITE: Nanyang
Technological University, Singapore

Glaze name: Brilliant Matt Purple

Recipe: (Percent, Batch)

Nepheline syenite        20.4       20.43
Silica                   10.8       10.75
Barium carbonate         43.0       43.01
Lithium carbonate         5.4        5.38
Kaolin                   20.4       20.43
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          7.5        7.53

Comments:

Whoever was looking for a Turquoise Glaze. I have 2 recipes for
glazes a pottery teacher gave me. We call them Brilliant Matt Purple
and Brilliant Matt Turquoise. They are volatile so be very careful
with your kiln shelves. There is Barium Carbonate in the recipes, so
they are poisonous whilst in the raw state. Please wear masks and
gloves and if possible work at an extractor fan. I just put a normal
fan pointing out the window and work behind it. I hear from
production potters that Barium can leach thru your skin. Be careful
and practise Good Safety Habits. As you can see they both use the
same ingredients, but in different proportions. I have a friend /
customer (they usually become friends) who is a production potter
(with a 200 cubic foot parafin fired kiln), who uses the BMT and is
delighted with it. He fires to cone 6 (1200/1220 C)You have to watch
your application thickness to get the result you want. We have fired
the BMP from 950 C to almost 1300 C with different results but always
pleasantly surprised. Do not expect consistancy with these glazes.
submitted by: Ralph Loewenthal e-mail: fayralph@sprintlink.co.za

Glaze name: Brilliant Matt Turquoise

Recipe: (Percent, Batch)

Nepheline syenite        57.3       57.29
Silica                    7.3        7.29
Barium carbonate         27.1       27.08
Lithium carbonate         2.1        2.08
Kaolin                    6.3        6.25
                        -----    --------
Totals:                 100.0       99.99

Also add:

Copper carbonate          4.2        4.17

Comments:

Firing: firing type: oxidation, reduction Whoever was looking for a
Turquoise Glaze. I have 2 recipes for glazes a pottery teacher gave
me. We call them Brilliant Matt Purple and Brilliant Matt Turquoise.
They are volatile so be very careful with your kiln shelves. There is
Barium Carbonate in the recipes, so they are poisonous whilst in the
raw state. Please wear masks and gloves and if possible work at an
extractor fan. I just put a normal fan pointing out the window and
work behind it. I hear from production potters that Barium can leach
thru your skin. Be careful and practise Good Safety Habits. As you
can see they both use the same ingredients, but in different
proportions. I have a friend / customer (they usually become friends)
who is a production potter (with a 200 cubic foot parafin fired
kiln), who uses the BMT and is delighted with it. He fires to cone 6
(1200/1220 C)You have to watch your application thickness to get the
result you want. We have fired the BMP from 950 C to almost 1300 C
with different results but always pleasantly surprised. Do not expect
consistancy with these glazes. submitted by: Ralph Loewenthal e-mail:
fayralph@sprintlink.co.za

Glaze name: Broken gloss/matt broken dark browns

Recipe: (Percent, Batch)

Barnard slip             60.0       60.00
Whiting                  20.0       20.00
Gerstley borate          20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Rob Wadey (robert wadey ) 9734B - 100 Ave
Grande Prairie, Alberta t8V 0T6 Phone: (403) 538-3731 Fax: (403)
538.3732

Glaze name: Bronze Aqua Lana Wilson

Recipe: (Percent, Batch)

Strontium carbonate      48.8       50.00
Nepheline syenite        48.8       50.00
Gerstley borate           2.4        2.50
                        -----    --------
Totals:                 100.0      102.50

Also add:

Bentonite                 2.9        3.00
Copper carbonate          3.9        4.00

Comments:

Thin application = aqua, thick = bronze. Runs if thick, so make thin
toward bottom. For a better bronze, apply over a thin application of
Lichen Bell's glaze.

Glaze name: Bronze cone 2-6

Recipe: (Percent, Batch)

Manganese dioxide        60.0       60.00
Copper oxide             10.0       10.00
Redart                   20.0       20.00
EPK                      10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

NOT FOOD SAFE!!!
This was very bronze looking. I was amazed. But it is not for food
containers. I believe you mentioned that you wanted it for tiles?
>
>  Celia in NC
>  cwike@conninc.com
>Nottingham center for the Arts

Glaze name: Bronze Green Matt

Recipe: (Percent, Batch)

Whiting                  22.2       22.20
Custer feldspar          49.9       49.90
EPK                      13.0       13.00
Flint                     6.0        6.00
Zinc oxide                9.0        9.00
                        -----    --------
Totals:                 100.0      100.10

Also add:

Cobalt oxide              0.4        0.40
Copper carbonate          2.7        2.70
Rutile                    5.4        5.40

Comments:

from Rick Malmgren in CM

Glaze name: Bronze Metallic Gold Luster

Recipe: (Percent, Batch)

China clay              100.0      100.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide             33.0       33.00
Copper oxide             33.0       33.00
Manganese dioxide       266.0      266.00

Comments:

Soft black-gold color. From Glazes Cone 6 by Michael Bailey. NOT food safe.

Glaze name: Bronze Ogden

Recipe: (Percent, Batch)

Red clay                 66.7       66.67
China clay               33.3       33.33
                        -----    --------
Totals:                 100.0      100.00

Also add:

Manganese dioxide       200.0      200.00
Black copper oxide       33.3       33.33

Comments:

(fire to cone 7 in sitter) I use Redart and EPK. Note: A thick coat
yields best results. rafael molina-rodriguez  re:
blistering of this type of glazes - I've had the same problem when
firing this type of glaze on the bottom of an ancient Paragon
High-fire kiln ( square, top-loading ). This kiln has approximately
one cone differential from top to bottom. I solved the problem of
already fired pieces by refiring them in a hotter zone of the kiln.
The blisters disappearred. Now I place all bronze glazed pieces at or
near the top.

Glaze name: Bronze Sandy

Recipe: (Percent, Batch)

Ball clay               100.0      100.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Manganese dioxide       400.0      400.00
Copper carbonate        100.0      100.00

Comments:

(fire to cone 7 in sitter) Note: Thin application for best color. rafael
molina-rodriguez  re: blistering of this type of glazes - I've
had the same problem when firing this type of glaze on the bottom of an ancient
Paragon High-fire kiln ( square, top-loading ). This kiln has approximately one
cone differential from top to bottom. I solved the problem of already fired
pieces by refiring them in a hotter zone of the kiln. The blisters disappearred.
Now I place all bronze glazed pieces at or near the top. NOTE: Mn fumes, starting
at lowfire temps and the fumes are VERY TOXIC. This is a dangerous glaze to fire
- do NOT breathe fumes.

Glaze name: BROWN BUTTER

Recipe: (Percent, Batch)

Volcanic ash             46.0       44.79
Spodumene                20.0       19.47
Dolomite                 10.0        9.74
Talc theoretical         10.0        9.74
Ball clay                10.0        9.74
Borax                     4.0        3.89
                        -----    --------
Totals:                 100.0       97.37

Also add:

Iron chromate             2.7        2.63
Rutile                    2.7        2.63
Ilmenite                  2.7        2.63

Comments:

(a waxy surfaced, very regular and predictable glaze. Pleasant dark brown with
black flecks. Takes overdipping with more reactive glazes very nicely - e.g. the
oatmeal. The Borax means it shouldn't be left to hang around too long before being
used)  Veronica Shelford e-mail: shelford@island.net s-mail: P.O. Box 6-15 Thetis
Island, BC V0R 2Y0 Tel: (250) 246-1509

Glaze name: Brown Matt

Recipe: (Percent, Batch)

Whiting                  18.3       18.35
Custer feldspar          51.4       51.38
EPK                      16.5       16.51
Flint                     5.5        5.50
Zinc oxide                8.3        8.26
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    6.4        6.42
Red iron oxide            2.1        2.13
Nickel oxide              3.2        3.19

Comments:

I have recently been using a nice matt brown in cone 6 oxidation that
looks nice on its own and over many other glazes. It is: Enjoy! Lori
Cole Kitchener, Ontario

Glaze name: Brown Persimmon

Recipe: (Percent, Batch)

Silica                   37.6       37.63
Nepheline syenite        21.5       21.51
Whiting                  16.1       16.13
EPK                      14.0       13.98
Gerstley borate          10.8       10.75
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide           16.1       16.13

Comments:

kiln type: gas very nice, deep brown with occasional lighter
speckling submitted by: John Anthony e-mail: JTRAX@AOL.COM

Glaze name: Brown Pleasant

Recipe: (Percent, Batch)

Alberta slip             62.5       62.50
Gerstley borate          20.8       20.83
Potash feldspar           8.3        8.33
EPK                       8.3        8.33
                        -----    --------
Totals:                 100.0       99.99

Also add:

Tin oxide                 3.3        3.33

Comments:

This is quite a pleasant sort of mid brown glaze for ^6 oxidation How
nice to be able to share something from my books, I have been so
pleased with some of the recipes that I have tested from other
clayart subscribers. I only wish that I could give proper credit to
the originators of these but I am afraid I was amiss in recording
such info. Sue on a rainy day in British Columbia - how unusual sue
hutchen 

Glaze name: brown Rowe

Recipe: (Percent, Batch)

Colemanite               50.0       50.00
EPK                      20.0       20.00
Flint                    30.0       30.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Manganese dioxide         5.0        5.00
Red iron oxide           10.0       10.00

Comments:

This is a neat brown semi-gloss for cone 6. I beleive it
came from CM, June/81 page 78. It is called Rowe brown Frank Simons fsimons@img.net
NOTE: Mn fumes starting at lowfire temperatures and fumes are TOXIC.

Glaze name: browns Gloss broken cool

Recipe: (Percent, Batch)

Albany slip              50.0       50.00
Spodumene                50.0       50.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Rob Wadey (robert wadey ) 9734B - 100 Ave
Grande Prairie, Alberta t8V 0T6 Phone: (403) 538-3731 Fax: (403)
538.3732

Glaze name: Burgundy

Recipe: (Percent, Batch)

Kona F-4 feldspar        53.0       53.00
Silica                   20.0       20.00
Whiting                  15.0       15.00
Barium carbonate          6.0        6.00
EPK                       6.0        6.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Mason Deep Crimson Stain   10.0       10.00

Comments:

I use 4.5 of Strontium in place of Barium. I have had several request
for this glaze recipe. It is a cone 6 Oxidation glaze. It is more
opaque than some may want. It is satin to semi-glossy. submitted by:
Cindy P Russell e-mail: crussel@tenet.edu

Glaze name: Burgundy Ozona

Recipe: (Percent, Batch)

A.P. Green fireclay      80.0       80.00
GoldArt                  20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              1.0        1.00
Iron oxide                2.0        2.00

Comments:

I've applied them to bone dry sculptural work, bisqued them and then
have rubbed stains or oxides into the recesses, sponging off, then
fired again for permanence. They are quite versatile. These recipes
are from Zakin's book on Electric Kiln Ceramics. Some of the clays
used in the recipe are coarse and the slip should not be strined. The
result will be a coarse, sandy-textured surface, not for functional
pieces. They may be applied by dipping, spraying or brushing. They
may be applied to greenware or bisqued ware. They may be used alone
or with stains and glazes. The appearance when fired is soft and
sandy. Candice Roeder 

Glaze name: Bush Fake Ash

Recipe: (Percent, Batch)

Barnard clay             20.0       20.00
Ball clay                26.0       26.00
Wollastonite             30.0       30.00
Gerstley borate          24.0       24.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    1.0        1.00

Comments:

A wood-fired surface is another story. I'm not sure it's possible to
simulate the wood ash texture in oxidation. The best results I've
achieved are from the following: These are nice sufaces, but if you
want Richard Aerni-like wood ash texture again I'm not sure it's
possible. Good luck! Two years ago I took a part-time job teaching
ceramics at Navarro College in Corsicana, Texas. The college has only
one kiln. It' an ancient Paragon High Fire. The design is square and
toploading with very small cu. ft. It's been a real challenge to
develop an attractive palette of clays and glazes for oxidation
firing. I do majolica, colored clays, and cone 6 oxidation ( cone 7
in the sitter). Rafael Molina Rmr3431@dcccd.edu

Glaze name: Butter New - Tig Duprey

Recipe: (Percent, Batch)

Nepheline syenite        13.0       13.00
Kona F-4 feldspar        13.0       13.00
Dolomite                 13.0       13.00
Gillespie borate         13.0       13.00
Spodumene                11.3       11.30
Silica                   23.5       23.50
rottenstone              13.0       13.00
                        -----    --------
Totals:                 100.0       99.80

Comments:

A beautiful buttery, satin light yellow.  Need to check for stability,
  surface durability, and over all utility on vertical surfaces.
  Does very well over light texture.  Check over carvings and slip trailing.
From Dupre, Marcy M IV LTC RET [mailto:marcy.dupre@us.army.mil]

Glaze name: Butter New - Tig Duprey no Rottenstone

Recipe: (Percent, Batch)

Custer feldspar          35.0       35.00
Spodumene                12.1       12.10
Talc theoretical         12.5       12.50
Whiting                   8.2        8.20
Silica                    9.8        9.80
Frit 3134                14.7       14.70
Kaolin - theoretical      7.7        7.70
                        -----    --------
Totals:                 100.0      100.00

Comments:

A beautiful buttery, satin light yellow.  Need to check for stability,
  surface durability, and over all utility on vertical surfaces.
  Does very well over light texture.  Check over carvings and slip trailing.
From Dupre, Marcy M IV LTC RET [mailto:marcy.dupre@us.army.mil]

Glaze name: Butter New - Tig Duprey- w/GB

Recipe: (Percent, Batch)

Custer feldspar          44.3       44.30
Spodumene - theoretical   10.9       10.90
Gerstley borate           8.7        8.70
Talc theoretical         12.5       12.50
Whiting                   8.8        8.80
Silica                    9.9        9.90
Kaolin - theoretical      4.8        4.80
                        -----    --------
Totals:                 100.0       99.90

Comments:

A beautiful buttery, satin light yellow.  Need to check for stability,
  surface durability, and over all utility on vertical surfaces.
  Does very well over light texture.  Check over carvings and slip trailing.
From Dupre, Marcy M IV LTC RET [mailto:marcy.dupre@us.army.mil]

Glaze name: Butterscotch