• #1818 Kawai Slip -- -- c6 - 10 -- Ox. or Red.

• #207.3 -- -- c8 -- Oxidation

• Albany Glaze -- -- c9 - 10 --

• Albany Slip substitute Hendley's -- -- c7 - 10 -- ox. or red.

• Alkaline High Fire 1 -- Alkaline -- c9-10 -- Ox. or Red.

• Alkaline high fire 2 -- Alkaline -- c10 -- Ox. or Red.

• Alkaline high fire 2 no cs -- Alkaline -- c10 -- Ox. or Red.

• Alkaline Lee Rexrode -- Alkaline -- c9 -- Oxidation

• Alkaline Lee Rexrode Sr -- Alkaline -- c9 -- Oxidation

• Amber Barnard -- High-fire -- c10 -- Reduction

• Amber Celadon -- Ca SlipGlaze -- c9 - 10 -- Reduction

• Amber Celadon McKenzie Smith -- High-fire -- c9-10 -- Reduction

• Amber Celadon Nick's Ochre -- -- c10 -- Reduction

• Amber Celadon no Albany -- Ca SlipGlaze -- c9 - 10 -- Reduction

• Amber Celadon no albany -- Ca SlipGlaze -- c9 - 10 -- Reduction

• Amber Celadon VC no albany -- High-fire -- c10 -- Reduction

• Amber Celadon VC no albany + Sr -- High-fire -- c10 -- Reduction

• Amber Celadon VC no albany recalc -- High-fire -- c10 -- Reduction

• Amber Celadon w/Alberta Slip -- -- c10 -- Reduction

• Amber Gulden's -- -- c10 -- Reduction

• Amber Gulden's no GB -- -- c10 -- Reduction

• Amber Martin -- -- c10 --

• Amber Shaner Celadon ARAC -- Celadon -- c9-10 -- Reduction

• Amber Shaner Celadon ARAC Alberta -- Celadon -- c9-10 -- Reduction

• Amber Shaner Celadon ARAC no albany -- Celadon -- c9-10 -- Reduction

• Amber stable test 1 -- -- c10 -- Reduction

• Amber stable test 2 w/bone ash -- -- c10 -- Reduction

• Amber theoretical 3 -- -- c10 -- Reduction

• Amber Yellow -- High-fire -- c10 -- Salt - Soda

• Amber- Honey Weiser's -- -- c9 -- Reduction

• Anderson Blue -- -- c9 - 10 -- reduction

• Andreson Pearl -- -- c10 --

• Andy Martin's Showsaver -- High-fire -- c10 -- Ox. or Red.

• Angel Eyes -- -- c10 --

• ash - Fake Martell -- -- c10 --

• ash Benji's -- Ash -- c8-10 -- Reduction

• ash Benji's remix -- Ash -- c8-10 -- Reduction

• Ash Bleu Bass -- Ash -- c8-10 -- Reduction

• Ash Blue van Gilder -- Ash -- c10 -- Reduction

• Ash Cooter Green -- Ash -- c9 - 10 -- Reduction

• ash Fake - Martell -- Ash -- c10 --

• Ash Fake blue -- High-fire -- c9-10 -- Ox. or Red.

• ash fake BP26S Light green -- -- c8 --

• Ash Felix's Green -- Ash -- c8-10 -- Reduction

• Ash Fresca Base -- Ash -- c10 -- Reduction

• Ash Green Cooter -- Ash -- c9 - 10 -- salt

• Ash Hanna's Fake -- Fake ash -- c10 -- Reduction

• Ash Honey Doug's -- Ash -- c10 -- Reduction

• Ash Katz Fake -- -- c10 -- reduction

• Ash Lanman Fake Wood -- Fake ash -- c9 - 10 -- Ox. or Red.

• Ash McWhinnie Base -- Ash -- c8 - 10 --

• Ash pale green -- Ash -- c10 -- Reduction

• Ash Richard's Drip Fake -- Ash -- c10 -- Reduction

• Ash Tom Turners -- Ash -- c10 -- Reduction

• Ash Traditional -- Ash -- c10-11 -- Reduction

• Ash V.C. Mixed -- Ash -- c9 - 10 -- Reduction

• Ash, fake Donna's -- Fake ash -- c9 -- Reduction

• Avery Salt Slip - Wild -- -- c10 --

• Avery/Fake Avery Slip -- -- c9 - 11 --

• Base 8A -- Lithium Matt -- c10 -- Ox. or Red.

• Base Ayumi's Tuesday -- Magnesium matt -- c10 -- Reduction

• Base Ayumi's Tuesday recalc -- -- c10 -- Reduction

• Base F Ayumi's -- -- c10 -- Ox. or Red.

• Base GG Bohls -- High-fire -- c9 -- Oxidation

• Base Glaze Andy Shaw -- -- c10 -- Ox. or Red.

• Base K Ayumi's -- Ash -- c10 -- Reduction

• Base Peltzman -- -- c8 -- Oxidation

• Base Randy's -- -- c6 - 10 -- Ox. or Red.

• Base Seacrest -- -- c10 -- Reduction

• Base Transparent -- -- c10 -- Ox. or Red.

• Base Val's AA -- -- c10 -- Reduction

• Base Val's AA _just kaoliln- test -- -- c10 -- Reduction

• Base Val's AA Horie -- -- c10 --

• Beige-yellow Jillian's -- -- c9-10 -- Oxidation

• Berry Rust (new) -- -- c10 --

• Berryrust -- -- c7 - 10 --

• Big Sky -- Alkaline -- c10 -- Reduction

• Black #1223 Glossy -- -- c10 -- reduction

• Black #1223 Glossy -- -- c10 --

• Black #27 -- -- c9 - 10 -- reduction

• Black (from Dennis Olson) -- -- c10 -- reduction

• Black B V.C. -- Mg Ca SlipGlaze -- c10 -- Ox or Red

• Black B V.C. -- Mg Ca SlipGlaze -- c10 -- Ox or Red

• Black Barnard -- -- c10 -- Reduction

• Black breaking blue -- -- c8 - 10 -- Reduction

• Black Brouillard Charcoal -- High-fire -- c10 -- Reduction

• Black Charcoal -- -- c9-11 -- Reduction

• Black Charlie D Manganese -- High-fire -- c10 -- reduction

• Black H38-40 Sondahl Gloss -- -- c8 - 10 -- oxidation

• Black Hendley's Rhodes -- -- c10 -- reduction

• Black Kelly Cowan's -- -- c10 -- Reduction

• Black Loretta -- -- c10 -- Ox. or Red.

• Black Matte -- Magnesium matt -- c9 -- Salt - Soda

• Black McKensie Decorative -- -- c10 -- Reduction

• Black Mirror -- -- c10 -- Ox. or Red.

• Black Noir Lindo Gloss -- Stoneware -- c8-10 -- Reduction

• Black perfect -- -- c10 -- Reduction

• Black Peter's Metallic -- Metallic -- c5 - 10 -- Ox. or Red.

• Black Pizzaz Lorna Meaden -- -- c10 -- Salt - Soda

• BLACK SATIN -- -- c9 - 10 -- Reduction

• BLACK SATIN MATT V.C. -- Mg -- c10 -- Reduction

• BLACK SATIN MATT V.C. -- Mg -- c10 -- Reduction

• BLACK SATIN MATT V.C. -- Mg -- c10 -- Reduction

• Black Seacrest -- -- c9-10 -- Reduction

• Black Shige's -- High-fire -- c9-10 -- Reduction

• Black Sloan's -- -- c10 -- reduction

• Black Sloan's revisited -- -- c10 - 11 --

• Black Sloan's revisited -- -- c10 - 11 --

• Black St John's -- -- c10 -- Reduction

• Black St John's Brian's -- -- c10 -- Reduction

• Black St John's by Brian Voth -- -- c10 -- reduction

• Black St. John's Alberta Slip -- High-fire -- c9 -- Ox. or Red.

• Black Super -- -- c10 -- Reduction

• Black Tenmoku -- -- c9 - 10 -- reduction

• Black V.C. Satin -- -- c9-10 -- Reduction

• Black V.C. Satin Doll -- Mg Ca SlipGlaze -- c10 -- Ox. or Red.

• Black V.C. Satin Doll Revised -- Mg Ca SlipGlaze -- c9 - 10 -- Ox. or Red.

• Blacksmith -- Dolomite -- c10 -- Reduction

• Blanc cendré -- Ash -- c8-10 -- Reduction

• Blanc de Michel -- Stoneware -- c8-10 -- Reduction

• Blanc Julien Glacé -- Stoneware -- c8-10 -- Reduction

• Blatant Blue -- -- c9 - 10 -- reduction

• Bleached Albany -- High-fire -- c10 -- Reduction

• Bleu Bass -- Ash -- c8-10 -- Reduction

• Bleu texturé -- Stoneware -- c8-10 -- Reduction

• Blue Carlton Mottled revised -- -- c9 - 10 -- reduction

• Blue #1 Israeli -- -- c9 - 10 -- reduction

• Blue Acero -- -- c9-11 -- Wood

• Blue Aldrich -- Magnesium matt -- c9 -- Ox. or Red.

• Blue Anderson -- -- c9 - 10 -- reduction

• Blue c10 -- -- c10 -- Reduction

• Blue Carlton Mottled -- -- c9 - 10 -- reduction

• Blue Celadon - Choy Blue -- -- c9 - 10 -- reduction

• Blue Chun Glaze -- -- c9 - 10 -- reduction

• Blue Cobalt Midnight -- -- c9 - 10 -- reduction

• Blue Conrad G375 Moonlight -- -- c10 -- Oxidation

• Blue Cool -- -- c8 - 9 --

• Blue Crazy Rutile Jillian's -- -- c10 -- Reduction

• Blue Dark Gloss -- -- c10 -- reduction

• Blue Dark Shiny -- -- c9 -- Ox. or Red.

• Blue Dunham -- High-fire -- c9 - 10 -- reduction

• Blue Emily's -- Magnesium matt -- c8 -- Ox. or Red.

• Blue Goodrich Mediterranean -- -- c9 - 10 -- reduction

• Blue Goodrich Mediterranean -- -- c9 - 10 -- reduction

• Blue Green Glossy Deep -- -- c9 - 10 -- reduction

• Blue Green Glossy Deep -- -- c9 - 10 -- reduction

• Blue green Satin Mat Clemson U -- -- c9 - 10 --

• Blue Green V&O -- -- c9 - 10 -- reduction

• Blue Hennessy Revised -- Celadon -- c9 - 10 -- Reduction

• Blue Jeff's Longbeach -- -- c9 - 10 --

• Blue Leach -- -- c9 - 10 -- reduction

• Blue Leach -- -- c9 - 10 -- reduction

• Blue Les's -- High-fire -- c10 -- Ox. or Red.

• Blue Limestone -- -- c10 -- Reduction

• Blue lithium -- -- c010-09 -- Ox. or Red.

• Blue Long Beach -- -- c10 --

• Blue Matt Davidson -- -- c9 - 10 -- reduction

• Blue Midnight -- -- c9 - 10 -- reduction

• Blue Moceri Matt -- -- c9 - 10 -- reduction

• Blue New -- -- c9 - 10 -- reduction

• Blue Nickel Horie -- Barium matt -- c10 -- Reduction

• Blue Opal -- -- c10 -- reduction

• Blue Overglaze Wash Cardew -- Wash for on glaze -- c6-10? -- Ox. or Red.

• Blue Pablo's -- -- c9 - 10 -- reduction

• blue Pale -- -- c10 -- Ox. or Red.

• Blue Peacock -- Magnesium matt -- c9 - 10 -- reduction

• Blue Periwinkle Kelli's -- High-fire -- c10 -- Reduction

• Blue Persimmon -- -- c10 -- reduction

• Blue Persimmon Glossy -- Ca K RutileBlue -- c9 - 10 -- Reduction

• Blue Rev.V.C. Rich Matt KG -- Ca Mg AlMatt -- c10 -- Reduction

• Blue Robin's Egg Spot -- -- c10 -- Reduction

• Blue Royal -- -- c10 -- Ox. or Red.

• Blue Rutile -- -- c10 -- reduction

• Blue Rutile Alan's -- -- c10 -- reduction

• Blue Rutile Jillian's Crazy -- -- c10 -- Reduction

• Blue Satin -- High-fire -- c9-10 -- Ox. or Red.

• Blue Satin Batman from Byron Temple -- -- c8-10 -- Ox. or Red.

• Blue Stable -- -- c9 - 10 -- reduction

• Blue Textured -- -- c9 - 10 -- reduction

• Blue Textured 1 -- -- c9 - 10 -- reduction

• Blue Textured 2 -- -- c10 -- Reduction

• Blue TH -- -- c9 -- Ox. or Red.

• Blue TH -- -- c9 -- Ox. or Red.

• Blue V&O Lt -- -- c9 - 10 -- reduction

• BLUE V.C. AA COBALT -- Ca -- c9-10 -- Reduction

• Blue V.C. Rich Matt -- Ca Mg AlMatt -- c9 ONLY -- Reduction

• Blue VC Rich Matt -- -- c9 - 10 -- reduction

• Blue VC Rich Matt -- -- c9 - 10 -- reduction

• Blue VC Rich Matt -- -- c9 - 10 -- reduction

• Blue water -- -- c9 - 10 --

• Blue Waxy Matt -- -- c9 - 10 -- reduction

• Blue Waxy Matt -- -- c9 - 10 -- reduction

• Blue, St. John's -- Ca K SaltFire -- c9 - 12 -- Salt - Soda

• BLUE-GREEN V.C. AA COPPER -- Ca -- c9-10 -- Reduction

• BLUE-GREEN V.C. AA COPPER -- Ca -- c9-10 -- Reduction

• Blue/Black Val's -- High-fire -- c10 -- Reduction

• Boubaric Tesha -- -- c9 - 10 --

• Bronze Chinese -- -- c10 -- Ox. or Red.

• Bronze Gold -- Metallic -- c8-10 -- Ox. or Red.

• Bronze Gold Metallic -- Metallic -- c6-10 -- Ox. or Red.

• Bronze Larry's -- Metallic -- c9 -- Oxidation

• Bronze Manganese Saturated -- Metallic -- c10 -- Reduction

• Bronze metallic Larry's -- Metallic -- c9 -- Oxidation

• Brown soft SG-21 Aysha Peltz -- Magnesium matt -- c9-10 -- Oxidation

• Brown Steel -- High-fire -- c10 -- Reduction

• Brown Steel - Chung -- -- c10 -- Salt - Soda

• Brown Steel - Chung -- -- c10 -- Salt - Soda

• Buckwheat -- Magnesium matt -- c7 --

• Buttermilk -- -- c10 - 11 --

• Buttermilk revised -- -- c9 - 10 --

• Celadon -- -- c10 --

• celadon gray no gb -- Celadon -- c11 -- Reduction

• Celadon - Choy Blue -- Celadon -- c9 - 10 -- reduction

• Celadon 1234 -- Celadon -- c10 -- Reduction

• Celadon 202.2 Blue-Grey -- Celadon -- c8 -- Ox. or Red.

• Celadon Blue Green V&O -- Celadon -- c9 - 10 -- reduction

• Celadon Blue Green V&O -- Celadon -- c9 - 10 -- reduction

• Celadon Blue-Sam Chung -- Celadon -- c10 -- Reduction

• Celadon Blue-Sam Chung no GB -- Celadon -- c10 -- Reduction

• Celadon C10R H House Revised -- -- c10 -- reduction

• Celadon C10R Tom Coleman Revised -- -- c10 -- reduction

• Celadon C9R Beherens Revised -- -- c9 -- reduction

• Celadon Choy Blue -- Celadon -- c10 -- Reduction

• Celadon Choy Blue UF -- Celadon -- c10 -- Reduction

• Celadon Choy Blue UF recalc -- Celadon -- c10 -- Reduction

• Celadon Coleman Apple Green -- -- c10 -- Reduction

• Celadon Coleman Ice Blue -- -- c10 -- Reduction

• Celadon Fake Blue -- Celadon -- c9-11 -- Wood

• celadon gray -- Celadon -- c11 -- Reduction

• celadon gray -- Celadon -- c11 -- Reduction

• celadon gray no gb -- Celadon -- c11 -- Reduction

• Celadon Green T.M. -- Celadon -- c10 -- Reduction

• celadon grey -- -- c8 - 10 --

• Celadon Grey Blue -- -- c8 - 10 -- reduction

• Celadon Grey-Green from Pete Pinnell -- Celadon -- c9 -- Reduction

• Celadon Korean -- Celadon -- c10 -- Reduction

• Celadon Leach 1234 -- Celadon -- c10 -- Reduction

• Celadon Mather -- -- c10 -- reduction

• Celadon Northern -- Celadon -- c9-10 -- Reduction

• Celadon oxidation Horie -- Celadon -- c10 -- Salt - Soda

• Celadon pale -- Celadon -- c9 - 10 -- Ox. or Red.

• Celadon Sanders -- Celadon -- c10 -- Reduction

• Celadon Secrest -- Ca K Celadon -- c9 - 10 -- Reduction

• Celadon Tom Coleman's Iron Blue-Green -- Celadon -- c9 - 11 -- Reduction

• Celadon V.C. Lung Chuan -- Celadon -- c9 - 10 -- Reduction

• Celadon Warren MacKenzie's Blue Black -- Celadon -- c9 - 10 --

• celadon Wax blue-green -- Celadon -- c10 -- reduction

• Celadon Yellow -- Celadon -- c10 -- Reduction

• Celadon-type glaze David Pier -- Celadon -- c9-11 --

• Celedon Martell Clear -- Celadon -- c10 -- reduction

• Charlie D Manganese -- -- c10 -- reduction

• Chartreuse Andy Martin 2 -- -- c10 --

• Chartreuse Andy Martin's Showsaver -- High-fire -- c10 -- Ox. or Red.

• Chun -- Chun -- c9 - 10 -- reduction

• Chun - Brayford -- Chun -- c9 - 10 -- Reduction

• Chun - Pettyjohn -- Chun -- c9 - 10 -- Reduction

• Chun Blue -- Chun -- c9 - 10 -- Reduction

• Chun Blue Glaze -- Chun -- c9 - 10 -- reduction

• Chun Deller -- Chun -- c9-10 -- Reduction

• Chun No Flint -- Chun -- c10 -- Ox. or Red.

• Clay Casting Porcelain slip -- Clay Casting slip -- c10 -- Ox. or Red.

• clay Stoneware White VC -- Clay (Stoneware) -- c9-10 -- Ox. or Red.

• Clay Buff Snair's -- Clay (Stoneware) -- c8-10 -- Ox. or Red.

• Clay Castiing Off-White Scooter's -- -- c6-10 -- Ox. or Red.

• Clay Casting Anna's -- Clay casting slip -- c10 -- Ox. or Red.

• Clay Casting Off-White Scooter's -- Clay casting slip -- c6-10 -- Ox. or Red.

• Clay Casting Porcelain Andrew Martin -- Clay Casting slip -- c10 -- Ox. or Red.

• Clay Casting Porcelain Martin -- Clay casting slip -- c10 -- Ox. or Red.

• Clay casting porcelain Reeves -- Clay Casting slip -- c10 --

• Clay Casting Porcelain Siffen -- Clay Casting slip -- c10 -- Ox. or Red.

• Clay Casting Porcelain slip -- Clay casting slip -- c10 -- Ox. or Red.

• Clay Casting Porcelain Slip Michael Corney -- Clay casting slip -- c10 --

• Clay casting porcelain Spleth -- Clay Casting slip -- c8-10 -- Ox. or Red.

• Clay Casting Slip Tom Spleth -- Clay casting slip -- c9-10 -- Ox. or Red.

• Clay Casting Spleth Slip -- Clay Casting slip -- c10 -- Ox. or Red.

• Clay Creamy Stoneware -- Clay (Stoneware) -- c7-10 -- Ox. or Red.

• Clay Flameware 2 Robbie Lobell -- -- c10 --

• Clay Flameware Robbie Lobell -- Clay (Stoneware) -- c10 -- Ox. or Red.

• clay for wood Barbour -- Clay (Stoneware) -- c10 -- Wood

• clay grey stoneware -- Clay (Stoneware) -- c10 -- Ox. or Red.

• Clay Otis Porcelain -- Clay (Porcelain) -- c9-10 -- Ox. or Red.

• Clay Porcealin Frank Martin -- Clay (Porcelain) -- c10 -- Ox. or Red.

• Clay Porcelain Otis -- Clay (Porcelain) -- c9-10 -- Ox. or Red.

• Clay Porcelain Beasecker 9-10 -- Clay (Porcelain) -- c8-10 -- Ox. or Red.

• Clay Porcelain Beasecker2 -- Clay (Porcelain) -- c8-10 -- Reduction

• Clay Porcelain Bohls -- Clay (Porcelain) -- c9 -- Ox. or Red.

• Clay Porcelain Casting slip -- Clay (casting slip) -- c10 -- Ox. or Red.

• Clay Porcelain Frank Martin -- Clay (Porcelain) -- c10 -- Ox. or Red.

• Clay Porcelain Granatelli -- Clay (Porcelain) -- c9 -- Ox. or Red.

• clay porcelain Matt Long's fabulous -- Clay (Porcelain) -- c10-12 -- Ox. or Red.

• Clay Porcelain Matt's -- Clay (Porcelain) -- c10 -- Ox. or Red.

• Clay Porcelain Matts -- Clay (Porcelain) -- c8-10 -- Reduction

• Clay Porcelain Peltzman -- Clay (Porcelain) -- c8 -- Ox. or Red.

• Clay Porcelain Tim Mather -- Clay (Porcelain) -- c9-11 -- Ox. or Red.

• Clay Porcelain White PP Mod. -- Clay (Porcelain) -- c9-10 -- Ox. or Red.

• Clay Porcelain Wiseman's -- Clay (Porcelain) -- c10 -- Ox. or Red.

• Clay Porcelian Amy Smith's -- Clay (Porcelain) -- c10 --

• Clay Porecelain Bill's Grey -- Clay (Porcelain) -- c10 -- Ox. or Red.

• Clay Stoneware A.S.U. Red -- Clay (Stoneware) -- c10 --

• Clay Stoneware Brown -- Clay (Stoneware) -- c8-10 -- Ox. or Red.

• Clay Stoneware Buff Snair's -- Clay (Stoneware) -- c8-10 -- Ox. or Red.

• clay stoneware Goldberg -- Clay (Stoneware) -- c10 -- Reduction

• clay stoneware grey -- Clay (Stoneware) -- c10 -- Ox. or Red.

• Clay Stoneware Grey to White -- Clay (Stoneware) -- c8-10 -- Ox. or Red.

• Clay Stoneware High-Iron Ted Adler's -- Clay (Stoneware) -- c10 -- Salt - Soda

• Clay Stoneware Nebraska #1 -- Clay (Stoneware) -- c8-12 -- Ox. or Red.

• Clay Stoneware Nebraska #2 -- Clay (Stoneware) -- c8-12 -- Ox. or Red.

• Clay Stoneware Rick St. John's -- Clay (Stoneware) -- c8-10 -- Ox. or Red.

• Clay Stoneware UF Shop -- Clay (Stoneware) -- c8-10 -- Ox. or Red.

• clay Stoneware White 3784 -- Clay (Stoneware) -- c9-10 -- Ox. or Red.

• Clay Stoneware White Betty Woodman's -- Clay (Stoneware) -- c9-10 -- Ox. or Red.

• Clay Stoneware White Judith's -- Clay (Stoneware) -- c9-10 -- Ox. or Red.

• Clay Stoneware White Nelson -- Clay (Stoneware) -- c9-10 -- Ox. or Red.

• clay Stoneware White VC -- Clay (Stoneware) -- c9-10 -- Ox. or Red.

• Clay Stoneware White VC Off-White -- Clay (Stoneware) -- c8-10 -- Ox. or Red.

• Clay White Flashing Stoneware Sam's -- Clay (Stoneware) -- c6.14 -- Wood

• Clay Wood-fire Barbour -- Clay (Stoneware) -- c10 -- Wood

• Clay ZAM Superbody -- Clay (Stoneware) -- c6-10 -- Ox. or Red.

• Clear -- -- c10 -- Ox. or Red.

• Clear -Coile Hooven -- -- c10 - 11 --

• Clear Base -- -- c10 -- Ox. or Red.

• Clear bob's base -- Mid-fire -- c7-8 -- Ox. or Red.

• Clear Buttery Matt #415 -- -- c10 -- Ox. or Red.

• Clear Choy -- Ca Ba K -- c9 - 10 -- Ox. or Red.

• Clear Crackle -- -- c9 - 10 -- Ox. or Red.

• Clear Crackle rev. -- -- c8 - 9 - 10 -- Ox. or Red.

• Clear Donna's -- High-fire -- c10 -- Ox. or Red.

• Clear durable -- High-fire -- c9-10 -- Ox. or Red.

• Clear Eva's -- -- c10 --

• Clear Georgia -- -- c10 -- Ox. or Red.

• Clear Gill -- -- c10 -- Ox. or Red.

• Clear Granatelli -- -- c9 -- Ox. or Red.

• Clear Granatelli 2 -- -- c9-10 -- Ox. or Red.

• Clear Granatelli 2 recalc - no frit -- -- c9-10 -- Ox. or Red.

• Clear Haystack -- High-fire -- c9-10 -- Reduction

• Clear Hensley's -- High-fire -- c10 -- Reduction

• Clear Hensley's no GB no Ba -- High-fire -- c10 -- Reduction

• Clear matt Hewitt's -- -- c8 --

• Clear Meloy revised -- Stoneware -- c8-10 -- Reduction

• Clear Milky -- -- c11 -- Ox. or Red.

• Clear Pete Pinnell -- -- c10 -- Ox. or Red.

• Clear Pete's Blushing -- High-fire -- c8-10 -- Ox. or Red.

• Clear Pinnell Hi Fire -- High-fire -- c8-10 -- Ox. or Red.

• Clear Pinnell Hi Fire Recalc -- High-fire -- c8-10 -- Ox. or Red.

• Clear Tin -- -- c10 -- Ox. or Red.

• Clear/Transparent -- High-fire -- c9-10 -- Ox. or Red.

• Cobalt Green (from CM) -- High-fire -- c9 - 10 -- Ox or Red

• Coleman Apple Green -- Ca K Celadon 4-3-2-1 -- c9 - 10 -- Reduction

• Coleman's Purple -- -- c10 --

• Cone 9 Crackle Glaze -- -- c9 -- Ox. or Red.

• Conrad G375 Moonlight Blue -- -- c10 -- Oxidation

• Cook of Clay KK/RL Blue Exterior -- -- c10 --

• Cook on Clay Interior Glaze -- -- c10 --

• Cook on Clay KK Grey/Black Exterior -- -- c10 --

• Cook on Clay KK Interior Glaze -- -- c10 --

• Copper Blue -- -- c9 - 10 -- reduction

• Copper Blue (for exterior surfaces only) -- -- c10 -- soda salt

• Copper Red -- -- c10 --

• Copper Red Norton -- Copper red -- c10 -- Reduction

• Copper Red (Dick Lehman) -- -- c9 - 10 - 11 -- reduction

• Copper Red (from Dick Lehman) -- -- c9 - 11 --

• Copper Red (from Walter Donald Kring) -- -- c9 - 11 --

• Copper Red (U. Houston) -- Copper red (Oxblood) -- c9-11 -- Reduction

• Copper Red (Walter Donald Kring) -- -- c9 - 10 - 11 -- reduction

• Copper Red 2 -- -- c10 -- reduction

• Copper Red 3 -- -- c9 -- reduction

• Copper Red COLEMAN'S -- Copper red -- c10 -- Reduction

• Copper Red Dependable -- Copper red -- c10 -- Reduction

• Copper Red Easy -- Copper red (Peach bloom) -- c10 -- Reduction

• Copper Red I -- -- c10 -- reduction

• Copper Red Jeff's -- Copper red (Oxblood) -- c10 -- Reduction

• Copper Red No. 21 -- Copper red -- c10 -- reduction

• Copper red No. 25 -- Copper red -- c10 -- Reduction

• Copper Red Ox Blood -- Copper red (Sang de boeuf) -- c10 -- Reduction

• Copper Red Pablo's -- Copper red -- c9 - 10 -- Reduction

• Copper Red Peach Bloom -- Copper red (Peach bloom) -- c9 - 10 -- Reduction

• Copper Red Peach Bloom Alan MacFarlane -- Copper red (Peach bloom) -- c10 -- Reduction

• Copper Red Peach Blossom -- Copper red (Peach bloom) -- c10 -- Reduction

• Copper Red Pete's Cranberry -- -- c10 -- reduction

• Copper Red Pete's Red-Orange -- Copper red -- c9-10 -- Reduction

• Copper Red Pete's Red-Orange test -- Copper red -- c9-10 -- Reduction

• copper red reduction glaze -- -- c8 - 10 --

• Copper Red Sang De Boeuf -- Copper red (Sang de boeuf) -- c10 -- Reduction

• Copper Red Tom Turner's Flambe 2 -- Copper red (Flambe) -- c10 -- Reduction

• Crackle Glaze -- -- c9 -- Ox. or Red.

• Crackle Glaze Cone 9 -- Crackle -- c9 -- Ox. or Red.

• Crackle Peter Lane's -- Crackle -- c7 - 9 -- Ox. or Red.

• crawl Hopper -- Texture -- c10 -- Ox. or Red.

• crawl white -- Texture -- c10 -- Ox. or Red.

• Cream Matt -- -- c10 -- reduction

• Crimson Reeves -- High-fire -- c9 -- Ox. or Red.

• Crystal Blue #383 Emmanuel Cooper's -- Crystalline -- c10 -- Ox. or Red.

• Crystal C9 CR321 Snowflake -- Crystalline -- c9 -- Ox. or Red.

• Crystal Cinnamon Shiny -- Crystalline -- c10 -- Reduction

• Crystal Magic - Steven Hill -- -- c10 --

• Crystal Shaneresque -- Crystalline -- c9-10 -- Reduction

• Crystalline Aaonsen & Johnson -- Crystalline -- c8 -- oxidation

• Crystalline base -- Crystalline -- c9 --

• Crystalline Base Carol Sphar -- Crystalline -- c10 -- Oxidation

• Crystalline Base Celestite -- Crystalline -- c9-10 -- Oxidation

• Crystalline base Granite -- Crystalline -- c8-10 -- Oxidation

• crystalline base Ilsley -- Crystalline -- c10 -- Oxidation

• Crystalline Base Leon Bush -- Crystalline -- c10 -- Oxidation

• Crystalline base Norkin -- Crystalline -- c10 -- Oxidation

• Crystalline Base Sawhill -- Crystalline -- c10 -- Oxidation

• Crystalline base Tin Foil -- Crystalline -- c10 -- Oxidation

• Crystalline Base West -- Crystalline -- c10 -- Oxidation

• Crystalline Derek Clarkson -- Crystalline -- c6 -- Ox. or Red.

• Crystalline Glaze Hewitt -- -- c9 --

• Crystalline Hewitt -- Crystalline -- c9 --

• Cushing Matte -- -- c9 - 10 --

• Dark Blue Gloss -- -- c10 --

• Daryl's Dry Glaze -- -- c10 --

• Dunham Shiny -- -- c9-10 -- Reduction

• DynaWhite - Ian anderson -- -- c10 -- Ox. or Red.

• F. Black: -- -- c8 - 10 --

• Fake ash - Martell -- -- c10 --

• Fake Avery Flashing Slip #4 -- -- c8 - 10 --

• Ferg Yellow -- -- c10 --

• Feuilles d'automne -- Stoneware -- c8-10 -- Reduction

• Flasho Rama -- -- c8-10 -- Reduction

• Freer Sample 11 -- -- c9 - 10 --

• George's Strawberry Crush -- -- c9 --

• GG Base -- Magnesium matt -- c9 -- Oxidation

• glaze calc test -- -- c --

• Gloss Dark Blue -- -- c10 --

• Glossy Black #1223 -- -- c10 --

• Glossy Deep Blue Green -- -- c9 - 10 -- reduction

• Gold Liner -- -- c9 - 10 -- reduction

• Gold Metallic Reynold's -- Metallic -- c6-10 -- Ox. or Red.

• Gold Shaner -- Calcium matt -- c10 -- Reduction

• Goodrich Mediterranean Blue -- -- c9 - 10 -- reduction

• Gray-White Translucent -- Magnesium matt -- c8 --

• Gray-White Translucent -- Magnesium matt -- c8 --

• Green Veerkamp 1 -- -- c10 -- Reduction

• Green black matt - Brandeis -- -- c6, 7, 8, 9, 10 -- Oxidation

• Green Cobalt (from CM) -- -- c10 --

• Green Coleman Apple -- Ca K Celadon 4-3-2-1 -- c9 - 10 -- Reduction

• Green Cushing -- -- c10 --

• Green Dark Aquamarine Goldberg -- High-fire -- c9 -- Reduction

• Green Deep -- -- c10 -- Reduction

• Green Glaze -- -- c9 - 10 -- reduction

• Green Hamada -- High-fire -- c10 -- soda

• Green Hunter/Forest -- -- c10 -- Ox. or Red.

• Green Mint Satin S- Chung -- -- c10 -- Salt - Soda

• Green Mint Satin S- Chung -- -- c10 -- Salt - Soda

• Green Moss -- -- c10 -- Reduction

• Green Oribe -- High-fire -- c10 -- Ox. or Red.

• Green Oribe 2 -- High-fire -- c10 -- Ox. or Red.

• Green Oribe 3 -- High-fire -- c10 -- Ox. or Red.

• GREEN ORIBE 4 -- High-fire -- c10? -- Ox. or Red.

• Green Oribe 5 -- -- c -- Reduction

• Green Oribe Limestone -- High-fire -- c9-10 -- Ox. or Red.

• Green Randy's -- High-fire -- c10 -- Reduction

• Green Reeves -- -- c10 -- reduction

• Green Reitz Matt -- Na Ca Feldspathic -- c9 - 10 -- Ox or Red

• Green Reitz Matt no GB no petalite -- Na Ca Feldspathic -- c9 - 10 -- Ox or Red

• Green Rob's -- -- c9 - 11 -- reduction

• Green Salt Shino -- -- c9 - 10 -- Salt

• Green Sana's (original formula) -- -- c6 - 10 -- reduction

• Green Sana's (revised for C10R) -- -- c10 -- Ox. or Red.

• Green Satin Mint -- -- c -- Salt - Soda

• Green Sombright -- High-fire -- c9-10 -- Reduction

• Green Sparkle VC Matte Revised -- Lithium Matte -- c9 -- Oxidation

• Green Veerkamp 2 -- -- c10 -- Reduction

• Green Willie Hillix -- -- c10 --

• Grey Blue Celadon -- -- c8 - 10 -- reduction

• grey celadon -- -- c8 - 10 --

• Grey Glaze -- -- c10 -- reduction

• Hawaiian Tan -- -- c10 --

• Hendley's Albany Slip substitute: -- -- c7 - 10 -- ox. or red.

• Hendley's Rhodes Black -- -- c10 -- reduction

• Hewitt Crystalline Glaze -- -- c9 --

• Hewitt's Clear matt -- -- c8 --

• Honey Doug's -- Ash -- c10 -- Reduction

• Honey Gold -- -- c8 - 10 --

• Honey Weiser's -- -- c9 -- Reduction

• Hunter Green 2 -- -- c10 --

• Hunter/Forest Green -- -- c10 -- Ox. or Red.

• Ian Currie T.S.1 -- -- c10 -- Ox. or Red.

• Ice Ice Baby -- -- c10 -- Reduction

• Iron - Blue water -- -- c9 - 10 --

• Iron Red Oxidation -- -- c8 - 9 --

• Iron Rust -- -- c9 - 10 -- reduction

• Israeli Blue #1 -- -- c9 - 10 -- reduction

• Jess' Rutile/Black -- -- c10 -- reduction o

• Johnston Nuka -- High-fire -- c10 -- Reduction

• K9 -- -- c10 -- reduction

• Kaki -- -- c10 -- Ox. or Red.

• KAREN'S TOUCH GLAZE -- -- c10 --

• KCAI BOUBARIC TESSHA SATURATE IRON -- -- c10 --

• Ken's Great Glaze -- Stoneware -- c9-10 -- Reduction

• Korman Yellow -- Ba Ca -- c9 - 10 -- Reduction

• L. G. Porcelain and Clear -- -- c9 - 10 -- Ox. or Red.

• Lab Fee Intense Red -- High-fire -- c8-10 -- Ox. or Red.

• Lavender Splotchy Glaze -- -- c10 -- reduction

• Leach 1234 Celadon -- -- c10 --

• Leach Blue -- -- c9 - 10 -- reduction

• Lime Green -- -- c9-10 -- Reduction

• Long Beach Blue -- -- c10 -- Ox. or Red.

• Low-Expansion Glaze for Flameware -- -- c10-11 -- Ox. or Red.

• Lucas Mottled Iron -- High-fire -- c8-10 -- Reduction

• Magnesium Mat-Carleton Ball -- Magnesium matt -- c9 - 11 -- Reduction

• Magnesium Mat-Carleton Ball cone -- -- c9 - 11 --

• Mamo -- -- c10 --

• Mamo Matt -- -- c10 -- reduction

• Mamo Satin Matt -- Ca Mg AlMatt -- c9 - 10 -- Reduction

• Manganese Saturated Glaze -- -- c10 -- Reduction

• Marcia's Oil Spot -- -- c9 - 10 --

• Martin's Movable Feast -- -- c10 -- Oxidation

• Mashiko Synthetic AK5 -- -- c10 --

• Matt Butter -- Magnesium matt -- c8-10 -- Oxidation

• Matt c10 Pete's Strontium -- High-fire -- c9-10 -- Ox. or Red.

• Matt Clear -- -- c8 --

• Matt Cushing -- Magnesium matt -- c9 - 10 -- Reduction

• Matt L.P. -- -- c10 -- Oxidation

• Matt Strontium -- -- c8-10 -- Ox. or Red.

• Matt Strontium Crystal Magic Steven Hill -- Strontium matt -- c10 -- Reduction

• Matte Cranshaw Satin -- -- c10 -- Reduction

• Matte Cushing -- Magnesium matt -- c9 - 10 -- reduction

• Matte Hamada -- Zinc matt -- c10 -- Reduction

• Matte Pete's Strontium -- Strontium matt -- c9-10 -- Ox. or Red.

• Matte Shannon's No-Craze Sr -- Strontium Matt -- c9-10 -- Ox. or Red.

• Matte Sondahl C-4 -- -- c8 --

• Matte Sondahl C-4 -- -- c8 -- Ox. or Red.

• Mayan Blue -- -- c9 - 10 -- reduction

• Metallic Gold Reynolds -- Metallic -- c6-10 -- Ox. or Red.

• Metallic Manganese -- Metallic -- c9-10 -- Ox. or Red.

• Metallic Matt Black -- -- c6 - 9 -- Oxidation

• Michael Simon Tessha -- -- c8 - 10 --

• Michelle's -- -- c9-10 -- Reduction

• Midnight Cobalt Blue -- -- c9 - 10 -- reduction

• Milky Clear -- -- c11 -- Ox. or Red.

• Mint Green Matt -- High-fire -- c10 -- Soda

• Molasses VC -- -- c10 -- Reduction

• Molasses VC no GB -- -- c10 -- Reduction

• Moonglow -- High-fire -- c9-10 -- Reduction

• Moonlight -- -- c10 -- Reduction

• Murrow Variation -- -- c9 - 10 --

• Navy w/gold flecks -- -- c10 -- Ox. or Red.

• new glaze -- -- c --

• new glaze -- -- c --

• new glaze -- -- c --

• new glaze -- -- c --

• new glaze -- -- c --

• new glaze -- -- c --

• Nickel Buckwheat -- -- c7 --

• Oatmeal -- -- c10 --

• Oestreich Shino #2 -- -- c9 - 10 --

• Ohata Kaki -- Iron saturate -- c9-10 -- Reduction

• Oil spot -- Temmoku (Oilspot) -- c10-11 -- Oxidation

• Oil Spot #3 John's -- Temmoku (Oilspot) -- c10-11 -- Oxidation

• Oil Spot Bailey's -- Temmoku (Oilspot) -- c10-11 -- Oxidation

• Oil Spot Harding -- Oil Spot -- c10 -- Reduction

• Oil Spot Harding Cover -- Oil Spot -- c10 -- Reduction

• Oil Spot John Britt test -- -- c --

• Oil Spot Marcia's -- -- c9 - 10 -- Ox. or Red.

• Oil spot Traditional -- Temmoku (Oilspot) -- c10-11 -- Oxidation

• Oilspot Red -- Oil Spot -- c9-10 -- Ox. or Red.

• Opal Blue -- -- c10 -- reduction

• Opal Feldspathic -- High-fire -- c9-10 -- Reduction

• ORANGE RED -- -- c10 -- reduction

• Orange Temple -- High-fire -- c10 -- Reduction

• Oribe Shaner -- High-fire -- c10 - 11 -- reduction

• Oxidation Iron Red -- -- c8 - 9 --

• Persimmon -- Iron saturate -- c9 - 10 -- Ox. or Red.

• Peter Lane's Crackle -- -- c7 - 9 -- Ox. or Red.

• Pewter Spotty Matt -- Metallic -- c10 -- Reduction

• Pier's Pure Lux-Deluxe Revised -- -- c8-9 -- Oxidation

• Pink Katz Zinc -- -- c10 -- Oxidation

• Pink Nickel Crystal -- Crystalline -- c9 -- Oxidation

• pink nickel crystal Bohls -- Crystalline -- c9 -- Oxidation

• Pink Shocking -- Barium matt -- c7 - 9 -- Ox. or Red.

• Pink-Beige -- -- c10 --

• Plum Dark -- -- c9 - 10 -- reduction

• Plum to Black V.C. IR-A -- Ca B IronSaturate -- c9 - 10 -- Reduction

• Plum to Black V.C. IR-A -- Ca B IronSaturate -- c9 - 10 -- Reduction

• Porcelain Beasecker2 -- Clay (Porcelain) -- c8-10 -- Reduction

• Porcelain Clay Beasecker 9-10 -- Clay (Porcelain) -- c8-10 -- Ox. or Red.

• Purple (from Walter Donald Kring) -- Copper red -- c9 - 10 -- reduction

• Purple Chun -- Chun -- c10 -- Reduction

• Purple Coleman's -- Copper red -- c10 -- Ox. or Red.

• Purple Emily -- Magnesium matt -- c9 -- Ox. or Red.

• Purple Emily's -- Magnesium matt -- c10 -- Ox. or Red.

• Purple Haze -- -- c10 -- Reduction

• Purple Rain -- -- c8 --

• Raspberry Red to Pale Seagreen -- -- c10 -- reduction

• Red Bailey's -- Iron saturate -- c10 -- Reduction

• Red Copper -- Copper red -- c9-10 -- Reduction

• Red Lab Fee Intense -- High-fire -- c8-10 -- Ox. or Red.

• Red Oharata -- Iron saturate -- c9 - 12 -- Reduction

• Red Oilspot -- -- c9-10 -- Ox. or Red.

• Red Shaner -- Calcium matt -- c10 -- Reduction

• Red Splotchy Glaze -- Copper red (Oxblood) -- c10 -- reduction

• Red to Green Staley -- -- c10 -- Reduction

• Rene' Ben Lisa (France) -- -- c10 -- Reduction

• Rhodes Magnesia Base -- -- c10 --

• Richard's Drip Fake Ash -- Ash -- c10 -- Reduction

• Rick Haynes Satin -- Ca Mg Na -- c9 - 10 -- Ox. or Red.

• Rivulet #1 + #2 -- Fake ash -- c9 -- Oxidation

• Rivulet V.C. -- Ca FakeAsh -- c9 - 10 -- Reduction

• Rivulet V.C. #1 -- Fake ash -- c9 -- Oxidation

• Rivulet V.C. #1 from Bohls -- Fake ash -- c9 -- Oxidation

• Rivulet VC 1 + 2 -- Fake ash -- c9 -- Oxidation

• Robbie's Y Glaze for Exteriors -- -- c10 -- Ox. or Red.

• Ruth Ballou's Slip -- -- c5-10 -- Ox. or Red.

• Rutile Blue -- -- c10 --

• Rutile Blue #1 -- -- c9 - 10 -- reduction

• Rutile Blue #2 -- -- c9 - 10 -- reduction

• Rutile Blue I -- -- c10 - 11 -- reduction

• Rutile Blue II -- -- c10 -- reduction

• Rutile Blue SEGAR -- -- c9 - 10 -- Reduction

• Rutile Mix -- -- c10 -- Ox. or Red.

• Rutile/Black Jess' -- -- c10 -- Reduction

• Sapergia Base -- -- c10 --

• Satin in Theory -- -- c --

• Satin Mat Carlton Ball -- -- c7 - 9 -- Ox. or Red.

• Satin Matt G218 Conrad's -- -- c5-9 -- Ox. or Red.

• Satin matt speckled light tan -- -- c8 - 9 -- Oxidation

• Satin Matte Robin Hopper -- Magnesium matt -- c10 -- Reduction

• satin mix M3 -- -- c9-10 --

• Satin Nightmare -- -- c9 - 10 -- reduction

• Satin Rick Haynes -- Ca Mg Na -- c9 - 10 -- Ox. or Red.

• Satin Rust - Finnerty -- -- c9-10 -- Reduction

• Saturated Iron Earlham -- Iron saturate -- c9 -- Reduction

• Saturated Iron Oharata Red -- Iron saturate -- c9 - 12 -- Reduction

• Saturated Iron Ohata Kaki -- Iron saturate -- c9-10 -- Reduction

• Saturated Iron Persimmon -- Iron saturate -- c9 - 10 -- reduction

• Saturated Iron Red -- Iron saturate -- c8 - 9 -- oxidation

• Saturated Iron V.C. -- Iron saturate -- c9 - 10 -- Reduction

• Saturated Iron V.C. -- Iron saturate -- c9 - 10 -- Reduction

• Semi Matt Red -- -- c10 --

• Semi-Matt White -- -- c10 --

• Semi-Matte Magnesia Base Rhodes -- Magnesium matt -- c10 -- reduction

• SG-21 -- Magnesium matt -- c10 -- Oxidation

• SG-21 adjusted -- Magnesium matt -- c10 -- Oxidation

• Shaner Oribe -- -- c10 - 11 -- reduction

• Shino #1 Malcolm Davis -- Shino -- c9 - 10 -- reduction

• Shino #1 Warren MacKenzie's -- -- c9 - 10 -- reduction

• Shino #2 Malcolm Davis -- Shino -- c9 - 10 -- reduction

• Shino #2 Oestreich -- Shino -- c9 - 10 -- Reduction

• Shino #2 Oestreich -- Shino -- c9 - 10 -- Reduction

• Shino #2 Oestreich -- Shino -- c9 - 10 -- Reduction

• Shino #2 Warren MacKenzie's -- -- c9 - 10 -- reduction

• Shino #4 -- -- c10 -- Reduction

• Shino #4 David Cuzick -- -- c9 - 10 -- reduction

• Shino #4 David Cuzick -- Shino -- c10 -- Reduction

• Shino - Red Malcolm Davis -- Shino -- c9 - 10 -- reduction

• Shino - Roach Trap -- Shino -- c10 -- Reduction

• Shino Bill Buckner's Carbon Trapping Orange -- Shino -- c9 - 10 -- Reduction

• Shino Bill Buckner's Carbon Trapping Orange -- Shino -- c9 - 10 -- Reduction

• Shino Brian Jensen's 329 red -- Shino -- c10 -- Reduction

• Shino C10R Revised Shaner -- -- c10 -- reduction

• Shino Carbon Trap -- Shino -- c9 - 10 -- Reduction

• Shino Carbon Trapping Orange -- Shino -- c10 - 11 -- Reduction

• Shino Craig Pearce Salt -- -- c10 - 12 -- reduction

• Shino David Shaner -- Shino -- c9 - 10 -- Reduction

• Shino David Shaner's Carbon Trap -- Shino -- c9 - 10 -- Reduction

• Shino Doug's -- shino -- c7-11 -- Reduction

• Shino Dry -- Shino -- c10 -- Wood

• Shino Glaze -- -- c9 - 10 -- reduction

• Shino Green Salt -- -- c9 - 10 -- reduction

• shino Gustin -- -- c10 -- Reduction

• Shino Gustin Recalc -- -- c10 -- Reduction

• Shino Gustin Rev. -- Na Li Al Shino -- c9 - 10 -- Reduction

• Shino Gustin's #1 -- -- c9 - 10 -- reduction

• Shino Gustin's #1 Variation -- -- c9 - 10 -- reduction

• Shino Gustin's #1 Variation Red -- -- c9 - 10 -- reduction

• Shino Gustin's 2 -- Shino -- c9 - 10 -- Reduction

• Shino J. Kalin's Pull-it-out-of-a-hat -- Shino -- c9 - 10 -- reduction

• Shino Jack Troy's Carbon Trap -- -- c9 - 10 -- reduction

• Shino Jeff Oestreich's -- -- c10 -- Ox. or Red.

• Shino Jeremy's -- -- c10 -- salt

• Shino Jeremy's Green -- -- c10 -- salt

• shino johnston -- Shino -- c8-10 -- Reduction

• Shino JP's #1006 Orange Carbon Trap -- -- c9 - 10 -- reduction

• Shino JP's #1188 White/Orange/Pink Super Carbon trap -- -- c9 - 10 -- reduction

• Shino June Perry's #1013 Peach to Red -- -- c10 - 11 -- reduction

• Shino June Perry's #1127 Red -- -- c10 -- reduction

• Shino June Perry's #1227 Ferguson -- -- c10 -- reduction

• Shino June Perry's #789 Orange -- -- c9 -- reduction

• Shino June Perry's #790 Red -- -- c9 -- reduction

• Shino June Perry's Another Possibility -- -- c9 - 10 -- reduction

• Shino June Perry's Possibility -- -- c9 - 10 -- reduction

• Shino Kalin's Green -- Shino -- c9 - 10 --

• Shino Kansas City -- Shino -- c10 -- Reduction

• Shino Kansas City no spod -- Shino -- c10 -- Reduction

• Shino Kansas City no spod w/soda -- Shino -- c10 -- Reduction

• Shino Linda's -- -- c9 - 10 -- reduction

• Shino Malcolm Davis #1 -- -- c9 - 10 -- reduction

• Shino Malcolm Davis #2 -- -- c9 - 10 -- reduction

• Shino Malcolm Davis Carbon Trap -- Shino -- c10 -- Reduction

• Shino Malcolm's -- Shino -- c10 -- Reduction

• Shino Malcolm's -- Shino -- c10 -- Reduction

• Shino McKenzie -- Shino -- c10 -- Reduction

• Shino Michael Cardew -- Shino -- c9 - 10 -- Reduction

• Shino Neely's Dark -- Shino -- c10 -- Reduction

• Shino Oesteich Salt -- -- c9 - 10 -- reduction

• Shino Oestreich -- Shino -- c9-10 -- Reduction

• Shino Oestreich #2 -- -- c9 - 10 -- reduction

• Shino Oestreich's -- Shino -- c10 -- Ox. or Red.

• Shino Orange -- Shino -- c9 - 10 --

• Shino P.D. Crack -- Shino -- c10 -- Reduction

• Shino Paul Davis -- Shino -- c10 -- Reduction

• Shino Red Kent's -- Shino-red -- c9-10 -- Reduction

• Shino Red Malcolm Davis #3 -- Shino-red -- c9 - 10 -- reduction

• Shino Shaner Revised -- -- c9 - 10 --

• Shino Shaner's Sinter -- Shino -- c9 - 10 -- Reduction

• Shino slip -- -- c10 --

• Shino Slip Anderson Ranch -- -- c9 - 10 -- reduction

• Shino SO41 -- Shino -- c9 - 10 -- Reduction

• Shino SO41 -- Shino -- c9 - 10 -- Reduction

• Shino Southwest Craft Center -- Shino -- c9 - 10 -- Reduction

• Shino Southwest Craft Center -- -- c9 - 10 -- reduction

• Shino Tight Crawl -- Shino -- c10 -- Reduction

• Shino Tight Crawl no rhyolite -- Shino -- c10 -- Reduction

• Shino Todd Osborne -- -- c9 - 10 -- reduction

• Shino Type Glaze -- -- c10 -- salt

• Shino Very Dry Wilson -- -- c10 -- Wood

• Shino Virginia Wirt's Carbon Trap -- Shino -- c9 - 10 -- reduction

• Shino Warren MacKenzie's #1 -- Shino -- c9 - 10 --

• Shino Warren MacKenzie's #2 -- Shino -- c9 - 10 --

• Shino White Carbon Trap -- Shino -- c10 -- Reduction

• Shino White Carbon Trap - 10% clay -- Shino -- c10 -- Reduction

• Shino White Carbon Trap - dry-glaze -- Shino -- c10 -- Reduction

• Shino White Carbon Trap 3 -- Shino -- c10 -- Reduction

• Shino White Carbon Trap 4 - dry-glaze w ash -- Shino -- c10 -- Reduction

• Shino Wirt -- -- c9 - 10 --

• Shno Malcolm's -- Shino -- c10 -- Reduction

• Shrimp -- -- c9 - 10 --

• Shrink and Crawl Mauve -- -- c10 -- Ox. or Red.

• Silverman Flashing slip -- -- c9 - 10 --

• Slip #1818 Kawai -- Slip -- c6 - 10 -- Ox. or Red.

• Slip #4 Fake Avery Flashing -- Slip -- c8 - 9 - 10 -- Salt - Soda

• Slip Avery Salt - Wild -- Slip -- c10 -- Salt - Soda

• Slip Avery/Fake Avery -- -- c9 - 10 - 11 -- Salt - Soda

• Slip Bisque -- Slip -- c10 -- Reduction

• Slip Black -- Slip -- c9-10 -- Reduction

• Slip Black -- Slip -- c9-10 -- Reduction

• Slip Black Inlay Doug Peltzman -- Slip -- c8 -- Ox. or Red.

• Slip Bringle -- Slip -- c10 -- Reduction

• Slip Coleman Porcelain -- Slip -- c8-10 -- Ox. or Red.

• Slip Fake Avery Flashing #5 -- Slip-flashing -- c10 -- Salt - Soda

• Slip Flashing -- Engobe -- c8-10 -- Ox. or Red.

• Slip Flashing 2 -- Slip -- c8-10 -- Reduction

• Slip Flashing Silverman's -- -- c9 - 10 --

• Slip Greenware -- Slip -- c10 -- Reduction

• Slip Grolleg -- Slip -- c10 -- Soda

• Slip Jeremy's Fake Avery -- slip -- c10 --

• Slip Johnston Flashing -- Slip glaze -- c10 -- Reduction

• slip Louis' Salt -- Slip -- c9 - 10 -- Ox. or Red.

• Slip McKenzie's Yellow for Soda -- Slip -- c9-10 -- Salt - Soda

• slip Mills Bisque -- Slip -- c8 - 10 --

• Slip Mustard -- Slip -- c10 -- Soda

• Slip Nancy's Black Wood/Soda -- Slip -- c9-10 -- Wood

• Slip Orange Baur -- Slip -- c10 -- Reduction

• slip Robin Hopper's -- -- c04 - 12 -- Ox. or Red.

• slip Silverman Flashing -- Slip -- c9 - 10 -- Salt - Soda

• Slip Troy's Flashing research -- Slip -- c10 -- Salt - Soda

• Slip Troy's Flashing research no borax -- Slip -- c10 -- Salt - Soda

• Slip Troy's Flashing research no borax 2 -- Slip -- c10 -- Salt - Soda

• slip UF high-fire tizzy -- Slip -- c8-10 -- Ox. or Red.

• slip UF shop base -- Slip -- c8-10 -- Ox. or Red.

• slip UF shop black -- Slip -- c8-10 -- Ox. or Red.

• Slip Wood's Black -- Slip -- c10 -- Ox. or Red.

• Slip Yelliow Amarillo -- Slip-vapor glaze -- c9-11 -- Wood

• Slip Yellow for Soda McKenzie's -- Slip -- c9-10 -- Salt - Soda

• Sloan's Black -- -- c10 -- reduction

• Sloan's Black revisited -- -- c10 - 11 --

• Splotchy Lavender Glaze -- -- c10 -- reduction

• Spodumene 1 V.C. -- Ca Mg AlMatt -- c9 - 10 -- Reduction

• Spodumene 2 V.C. -- Ca Mg AlMatt -- c9 -- Reduction

• Spodumene Smith -- Lithium Matt -- c10 -- reduction

• Spodumene V.C. TS -- Ca Mg AlMatt -- c9 - 10 -- Reduction

• Staley Red to Green -- High-fire -- c10 -- Salt - Soda

• Staley Red to Green base as matte -- High-fire -- c10 -- Salt - Soda

• Stoney Semimatt Glaze -- -- c10 --

• Strawberry Crush George's -- Copper red -- c9 -- Reduction

• Strontium matt ADJUSTED -- -- c10 -- Ox. or Red.

• Strontium Matte -- -- c9-10 -- Ox. or Red.

• Sworoff -- Magnesium matt -- c9-10 -- Reduction

• Sworoff Revised -- Magnesium matt -- c9-10 -- Ox. or Red.

• Synthetic Esturine Mud -- -- c8 - 10 -- Ox. or Red.

• Synthetic Nuka -- -- c9 - 10 -- Ox. or Red.

• TAFFY V.C. AA -- -- c9-10 -- Reduction

• TAFFY V.C. AA -- -- c9-10 -- Reduction

• Tan Hawaiian -- -- c10 --

• Tan Mag Semi-Gloss -- Stoneware -- c8-10 -- Reduction

• Tan Mamo Matt -- Ca Mg AlMatt -- c9 - 10 -- Reduction

• Teal blue-green tourquoise -- -- c10 --

• Teal blue-green turquoise -- -- c10 --

• Teal Gloss Sarah Jaeger -- -- c10 -- Ox. or Red.

• Teal Matt Rick's -- -- c9 - 10 -- Ox. or Red.

• Temmoku Mark's -- Ca K Temmoku -- c9 - 10 -- Reduction

• Temmoku Secrest -- Ca K Temmoku -- c9 - 10 -- Reduction

• Temmoku-style glaze -- -- c10 --

• Temoku Oxidation -- Temmoku -- c10 -- Oxidation

• Tenmoku -- -- c9 -- reduction

• Tenmoku Yuteki (Oilspot) -- -- c9 - 10 -- oxidation

• Tesha Boubaric -- -- c9 - 10 --

• TESSHA -- -- c8 --

• Tessha Boubaric KCAI -- Iron saturate -- c10 -- Reduction

• TESSHA KCAI BOUBARIC SATURATE IRON -- Iron saturate -- c10 -- Reduction

• Tessha Michael Simon -- -- c8 - 10 --

• Tessha Rust -- -- c10 --

• Textured Blue -- -- c9 - 10 -- reduction

• TH Blue -- -- c9 -- Ox. or Red.

• Tomato Pete's Tasty -- Iron Saturate -- c9-11 -- Reduction

• Tomato Red -- Iron saturate -- c9 - 10 -- Reduction

• Tomato Red -- -- c8 - 10 --

• Tomato Red -- -- c10 --

• Tomato Red -- -- c10 --

• Tomato Red -- -- c8 - 10 -- Ox. or Red.

• Tomato Red K.C. -- -- c10 -- Ox. or Red.

• Tomato Red- Coleman -- -- c8 - 10 --

• Tomatoe Red -- Iron saturate -- c9 - 10 -- Reduction

• Touch of Moon -- -- c10 --

• Tourquoise -- -- c10 --

• Translucent Gray-White -- Magnesium matt -- c8 --

• Transparent/Clear -- High-fire -- c9-10 -- Ox. or Red.

• Turquoise -- Magnesium matt -- c10 --

• V&O Lt Blue -- -- c9 - 10 -- reduction

• V.C. AA COBALT BLUE -- Ca -- c9-10 -- Reduction

• V.C. BMI -- Ca Mg SlipGlaze -- c9 - 10 -- Ox or Red

• V.C. Good Color Satin Matt -- Li Mg -- c9 - 10 -- Ox. or Red.

• V.C. Ingerson Matt -- Ca Mg -- c9 - 10 -- Reduction

• V.C. IR-A -- Ca B IronSaturate -- c9 - 10 -- Reduction

• V.C. IR-B -- Zn Ca IronSaturate -- c9 - 10 -- Reduction

• V.C. IR-C -- Ca K IronSaturate -- c9 - 10 -- Reduction

• V.C. IR-D -- Ca K IronSaturate -- c9 - 10 -- Reduction

• V.C. IR-E -- Ca IronSaturate 4-3-2-1 -- c9 - 10 -- Reduction

• V.C. IR-F -- Ca K B IronSaturate -- c9 - 10 -- Reduction

• V.C. IR-G -- Ca K IronSaturate Feldspa -- c9 - 10 -- Reduction

• V.C. IR-H -- Ca IronSaturate -- c9 - 10 -- Reduction

• V.C. IR-I -- Ca IronSaturate -- c9 - 10 -- Reduction

• V.C. IR-J -- -- c9 -- Reduction

• V.C. Karen Starshine -- -- c9 - 10 -- Ox. or Red.

• V.C. Kyllikki Matt Revised -- Ca Ba AlMatt -- c10? -- Ox or Red

• V.C. L.P. Matt -- Na Ba Mg AlMatt -- c9 -- Reduction

• V.C. Matt R -- Ca Mg AlMatt -- c9 -- Ox or Red

• V.C. Polished Marble -- Ca Ba AlMatt -- c9 - 10 -- Ox or Red

• V.C. Red Yellow Matt Pale -- Ca Ba AlMatt -- c9 -- Reduction

• V.C. Red Yellow Matt Revised -- Ca Ba AlMatt -- c9 - 10 -- Reduction

• V.C. Rich Matt Blue -- Ca Mg AlMatt -- c9 ONLY -- Reduction

• V.C. Rich Matt Blue Rev. KG -- Ca Mg AlMatt -- c10 -- Reduction

• V.C. Rivulet -- Fake ash -- c9 - 10 -- Reduction

• V.C. TB 2 -- Ca B MidRoad -- c9 - 10 -- Ox. or Red.

• V.C. TB 3 -- Ca 4-3-2-1 -- c9 - 10 -- Ox. or Red.

• V.C. TMC -- Ba MidRoad SlipGlaze -- c9 - 10 -- Ox or Red

• V.C. Transparent Base 3 -- Ca 4-3-2-1 -- c9 - 10 -- Ox. or Red.

• Vert antique -- Stoneware -- c8-10 -- Reduction

• Vickie's Barnard -- -- c6 - 9 -- Oxidation

• Volcanic Ash glaze -- -- c8-10 -- Oxidation

• Volcanic Ash glaze recalc -- -- c8-10 -- Oxidation

• Wadding- Shane's wood-firing -- -- c --

• Wash Blue Overglaze Cardew -- Wash over glaze -- c6-10 -- Ox. or Red.

• Wash Khaki-Rust/Brown Van Gilder -- Wash over glaze -- c6-10 -- Ox. or Red.

• Wash Rutile/Iron Mix -- Wash over glaze -- c10 -- Reduction

• Wash: Rutile/Iron Mix -- -- c10 -- Reduction

• Waxy Matt Blue -- -- c9 - 10 -- reduction

• White / Lavender Waxy -- Magnesium matt -- c10 --

• White 3-D -- High-fire -- c9 - 10 -- Ox. or Red. or soda

• White AV -- High-fire -- c10 -- Ox. or Red.

• White Bruno's -- -- c9 - 10 -- reduction

• White Chancey's AV revised -- High-fire -- c10 -- Reduction

• White Charlie -- Magnesium matt -- c9 - 10 -- Ox. or Red.

• White Charlie D -- Magnesium matt -- c9-10 -- Ox. or Red.

• White Cornwall -- Magnesium matt -- c10 -- Reduction

• White Cornwall -- Magnesium matt -- c10 -- Reduction

• White Curamilla -- Magnesium matt -- c10 --

• White Eustis -- High-fire -- c9 -- Ox. or Red.

• White Fat -- High-fire -- c10 -- Ox. or Red. or soda

• White Gloss Arrayan Curamilla -- -- c10 --

• White Gloss Arrayan Curaumilla -- -- c10 --

• White Hanlin's Gloss -- -- c10 --

• White Hippie -- Aluminum matt -- c9-10 -- Reduction

• White Ian Anderson's Dynamite -- Magnesium matt -- c9-10 -- Ox. or Red.

• White Leach -- High-fire -- c9-10 -- Ox. or Red.

• White Majorly Cool -- -- c10 -- Salt - Soda

• White Mamo Matt -- Ca Mg AlMatt -- c9 -- Reduction

• white Matt -- -- c9 --

• White Opaque Glossy -- Ca 4-3-2-1 -- c9 - 10 -- Ox. or Red.

• White Pete's Charlie Ian Anderson -- Magnesium matt -- c9-10 -- Ox. or Red.

• White Phil's -- -- c10 -- Ox. or Red.

• White PV -- -- c8 - 10 --

• White Satin Matt Orielly -- Magnesium matt -- c9 - 10 -- Ox. or Red.

• White Satin Matte Margaret's -- Magnesium matt -- c9 -- Oxidation

• White Satin Matte Margaret's Glaze calc prob -- Magnesium matt -- c9 -- Oxidation

• White Semi-Matt -- -- c10 -- Reduction

• White Shiny -- High-fire -- c9-10 -- Reduction

• White Sperry -- High-fire -- c10 -- Reduction

• White Sycamore -- -- c9 - 10 -- Ox. or Red.

• White Temple -- -- c10 --

• White Temple Bacia's -- Magnesium matt -- c10 -- Ox. or Red.

• White V.C. Matt -- Ca Mg AlMatt -- c9 - 10 -- Ox or Red

• White Waxy -- Magnesium matt -- c6 - 10 -- Ox. or Red.

• White Waxy Matt -- Magnesium matt -- c10 -- Ox. or Red.

• White Yanigara -- -- c10 - 11 -- Reduction

• Wild Rose -- -- c6-9 --

• Woo Base -- Ba Ca Mg -- c9 - 10 -- Reduction

• Yellow Ferg -- Magnesium matt -- c10 -- Reduction

• Yellow GWashington Lewis -- Magnesium matt -- c10 -- reduction

• Yellow Korman -- Ba Ca -- c9 - 10 -- Reduction

• Yellow Lewis -- -- c10 -- reduction

• Yellow Lewis RR rev -- -- c10 -- reduction

• Yellow Matt Flow -- High-fire -- c9-10 -- Reduction

• Yellow Rachel's -- Magnesium matt -- c10 -- Reduction

• Yellow Randy's Curaumilla -- -- c10 --

• Yellow Salt Horie -- -- c10 -- Salt - Soda

• Yellow School Bus -- -- c10 -- Ox. or Red.

• Yellow Winokur -- -- c10 -- reduction

• Yellow Woo -- Ba Ca Mg -- c9 - 10 -- Reduction

• Yellow Woo #2 -- -- c9 - 10 --

• Yellow-green Speckle Alisha's -- -- c9-10 -- Oxidation

• Zello -- High-fire -- c10 -- Salt - Soda

• Zello Newgard -- -- c10 -- Reduction

Glaze name: #1818 Kawai Slip

Recipe: (Percent, Batch)

Grog,150 mesh            80.0       80.00
Kaolin                   20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Add color to taste. I promised a while back to list this when I found
it! Kawai used a lot of thick slip trailing in his work and this was
given to me by one of his apprentices, Doug Lawrie. submitted by:
June M. Perry e-mail: GURUSHAKTI@aol.com

Glaze name: #207.3

Recipe: (Percent, Batch)

Nepheline syenite        35.0       35.00
Dolomite                 15.0       15.00
Whiting                   8.0        8.00
Barium carbonate          8.0        8.00
EPK                       4.0        4.00
Silica                   30.0       30.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 3.0        3.00

Comments:

 submitted by: Kat Neely-Jones source for
original recipe: This is a variation on one of Emmanuel Cooper's
glazes, #207. e-mail: SolvejgMa@AOL.COM
Variations --
Copper carb 3% + Cobalt carb .25% = teal blue with tiny crystals (if soaked ), glossy.
Cobalt carb .25% = frosty delft blue, matt surface (why matt??).
Copper carb 5% = Forest green, clear and glossy.
Manganese 4% + Cobalt .5% = Dark plum,glossy, nearly black where thickest.

Glaze name: Albany Glaze

Recipe: (Percent, Batch)

Albany slip              63.2       63.16
Cornwall Stone           26.3       26.32
Whiting                  10.5       10.53
                        -----    --------
Totals:                 100.0      100.01

Also add:

Red iron oxide            5.3        5.26

Comments:

The Albany glaze it's a near twin of (in my kiln anyway) is glaze #23
in the appendix of Daniel Rhodes _Clay and Glazes for the Potter-
(this book is a good potters' bible) Submitted by: Marcia Kindlmann
e-mail: marcia@design.eng.yale.edu

Glaze name: Albany Slip substitute Hendley's

Recipe: (Percent, Batch)

Redart                   72.0       72.00
Whiting                  10.0       10.00
Soda feldspar             8.0        8.00
Talc                      5.0        5.00
EPK kaolin                5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

I can tell no difference in Rhodes Black made with this substitute
and real Albany Slip. David Hendley Maydelle, Texas See David
Hendley's Pottery Page at http://ww.sosis.com/hendley/david

Glaze name: Alkaline High Fire 1

Recipe: (Percent, Batch)

Feldspar                 62.6       62.50
Whiting                   7.7        7.70
EPK                       5.1        5.10
Flint                    24.6       24.60
                        -----    --------
Totals:                 100.0       99.90

Comments:

From David Green's "A Handbook of Pottery Glazes"
Alkaline glazes should be good for yellow iron colors.

Glaze name: Alkaline high fire 2

Recipe: (Percent, Batch)

Feldspar                 20.0       20.00
Cornwall Stone           50.0       50.00
Whiting                  15.0       15.00
Flint                    15.0       15.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

From David Green's "A Handbook of Pottery Glazes"
Alkaline glazes should be good for yellow iron colors.

Glaze name: Alkaline high fire 2 no cs

Recipe: (Percent, Batch)

Feldspar                 50.7       51.71
Whiting                  16.0       16.27
Dolomite                  0.3        0.32
Silica                   26.4       26.89
Kaolin - theoretical      6.6        6.72
                        -----    --------
Totals:                 100.0      101.90

Comments:

From David Green's "A Handbook of Pottery Glazes"
Alkaline glazes should be good for yellow iron colors.

Glaze name: Alkaline Lee Rexrode

Recipe: (Percent, Batch)

Barium carbonate         36.6       36.60
Lithium carbonate         1.1        1.10
Nepheline syenite        45.6       45.60
Ball clay                 7.2        7.20
Flint                     9.5        9.50
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Margaret Bohls: fired cone 9 electric
Gorgeous satin, slightly sugary surface. Slightly translucent. I use the Base White
as a complementary glaze to a shiny white or clear glaze over porcelain, for a
"white on white" effect. The chartreuse, although equally gorgeous, fumes like mad
and may affect glazes next to it on the same pot or in the same area in the kiln,
either by turning them green or by making them wrinkle or bubble. Some glazes are
unaffected. I isolate this glaze in the kiln.
Variations --
for chartreuse: 0.5% chrome oxide

Glaze name: Alkaline Lee Rexrode Sr

Recipe: (Percent, Batch)

Strontium carbonate      30.3       27.50
Lithium carbonate         1.2        1.10
Nepheline syenite        50.2       45.60
Ball clay                 7.9        7.20
Flint                    10.5        9.50
                        -----    --------
Totals:                 100.0       90.90

Comments:

Gorgeous satin, slightly sugary surface. Slightly translucent. Use the Base White
as a complement to a shiny white or clear over porcelain for a "white-on-white"
effect.  The chartreuse fumes like mad and may affect glazes next to it in the
kiln by turning them green or making them wrinkle and bubble. Some glaze
unaffected. Isolate this in the kiln.
From Margret Bohls
Variations --
chartreuse 0.5% chrome oxide

Glaze name: Amber Barnard

Recipe: (Percent, Batch)

Barnard clay             39.3       33.00
Wollastonite             15.5       13.00
Whiting                  17.9       15.00
Custer feldspar          23.8       20.00
Gerstley borate           3.6        3.00
                        -----    --------
Totals:                 100.0       84.00

Comments:

From Matt Long

Glaze name: Amber Celadon

Recipe: (Percent, Batch)

Albany Slip              36.0       36.00
Custer feldspar          22.0       22.00
Gerstley borate           3.0        3.00
Wollastonite             14.0       14.00
Whiting                   8.0        8.00
Flint                    14.0       14.00
EPK                       3.0        3.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Yellow Ochre              9.0        9.00

Comments:

USE WOLLASTONITE POWDER. Sub. Barnard clay for Albany and its still
amber, but darker and less yellowish. Med=dk amber/brown;
thick=blue/black. Over white=honey yellowish. Can go dull matt in
places. Good functional glaze as liner, etc. Glaze Type: Ca
SlipGlaze. Opacity: Varies. Firing type: Reduction From Val Cushing.
VC ed

Glaze name: Amber Celadon McKenzie Smith

Recipe: (Percent, Batch)

Wood ash                 21.8       22.00
Whiting                  16.8       17.00
Custer feldspar          40.6       41.00
Ball clay                 4.0        4.00
Flint                    16.8       17.00
                        -----    --------
Totals:                 100.0      101.00

Also add:

Red iron oxide            7.9        8.00
Bentonite                 2.0        2.00

Comments:

Used by Kent McLaughlin. Very shiny. Medium value, good transparency. Golden
brown. Runs thick.

Glaze name: Amber Celadon Nick's Ochre

Recipe: (Percent, Batch)

Custer feldspar          26.5       26.50
Whiting                  22.2       22.20
Flint                    25.6       25.60
Ball clay                25.6       25.60
                        -----    --------
Totals:                 100.0       99.90

Also add:

Yellow ochre              8.0        8.00

Comments:

Glaze name: Amber Celadon no Albany

Recipe: (Percent, Batch)

Kaolin - theoretical     15.2       15.00
Custer feldspar          28.3       28.00
Dolomite                  4.0        4.00
Whiting                  19.2       19.00
Silica                   30.3       30.00
Frit 3134                 3.0        3.00
                        -----    --------
Totals:                 100.0       99.00

Also add:

Red iron oxide            3.0        3.00

Comments:

USE WOLLASTONITE POWDER. Sub. Barnard clay for Albany and its still
amber, but darker and less yellowish. Med=dk amber/brown;
thick=blue/black. Over white=honey yellowish. Can go dull matt in
places. Good functional glaze as liner, etc. Glaze Type: Ca
SlipGlaze. Opacity: Varies. Firing type: Reduction From Val Cushing.
VC ed

Glaze name: Amber Celadon no albany

Recipe: (Percent, Batch)

Kaolin - theoretical     12.0       12.00
Custer feldspar          29.0       29.00
Dolomite                  4.0        4.00
Whiting                  20.0       20.00
Silica                   30.0       30.00
Frit 3195                 5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            3.0        3.00

Comments:

USE WOLLASTONITE POWDER. Sub. Barnard clay for Albany and its still
amber, but darker and less yellowish. Med=dk amber/brown;
thick=blue/black. Over white=honey yellowish. Can go dull matt in
places. Good functional glaze as liner, etc. Glaze Type: Ca
SlipGlaze. Opacity: Varies. Firing type: Reduction From Val Cushing.
VC ed

Glaze name: Amber Celadon VC no albany

Recipe: (Percent, Batch)

Custer feldspar          19.4       19.00
Gerstley borate           3.1        3.00
Dolomite                  2.0        2.00
Wollastonite              9.2        9.00
Whiting                  14.3       14.00
Redart                   29.6       29.00
Barnard clay             10.2       10.00
EPK                       2.0        2.00
Flint                    10.2       10.00
                        -----    --------
Totals:                 100.0       98.00

Also add:

Red iron oxide            2.0        2.00

Comments:

Brown-golden. Moves some where thick, but not runny.

Glaze name: Amber Celadon VC no albany + Sr

Recipe: (Percent, Batch)

Custer feldspar          26.4       26.40
Dolomite                  4.4        4.40
Whiting                   7.1        7.10
Strontium carbonate      16.9       16.90
Kaolin - theoretical     12.8       12.80
Silica                   27.4       27.40
Frit 3134                 5.1        5.10
                        -----    --------
Totals:                 100.0      100.10

Also add:

Red iron oxide            2.5        2.50

Comments:

Brown-golden. Moves some where thick, but not runny.

Glaze name: Amber Celadon VC no albany recalc

Recipe: (Percent, Batch)

Custer feldspar          27.6       27.60
Dolomite                  4.6        4.60
Whiting                  21.0       21.00
EPK                      13.0       13.00
Silica                   28.5       28.50
Frit 3134                 5.2        5.20
                        -----    --------
Totals:                 100.0       99.90

Also add:

Red iron oxide            2.1        2.10

Comments:

Brown-golden. Moves some where thick, but not runny.

Glaze name: Amber Celadon w/Alberta Slip

Recipe: (Percent, Batch)

Alberta slip             35.5       35.50
Wollastonite             14.0       14.00
K-200 feldspar           21.5       21.50
Gerstley borate           3.2        3.20
Whiting                   7.5        7.50
EPK                       3.2        3.20
Silica                   15.1       15.10
                        -----    --------
Totals:                 100.0      100.00

Also add:

Yellow ochre              7.5        7.50
Bentonite                 6.5        6.50

Comments:

Glaze name: Amber Gulden's

Recipe: (Percent, Batch)

Custer feldspar          32.3       30.00
Whiting                  26.9       25.00
Flint                    26.9       25.00
Kentucky OM #4           10.8       10.00
Gerstley borate           3.2        3.00
                        -----    --------
Totals:                 100.0       93.00

Also add:

Bentonite                 2.2        2.00
Yellow iron oxide         7.5        7.00

Comments:

From Ayumi Horie

Glaze name: Amber Gulden's no GB

Recipe: (Percent, Batch)

feldspar - theoretical   25.6       25.60
Whiting                  26.6       26.60
Silica                   30.9       30.90
Kaolin - theoretical      7.7        7.70
Frit 3124                 9.2        9.20
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.0        2.00
Yellow iron oxide         7.0        7.00

Comments:

From Ayumi Horie

Glaze name: Amber Martin

Recipe: (Percent, Batch)

Custer feldspar          33.0       33.00
Dolomite                 11.0       11.00
Whiting                  17.0       17.00
Zinc oxide                6.0        6.00
EPK                      11.0       11.00
Silica                   22.0       22.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    5.0        5.00
Red iron oxide            2.0        2.00

Comments:

^ This glaze runs^ Frank Martin Art Deparment/Ceranics 92nd street
YM-YWHA 1395 Lexington Ave NY, NY. 10128 p0tters2@aol.com

Glaze name: Amber Shaner Celadon ARAC

Recipe: (Percent, Batch)

Albany slip              35.9       35.90
Wollastonite             14.1       14.10
EPK                       3.3        3.30
Gerstley borate           3.3        3.30
Whiting                   7.6        7.60
Flint                    14.1       14.10
Custer feldspar          21.7       21.70
                        -----    --------
Totals:                 100.0      100.00

Also add:

Yellow ochre              8.7        8.70

Comments:

USE WOLLASTONITE POWDER. Sub. Barnard clay for Albany and its still
amber, but darker and less yellowish. Med=dk amber/brown;
thick=blue/black. Over white=honey yellowish. Can go dull matt in
places. Good functional glaze as liner, etc. Glaze Type: Ca
SlipGlaze. Opacity: Varies. Firing type: Reduction From Val Cushing.
VC ed

Glaze name: Amber Shaner Celadon ARAC Alberta

Recipe: (Percent, Batch)

Alberta slip             77.0       77.00
Gerstley borate           3.0        3.00
Whiting                  14.0       14.00
Silica                    6.0        6.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Yellow ochre              8.0        8.00

Comments:

USE WOLLASTONITE POWDER. Sub. Barnard clay for Albany and its still
amber, but darker and less yellowish. Med=dk amber/brown;
thick=blue/black. Over white=honey yellowish. Can go dull matt in
places. Good functional glaze as liner, etc. Glaze Type: Ca
SlipGlaze. Opacity: Varies. Firing type: Reduction From Val Cushing.
VC ed

Glaze name: Amber Shaner Celadon ARAC no albany

Recipe: (Percent, Batch)

EPK                      14.0       14.00
Dolomite                  5.0        5.00
Whiting                  19.0       19.00
Silica                   29.0       29.00
Custer feldspar          27.0       27.00
Frit 3134                 6.0        6.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Yellow ochre              8.0        8.00

Comments:

Good functional glaze as liner, etc. Greenish-brown thin, brown thick

Glaze name: Amber stable test 1

Recipe: (Percent, Batch)

Feldspar                 47.9       47.90
Whiting                  14.7       14.70
Strontium carbonate      11.0       11.00
Kaolin - theoretical      9.8        9.80
Silica                   16.6       16.60
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            8.0        8.00
Bentonite                 2.0        2.00

Comments:

theoretical amber from stable glaze limits.

Glaze name: Amber stable test 2 w/bone ash

Recipe: (Percent, Batch)

Feldspar                 47.7       47.70
Strontium carbonate      11.0       11.00
Kaolin - theoretical      9.8        9.80
Silica                   16.5       16.50
Bone ash                 15.1       15.10
                        -----    --------
Totals:                 100.0      100.10

Also add:

Red iron oxide            8.0        8.00
Bentonite                 2.0        2.00

Comments:

theoretical amber from stable glaze limits.

Glaze name: Amber theoretical 3

Recipe: (Percent, Batch)

Nepheline syenite        34.1       34.10
Lithium carbonate         2.0        2.00
Whiting                  12.1       12.10
Strontium carbonate       5.9        5.90
Kaolin - theoretical      1.2        1.20
Silica                   44.6       44.60
                        -----    --------
Totals:                 100.0       99.90

Also add:

Red iron oxide            8.0        8.00
Bentonite                 2.0        2.00

Comments:

Glaze name: Amber Yellow

Recipe: (Percent, Batch)

Custer feldspar          29.0       29.00
Whiting                  20.5       20.50
EPK                      19.0       19.00
Flint                    31.5       31.50
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    7.0        7.00

Comments:

From Soda Glazing by Ruthann Tudball

Glaze name: Amber- Honey Weiser's

Recipe: (Percent, Batch)

Potash feldspar          36.7       36.70
Flint                    25.5       25.50
Whiting                  18.9       18.90
Ball clay                 9.2        9.20
Soda feldspar             5.1        5.10
Kaolin                    2.6        2.60
Dolomite                  2.0        2.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            8.0        8.00

Comments:

This is a dark brown glaze the can obscure slip and carving if thick. Good glaze
surface.Moves if thick, but not runny.

I've tried both of these glazes with mixed results. The amber celadon is almost
identical to Cushing Amber Celadon. This is a better transparent amber honey
glaze. RafaelMolina-Rodriguez rmr3431@dcccd.edu
Variations --
+6% RIO= greener brown color
4% RIO = grey-green color like a celadon.

Glaze name: Anderson Blue

Recipe: (Percent, Batch)

Soda feldspar            57.1       57.13
EPK                      14.3       14.26
Kentucky OM #4            7.2        7.18
Whiting                  21.4       21.44
                        -----    --------
Totals:                 100.0      100.01

Also add:

Cobalt carbonate          7.2        7.18

Comments:

Matt glaze almost black where thin, army green where thick. Nice
colonial (bluish slate) over white slip Well I finally got around to
typing this thing up...^9-10 Blues Thank you one and all for all the
donated recipes. I only tested 31 out of almost 100 I received. I'll
continue testing and reporting as the winter DRAGS on. All the glazes
were tested on #900 Miller clay which is a toasty ^10 stoneware. One
side of the test tile was brushed with a thick coating of Cynthia
Bringle's wet/dry white slip. Each glaze was dipped in three
thicknesses on a heavily textured tile. All tiles were fired to a
(hard)^9 (10 tipping)reduction firing. 1 hr. Body reduction at ^08
and 1 hr. glaze reduction at ^9 then a quick reox. before shutdown.
Any time potash or Custer spar is called for, I used G-200. All ball
clay is OM-4 . Many glazes I substituted 75% of the amount of Barium
with Strontium. All kaolin is EPK. Remember... glazes don't travel
well. Your results will probably be TOTALLY different. Please test
before use. Tracy Wilson Saltbox Pottery 4 Shaw Rd. Woolwich, ME
04579 phone: 207-443-5586 fax: 207-442-8922 email: saltbox@ime.net
web: http://www.ime.net/~dwilson/

Glaze name: Andreson Pearl

Recipe: (Percent, Batch)

Gerstley borate          13.0       13.00
Whiting                   8.7        8.70
Zinc oxide                2.2        2.20
Custer spar              59.3       59.40
Ball clay                 3.8        3.80
Barium carbonate         13.0       13.00
                        -----    --------
Totals:                 100.0      100.10

Also add:

Tin oxide                 7.6        7.60
Copper carbonate          0.5        0.50

Comments:

(Can substitute 9-13 Strontnium carb to make it food safe) [Editor's
note - probably Andreson Pearl but originally written 'Amdreson']
Nice light robin's egg blue gloss, stable, pretty, unusual, similar
to peach blossom but less texture. I use Dave's porcelain from
Laguna. Dean McRaine  on the north shore of Kauai

Glaze name: Andy Martin's Showsaver

Recipe: (Percent, Batch)

Barium carbonate         22.9       22.90
Gerstley borate           3.8        3.80
Strontium carbonate      13.0       13.00
Wollastonite              3.4        3.40
Nepheline syenite        26.9       26.90
Ball clay                 9.5        9.50
Flint                    20.5       20.50
                        -----    --------
Totals:                 100.0      100.00

Comments:

Variations --
Chartreuse + chrome	      0.5

Glaze name: Angel Eyes

Recipe: (Percent, Batch)

EPK                      10.0       10.00
Whiting                  20.0       20.00
Silica                   30.0       30.00
Potash feldspar          40.0       40.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            3.3        3.33
Rutile                    3.3        3.33

Comments:

Here's an iron blue that I like. Gives a fine hare's fur glossy
surface. The glaze has a tendency to settle a bit. We've also played
with extra rutile and more reduction to increase the depth of the
blue. submitted by: Richard Gralnik e-mail: rlg@patuxent.desktalk.com
source for original recipe: El Camino College

Glaze name: ash - Fake Martell

Recipe: (Percent, Batch)

Dolomite                  8.0        8.00
Whiting                  34.0       34.00
Potash feldspar           5.0        5.00
Kaolin                   33.0       33.00
Silica                   20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Here's one that I formulated and have used for a number of years. It
is best applied by spraying but can be dipped, poured, etc. You have
to work with the thickness to got the desired result. A light
application will orange peel like a salt glaze while heavier
applications will run. Too much thickness and you will get
blistering. This glaze works well with most oxides. It also works
best on porcelain or with white slips but don't be afraid to try
anything...you never know. You can get this glaze to work at cone 8
and 9 by substituting Ball Clay for Kaolin. You might want to do a
sub at cone 10 as well to observe the difference. Regards, Craig
Martell-Oregon

Glaze name: ash Benji's

Recipe: (Percent, Batch)

Hardwood ash             16.5       16.50
Softwood ash             16.5       16.50
Custer spar              39.0       39.00
EPK                      13.0       13.00
Whiting                   6.0        6.00
Barium carbonate          5.0        5.00
Flint                     4.0        4.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 1.0        1.00
Black iron oxide          1.0        1.00

Comments:

Ashes washed 5 times and 60-mesh sieved. Beautiful and reliable ash glaze
Often the surface is richly textured most likely by the presence of woodash.
 Submitted by: Edouard Bastarache (edouardb@sorel-tracy.qc.ca)

Glaze name: ash Benji's remix

Recipe: (Percent, Batch)

Custer spar              39.0       39.00
EPK                      13.0       13.00
Whiting                   6.0        6.00
Barium carbonate          5.0        5.00
Flint                     4.0        4.00
Ash wood                 33.0       33.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 1.0        1.00
Black iron oxide          1.0        1.00

Comments:

Ashes washed 5 times and 60-mesh sieved. Beautiful and reliable ash glaze
Often the surface is richly textured most likely by the presence of woodash.
 Submitted by: Edouard Bastarache (edouardb@sorel-tracy.qc.ca)

Glaze name: Ash Bleu Bass

Recipe: (Percent, Batch)

Custer spar              30.0       30.00
Hardwood ash             30.0       30.00
Flint                    30.0       30.00
Ball clay                10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Ultrox                   15.0       15.00
Cobalt oxide              5.0        5.00

Comments:

 Ash washed 5 times and 60-mesh sieved
 Beautiful deep blue ash glaze

*How long have you been using this glaze?
 1 year

*Where is it used?
 Studio

*Where did this recipe come from?
 From my own experimentation

*What do you like most about this glaze?
 Its deep blue shiny color

*Is this glaze reliable?
 Yes

*Does this glaze tend to craze/crawl/pinhole/etc.?
 If applied too thick it may pinhole a little bit

*How do different firing temperatures/atmospheres affect the glaze?
 It is always fired at cone 8-10 in reduction

*How does the glaze behave on different clay bodies?
 Well

*What consistency should the glaze be for pouring/dipping?
 Medium consistency

*How thickly should the glaze be applied to the pot?
 Medium coat

*How does this glaze interact with other glazes?
 Not tested

*What is your kiln type and size?
 Downdraft propane and 60 cubic feet

*How do you typically fire?
 Clay reduction at cone/08, then slight reduction increasing with
time until the final total reduction, followed by a period of
reoxidation

*Do you experience problems with the raw glaze?
 No

*What is your water pH?
 7.2

*Any other comments?
 Glaze named by my colleagues as "Bass Bleu" - Bass having been my
nickname since my teen years, Bass is also the name that I use to
sign my pots.

*GlazeBase recipe*
 Submitted by: Edouard Bastarache (edouardb@sorel-tracy.qc.ca)
 Ice Cream Flavor: Vanilla

  --------------------------------------------------------------------
----

Glaze name: Ash Blue van Gilder

Recipe: (Percent, Batch)

Custer feldspar           5.0        5.00
Whiting                  31.0       31.00
Tennessee #10            24.0       24.00
Silica                   22.5       22.50
Dolomite                  2.5        2.50
Ash wood                 15.0       15.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            0.8        0.80
Cobalt carbonate          0.5        0.50

Comments:

From Bill Van Gilder Variations -- grey/Green - add 4 rutile to the
blue recipe

Glaze name: Ash Cooter Green

Recipe: (Percent, Batch)

Nepheline syenite        40.0       40.00
Custer feldspar          40.0       40.00
Wood ash                 20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

I bought a Dick Cooter
bowl (a North Shore, Lake Superior Potter) with it on it and the
recipe was a bonus. submitted by: Lee Love e-mail:
leelove@mill2.MillComm.COM

Glaze name: ash Fake - Martell

Recipe: (Percent, Batch)

Dolomite                  8.0        8.00
Whiting                  34.0       34.00
Potash feldspar           5.0        5.00
Kaolin                   33.0       33.00
Silica                   20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Here's one I formulated and have used for a number of years. It
is best applied by spraying but can be dipped, poured, etc. You have
to work with the thickness to got the desired result. A light
application will orange peel like a salt glaze while heavier
applications will run. Too much thickness and you will get
blistering. This glaze works well with most oxides. It also works
best on porcelain or with white slips but don't be afraid to try
anything...you never know. You can get this glaze to work at cone 8
and 9 by substituting Ball Clay for Kaolin. You might want to do a
sub at cone 10 as well to observe the difference. Regards, Craig
Martell-Oregon

Glaze name: Ash Fake blue

Recipe: (Percent, Batch)

Alberta slip             52.0       52.00
Whiting                  32.0       32.00
Kentucky OM #4           16.0       16.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              1.0        1.00
Red iron oxide            2.0        2.00

Comments:

Glaze name: ash fake BP26S Light green

Recipe: (Percent, Batch)

Potash feldspar          40.0       40.00
China clay               20.0       20.00
Dolomite                 18.0       18.00
Talc                      8.0        8.00
Whiting                   5.0        5.00
Zinc oxide                4.0        4.00
Quartz                    5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          1.0        1.00

Comments:

re: your request for fake ash glazes here's one that we make called
BP26S Light green 'ash' glaze. The glaze is typically low in silica
and high in the alkaline earths - calcium and magnesia, and of the
type that has a shiny glassy melt within which satiny matt crystals
develop. Because it's used by electric kiln potters the light green
colour is given by copper carbonate. If to be used in a reduction
firing one would probably want to take out the copper and put in a
few percent of iron oxide. Mike Bailey. Bath Potters' Supplies, UK

Glaze name: Ash Felix's Green

Recipe: (Percent, Batch)

Mixed hardwood ash       20.0       20.00
Dolomite                 14.0       14.00
Silica                   20.0       20.00
Custer spar              20.0       20.00
Nepheline syenite        14.0       14.00
EPK                      10.0       10.00
Gerstley borate           2.0        2.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.0        2.00
Black iron oxide          1.0        1.00

Comments:

Ash washed 5 times and 60-mesh sieved. Reliable mottled green ash glaze. It is a
modification of James Chappell's AG-27 (first published in 1977)

*GlazeBase recipe*
 Submitted by: Edouard Bastarache (edouardb@sorel-tracy.qc.ca)

Glaze name: Ash Fresca Base

Recipe: (Percent, Batch)

Wood ash                 50.0       50.00
Kentucky OM #4           12.5       12.50
G-200 feldspar           12.5       12.50
Silica                   12.5       12.50
Whiting                  12.5       12.50
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.0        2.00

Comments:

From Charlie Teft Nov/Dec. 05 Clay Times p.32. ctefft@guilford.edu.
www.ctpottery.com. Ash is unwashed. Dry mix materials, blend w/water, mix
w/drill, sieve through window screen. Not recommended for food surfaces. Very
runny. Apply by spraying for thin coat.
Variations --
White to tan = rutile 2% + titanium 2% or rutile 4%
Yellow to brown = RIO 10%
Med blue =  cobalt carb 2% + RIO 1.5%
Blue to black = cobalt carb 4.6 + RIO 3 + chrome 1

Glaze name: Ash Green Cooter

Recipe: (Percent, Batch)

Nepheline syenite        40.0       40.00
Custer feldspar          40.0       40.00
Wood Ash                 20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

I bought a Dick Cooter
bowl (a North Shore, Lake Superior Potter) with it on it and the
recipe was a bonus. submitted by: Lee Love e-mail:
leelove@mill2.MillComm.COM

Glaze name: Ash Hanna's Fake

Recipe: (Percent, Batch)

Whiting                  30.0       30.00
Strontium carbonate      10.0       10.00
Redart clay              60.0       60.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Yellow ochre              4.0        4.00

Comments:

My favorite fake ash is called 'Hannah Fake Ash,' though I don't know
the origin. Great in ^10 Reduction, salt/soda, wood, etc. It looks
like what all the 'old guys' (sorry!) say Lorio's Ash looked before
the Albany Slip went south and people used hard brick kilns and fired
slow and so forth.  I love it. Anyroad... You probably don't have
Redart in Australia, either. Do a triaxial blend with any red clay,
and two alkaline earth (Ca, Ba, Li, Sr, Mg) providers. You will be
surprised at all the glazes you find! Don't need a computer, either.
 Good luck! steve grimmer carterville illinois grimmer@mychoice.net

Glaze name: Ash Honey Doug's

Recipe: (Percent, Batch)

Custer feldspar          35.0       35.00
Wood ash                 35.0       35.00
EPK                      15.0       15.00
Dolomite                 15.0       15.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Zircopax                  5.0        5.00

Comments:

originally specified Charcoal Briquette Ash is that is unwashed.
submitted by: June Perry e-mail: GURUSHAKTI@aol.com

Glaze name: Ash Katz Fake

Recipe: (Percent, Batch)

Barnard slip             55.0       55.00
Whiting                  45.0       45.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

My favorite very runny fake ash glaze:
*Louis Katz lkatz@falcon.tamucc.edu *Texas A&M University Corpus
Christi *6300 Ocean Drive, Art Department *Corpus Christi, Tx 78412
*Phone (512) 994-5987

Glaze name: Ash Lanman Fake Wood

Recipe: (Percent, Batch)

Custer feldspar          15.3       15.00
Dolomite                  9.2        9.00
Strontium carbonate       6.9        6.75
Whiting                  30.7       30.00
Ball clay                18.4       18.00
Flint                    19.4       19.00
                        -----    --------
Totals:                 100.0       97.75

Also add:

Iron oxide                4.1        4.00

Comments:

Streaks, webs, pulls, like wood ash. Recalculated by Bob Lanman from
the old Hay's Drippy: Albany 60, Whiting 30, Barium 10 w/ new
materials. Same look but a little more matt. Beautiful over white
body, white slip. David Posner says this glaze looks great in oxidation
with Mason stains added.

Glaze name: Ash McWhinnie Base

Recipe: (Percent, Batch)

Gerstley borate           8.5        8.45
Magnesium carbonate       1.9        1.86
Whiting                  15.3       15.30
Wood ash                 14.5       14.54
Custer feldspar          15.6       15.55
Georgia kaolin           10.9       10.91
Flint                    33.4       33.39
                        -----    --------
Totals:                 100.0      100.00

Comments:

For a Cone 6 glaze, Nepheline Syenite can be substituted for the
Custer Feldspar. Kevin O'Hara asked about a reliable base formula for
an ash glaze. We have been using the glaze base provided by Harold
McWhinnie in his November 1986 'Ceramics Monthly' article (A
Multipurpose Glaze, p. 75). We repeat it below. If you have any
questions about this glaze, we believe that Harold is now monitoring
the Clayart list regularly. We have experimented with various types
of wood ash. We now use pecan hull ash. Fortunately, we have many
pecan trees in the area along with cracking plants that kindly supply
us with the hulls. There is a lot of oil in pecan hulls (including
many nuts) so they burn hot with very little but fine ash. We do not
wash this ash; however, we have found that we must wash other wood
ash. We experimented with Victoria's Secret ash (burned their ceasely
catalogs) but found it full of trash and required cleaning. John and
Judy McCain Palo Pinto Pottery mccain@our-town.com

Glaze name: Ash pale green

Recipe: (Percent, Batch)

Feldspar                 10.0       10.00
Whiting                   8.0        8.00
Flint                    20.0       20.00
Ball clay                 6.0        6.00
Kaolin                    6.0        6.00
Albany slip              15.0       15.00
Ash wood                 35.0       35.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Zircopax                  4.0        4.00

Comments:

From Scott Goldberg. Orig. calls for p spar.

Glaze name: Ash Richard's Drip Fake

Recipe: (Percent, Batch)

Custer feldspar          21.5       21.50
EPK                      24.7       24.70
Silica                    8.1        8.10
Talc theoretical          2.7        2.70
Whiting                  43.0       43.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Fake ash. Very runny rivulet glaze. Apply very thinly. Good for accenting texture,
over slip of slip trailing. From Richard Burkett.

Glaze name: Ash Tom Turners

Recipe: (Percent, Batch)

Kentucky OM #4           20.0       20.00
G-200 feldspar           40.0       40.00
Wood ash                 40.0       40.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Clay Times Nov/Dec. 05 p.56. Not for food surfaces. Less runny than Fresca Ash.
Can be dipped.  Does run.
Variations --
cobalt carb 2 RIO 2 Washes can be applied like watercolors. Increases fluidity of
glaze. Often a thin layer of base or rutile-colored glaze sprayed over washes.
tan to brown wash: rutile 35% + RIO 35% + gerstley borate 30
brown wash: RIO 70% + gerstley borate 30%
black wash: Mason 6600 70% + gerstley borate 30%

Glaze name: Ash Traditional

Recipe: (Percent, Batch)

Wood ash                 50.0       50.00
Redart                   50.0       50.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Conner Burns in Clay Times Mar/Apr 07. Test. Add more ash to make more
rivulets or more Redart to stiffen up. Brown thin to green thicker w/o colorants.
Variations --
Blue = +1% Cobalt carb
Green = + 3-5% copper carb
brown/gold: +3% nickel ox
Blue/green +1% cobalt carb and 0.5% chrome ox

Glaze name: Ash V.C. Mixed

Recipe: (Percent, Batch)

Custer spar              30.0       30.00
Ash wood                 45.0       45.00
Yellow ochre             25.0       25.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Always works. Glaze Type: Ca AshGlaze SlipGlaze. Opacity:
Semi-opaque. Firing type: Reduction From Val Cushing. VC ed

Glaze name: Ash, fake Donna's

Recipe: (Percent, Batch)

Albany slip              60.0       60.00
Whiting                  30.0       30.00
Barium carbonate         10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    5.0        5.00

Comments:

From Nan Smith
Variations --
also try +10% rutile

Glaze name: Avery Salt Slip - Wild

Recipe: (Percent, Batch)

Avery kaolin             25.0       25.00
Grolleg                  50.0       50.00
Calcined kaolin          25.0       25.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Does anyone know of a good substitute for Avery since it is not
longer available or is it? I get a very satisfying orange with this
at cone 10 in a salt fring. Now I've run out and need some
suggestions. kurt wild 

Glaze name: Avery/Fake Avery Slip

Recipe: (Percent, Batch)

Grolleg                  57.0       57.00
Kentucky OM #4           35.0       35.00
Nepheline syenite         8.0        8.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

I've tried a bunch, and not had much luck until recently. I've been
using one for a few firings now that I like pretty well; it responds
in an interesting way to different atmospheres and clay bodies. A
little more inFiring: Some salting is involved in all of the wood
firings I have used this slip in- generally about 1 1/2 - 3 pounds
per chamber. These are not super long firings -in the 14-18 hour
range, so a lot of the surface effect comes from the salt rather than
from a lot of ash. I have also used it in salt/soda and it looked
great-more orange than brown. I haven't used it with a real heavy
load of salt but if you try it I'd like yo know how it looks. Mix
just a little on the thin side and its works on bisque just as well
as on geenware I've been working up some variations using Helmer
kaolin, but haven't hit one I like yet. If you get a response about
the Avery will you pass it along? Thanks- if you try this out let me
know what you think. submitted by: John Anthony e-mail: JTRAX@AOL.com

Glaze name: Base 8A

Recipe: (Percent, Batch)

Frit 3110                36.4       36.40
Lithium carbonate         8.0        8.00
Barium carbonate          6.8        6.80
EPK                      20.4       20.40
Flint                    28.4       28.40
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Ayumi Horie. High alkaline glaze. Runs and crazes. Not good for food surfaces.
Variations --
water blue +2% cu
chartreuse +0.5% chrome

Glaze name: Base Ayumi's Tuesday

Recipe: (Percent, Batch)

Kona F-4 feldspar        37.7       40.00
Whiting                   9.4       10.00
Dolomite                 14.2       15.00
EPK                      14.2       15.00
Flint                     9.4       10.00
Magnesium carbonate       9.4       10.00
Bone ash                  5.7        6.00
                        -----    --------
Totals:                 100.0      106.00

Comments:

From Ayumi Horie.

Glaze name: Base Ayumi's Tuesday recalc

Recipe: (Percent, Batch)

Nepheline syenite        28.5       28.50
Talc                     26.5       26.50
Kaolin - theoretical     15.6       15.60
Silica                    6.8        6.80
Bone ash                 22.6       22.60
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Ayumi Horie

Glaze name: Base F Ayumi's

Recipe: (Percent, Batch)

Kona F-4 feldspar        36.4       36.40
Dolomite                 11.0       11.00
Whiting                   5.5        5.50
Strontium carbonate      20.0       20.00
Soda ash                  3.6        3.60
EPK                      18.0       18.00
Flint                     5.5        5.50
                        -----    --------
Totals:                 100.0      100.00

Comments:

Bright, mottled, sugary glaze. From Ayumi Horie.
Variations --
light blue and rust + 1% Cu
soft, creamy white + 1% RIO

Glaze name: Base GG Bohls

Recipe: (Percent, Batch)

Flint                    33.7       33.50
Custer feldspar          23.1       23.00
Dolomite                 14.6       14.50
Kaolin                   12.6       12.50
Whiting                  11.1       11.00
Barium carbonate          1.0        1.00
Gerstley borate           4.0        4.00
                        -----    --------
Totals:                 100.0       99.50

Also add:

Tin oxide                 0.5        0.50

Comments:

Shiny translucent to opaque. Nice variations.
Yellow-green is a nice complement w/Green sparkle VC matte revised glaze.
From Margaret Bohls.
Variations --
green: copper 3 + vanadium Mason stain 7%
yellow-green: copper 1.5 + vanadium Mason stain 9%

Glaze name: Base Glaze Andy Shaw

Recipe: (Percent, Batch)

Cornwall Stone           36.7       36.70
Whiting                  27.5       27.50
EPK                      18.3       18.30
Flint                    12.8       12.80
Magnesium carbonate       4.6        4.60
                        -----    --------
Totals:                 100.0       99.90

Comments:

Andy Shaw base. He increased silica to reduce crazing.

Glaze name: Base K Ayumi's

Recipe: (Percent, Batch)

Strontium carbonate      45.0       45.00
EPK                      10.0       10.00
Flint                    10.0       10.00
Whiting                  10.0       10.00
Talc theoretical         20.0       20.00
Zinc oxide                5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Fake ash glaze. Nice w/stains.From Ayumi Horie.
Variations --
4% red or 1% yellow iron
gray/green 8% Cu Carb
light blue .25% cobalt carb + 5% titanium
cream/gray .25 CrO + 4% rutile

Glaze name: Base Peltzman

Recipe: (Percent, Batch)

Minspar                  48.0       48.00
Whiting                  18.0       18.00
EPK                       5.0        5.00
Silica                   24.0       24.00
Zinc oxide                5.0        5.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Doug Peltzman, Pottery Making Illus Jul/Aug 2013.
Variations --
Wintergreen: + cp[[er carb 0.5%

Glaze name: Base Randy's

Recipe: (Percent, Batch)

Silica                   29.7       29.70
EPK                       5.0        4.95
Soda feldspar            19.8       19.80
Talc                     13.9       13.86
Gerstley borate          31.7       31.68
                        -----    --------
Totals:                 100.0       99.99

Comments:

A very nice base comes from Randy's Red with the iron omitted. You
can add up to 10% zircopax or other whitener, I would suggest 5% for
starters. Works good with other colorants also. Cobalt carbonate will
give a purple. Very Stable! Rose Downs submitted by: dianna rose downs

Glaze name: Base Seacrest

Recipe: (Percent, Batch)

Buckingham feldspar      53.7       53.70
Whiting                  12.9       12.90
Barium carbonate          2.5        2.50
Kaolin                    6.0        6.00
Flint                    22.4       22.40
Zinc oxide                2.5        2.50
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Kathryn Finnerty during NSCAD days. She recommended the blue variation.
Variations --
Orange: iron 7% + rutile 5%
Light Blue: Copper 0.5% + Iron 1% + Rutile 1%
Blue Orange: iron 4% + rutile 2.5%

Glaze name: Base Transparent

Recipe: (Percent, Batch)

Kona Feldspar            36.4       36.36
Whiting                  20.5       20.45
EPK                      11.4       11.36
Silica                   31.8       31.82
                        -----    --------
Totals:                 100.0       99.99

Comments:

This glaze does very well with colorants and performs equally well in
oxidation or reduction. submitted by: Christine Winokur e-mail:
Kickwheel@aol.com

Glaze name: Base Val's AA

Recipe: (Percent, Batch)

Cornwall Stone           46.0       46.00
Whiting                  34.0       34.00
EPK                      20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Ayumi Horie. A satiny classic that produces crystals. Makes any color and takes
stains well.

Glaze name: Base Val's AA _just kaoliln- test

Recipe: (Percent, Batch)

Potash feldspar - theoretical   25.3       25.80
Whiting                  35.0       35.60
Kaolin - theoretical     25.6       26.10
Silica                   14.0       14.30
                        -----    --------
Totals:                 100.0      101.80

Comments:

From Ayumi Horie. A satiny classic that produces crystals. Makes any color and takes
stains well.

Glaze name: Base Val's AA Horie

Recipe: (Percent, Batch)

Cornwall Stone           46.0       46.00
Whiting                  34.0       34.00
EPK                      20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

From Ayumi Horie. A satiny matt that produces crystals. Makes any color and
takes stains well.

Glaze name: Beige-yellow Jillian's

Recipe: (Percent, Batch)

Custer feldspar          42.5       43.00
Whiting                  21.7       22.00
EPK                      10.9       11.00
Flint                    21.7       22.00
Zinc oxide                3.2        3.20
                        -----    --------
Totals:                 100.0      101.20

Also add:

Rutile                    6.4        6.50
Bentonite                 1.1        1.10

Comments:

Glaze name: Berry Rust (new)

Recipe: (Percent, Batch)

Silica                   25.1       25.13
EPK                      22.7       22.69
Nepheline syenite         8.6        8.61
Ferro frit 3134          19.9       19.93
Bone ash                  9.0        8.97
Talc                     14.7       14.67
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            8.6        8.59

Comments:

Unity (from Insight calculation) CaO 0.49* 8.55% MgO 0.36* 4.51% K2O
0.02* 0.46% Na2O 0.14* 2.79% Fe2O3 0.17 8.32% TiO2 0.00 0.06% P2O5
0.09 3.92% B2O3 0.20 4.37% Al2O3 0.32 10.12% SiO2 3.01 56.90% Cost/kg
0.79 Si:Al 9.54 SiB:Al 10.17 Expan 6.43 I just had a look at the
Berry Rust glaze tests, the original formula, and the recalculated
fritted formula. They were fired to cone 10 Ox. buy my wife, Linda
Owen, in her trusty Skutt Kiln. Thanx Linda! The two glazes are
nearly identical. I didn't expect that, but ya never know. The
original formula with gerstley borate has more calcium-borate-iron
crystals floating in the matrix but you really can't see this without
a hand lens. A customer who has purchased pots with the original
formula would be hard pressed to tell the difference. I feel like
I've just taken the Pepsi Challenge!! The tests were fired on
porcelain. Four tiles were made of each glaze, eight in all and the
separate formulas were fired side by side in the top, middle, and
bottom of the kiln. No significant differences were seen. I might
also mention that I used English Bone Ash, and not Tri-Calcium Phos.
All the tiles were inspected with a hand lens and no crazing was
evident in either formula. A separate set has been fired to cone 10 R
but won't be available until tomorrow. That's about it for now,
e-mail me or post to clayart if I've forgotten to mention anythin,
and I probably have...it's my hobby! The formulas and receipes are
posted below. Happy testing,.....Craig Martell-Oregon
ashglaze@teleport.com

Glaze name: Berryrust

Recipe: (Percent, Batch)

Silica                   27.3       27.27
EPK                      18.2       18.18
Nepheline syenite        18.2       18.18
Dolomite                  9.1        9.09
Gerstley borate           9.1        9.09
Talc                      9.1        9.09
Bone ash                  9.1        9.09
                        -----    --------
Totals:                 100.0       99.99

Also add:

Red iron oxide            9.1        9.09

Comments:

Use Pure Red Iron Oxide . This glaze gives a fairly intense cranberry
rust in the cone 7-10 range and is quite consistent in its results.
Every once in a while, when the glaze is thicker than normal, a pale
but distinctive green (a little like a pale chrome green) begins to
float on the surface. Any suggestions as to why? In addition, in
reference to an earlier note about the changing reds over time, I
think this red becomes somewhat brighter (and more red) the older the
glaze is. I don't yet use a lot of it so it sits for quite a while
(3-5 months). submitted by: Bob Kavanagh e-mail:
bkav@VAX2.CONCORDIA.CA

Glaze name: Big Sky

Recipe: (Percent, Batch)

Nepheline syenite        66.7       66.70
Whiting                   4.8        4.80
Gerstley borate           1.9        1.90
Petalite                 14.3       14.30
Kentucky OM #4            7.6        7.60
Bone ash                  4.7        4.70
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          1.5        1.50
Bentonite                 1.0        1.00

Comments:

From Sam Chung in Clay Times Mar/Apr. 2008.

Glaze name: Black #1223 Glossy

Recipe: (Percent, Batch)

Barium carbonate          2.5        2.50
Whiting                  16.0       16.00
Custer feldspar          49.5       49.50
OM-4 Ball Clay           10.0       10.00
Silica                   22.0       22.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              1.3        1.28
Cobalt oxide              4.9        4.93
Manganese dioxide         2.5        2.46
Red iron oxide            5.0        4.96

Comments:

submitted by: June M. Perry e-mail: GURUSHAKTI@aol.com

Glaze name: Black #1223 Glossy

Recipe: (Percent, Batch)

Barium carbonate          2.5        2.50
Whiting                  16.0       16.00
Custer feldspar          49.5       49.50
Kentucky OM #4           10.0       10.00
Silica                   22.0       22.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              1.3        1.28
Cobalt oxide              4.9        4.93
Manganese dioxide         2.5        2.46
Red iron oxide            5.0        4.96

Comments:

submitted by: June M. Perry e-mail: GURUSHAKTI@aol.com

Glaze name: Black #27

Recipe: (Percent, Batch)

Custer feldspar          43.2       43.16
Dolomite                 12.6       12.63
Whiting                   2.1        2.11
Tennessee #5 Ball Clay    7.4        7.37
Silica                   34.7       34.74
                        -----    --------
Totals:                 100.0      100.01

Also add:

Iron Oxide                6.0        6.00
Rutile                    4.0        4.00

Comments:

submitted by: June M. Perry e-mail: GURUSHAKTI@aol.com

Glaze name: Black (from Dennis Olson)

Recipe: (Percent, Batch)

Dolomite                  5.0        5.00
Whiting                   6.0        6.00
Soda feldspar            67.0       67.00
EPK kaolin                5.0        5.00
Flint                    17.0       17.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          3.0        3.00
Red iron oxide            4.0        4.00
Bentonite                 1.0        1.00

Comments:

Thought I would send this recipe Jeremy requested out to the whole
group. It's a very nice gloss black glaze. I acquired the recipe from
Dennis Olson who used this quite extensively with masking and
sandblasting which resulted in a nice high fire black on black
surface. Good luck! Rafael rafael molina-rodriguez 

Glaze name: Black B V.C.

Recipe: (Percent, Batch)

Albany slip              65.0       65.00
Nepheline syenite        15.0       15.00
Barium carbonate         10.0       10.00
Talc                     10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              1.0        1.00
Manganese dioxide         2.0        2.00
Cobalt oxide              1.0        1.00
Iron oxide                4.0        4.00

Comments:

A rich black satin mat with speckles. Glaze Type: Mg Ca SlipGlaze.
Opacity: Opaque . Firing type: Ox or Red From Val Cushing. VC ed

Glaze name: Black B V.C.

Recipe: (Percent, Batch)

Albany slip              65.0       65.00
Nepheline syenite        15.0       15.00
Barium carbonate         10.0       10.00
Talc theoretical         10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              1.0        1.00
Manganese dioxide         2.0        2.00
Cobalt oxide              1.0        1.00
Iron oxide                4.0        4.00

Comments:

A rich black satin mat with speckles. Glaze Type: Mg Ca SlipGlaze.
Opacity: Opaque . Firing type: Ox or Red From Val Cushing. VC ed

Glaze name: Black Barnard

Recipe: (Percent, Batch)

Barnard clay             88.0       88.00
Nepheline syenite        12.0       12.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              1.5        1.50

Comments:

(I call it Steves Black because Steve Dominguez gave it to me) The
glaze made in this manner is a rather dry black surface, but nice.
Increas e the Neph. Sy. as you wish to reduce the dryness and
increase the smooth quality of the glaze surface. This glaze works
very well in salt firing as well as red. fire and is especially nice
over a white clay body in salt. Only a thin glaze application is
necessary for coverage. I hope this glaze works well for you. David
Cuzick Claycuzian@aol.com

Glaze name: Black breaking blue

Recipe: (Percent, Batch)

Custer feldspar          32.7       32.70
Silica                   32.7       32.70
Whiting                  15.4       15.40
Kentucky OM #4            9.6        9.60
EPK                       9.6        9.60
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            8.0        8.00
Cobalt carbonate          3.8        3.80

Comments:

The only black I see in Coleman's recipe book that mentions breaking
blue ^8-10 reduction Shiny jet black with a slight metallic surface.
If it is used thinly over a light colored stoneware or porcelain it
will tend to break blue over edges. It will shift slightly at cone
10. joyce lee, jim lee 

Glaze name: Black Brouillard Charcoal

Recipe: (Percent, Batch)

G-200 feldspar           38.2       34.00
Ball clay                12.4       11.00
Custer spar              27.0       24.00
Dolomite                  9.0        8.00
Flint                     9.0        8.00
Whiting                   4.5        4.00
                        -----    --------
Totals:                 100.0       89.00

Also add:

Zircopax                  2.2        2.00
Black Mason Stain         4.5        4.00
Red iron oxide            4.5        4.00

Comments:

From Ruthann Tudball's "Soda Glazing"

Glaze name: Black Charcoal

Recipe: (Percent, Batch)

Kentucky OM #4           12.4       12.40
Custer feldspar          65.1       65.20
Dolomite                  9.0        9.00
Silica                    9.0        9.00
Whiting                   4.5        4.50
                        -----    --------
Totals:                 100.0      100.10

Also add:

Zircopax                  2.2        2.20
Bentonite                 2.2        2.20
Red iron oxide            4.5        4.50

Comments:

+Mason 6600 4.5%. Used for once-fire, dry glaze at Curaumilla.

Glaze name: Black Charlie D Manganese

Recipe: (Percent, Batch)

Custer spar              20.0       20.00
Kona F-4 feldspar        20.0       20.00
Whiting                   2.0        2.00
Dolomite                 15.0       15.00
Talc                     13.0       13.00
Ball clay                10.0       10.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.0        2.00
Manganese dioxide         4.0        4.00

Comments:

then add 2% Bentonite and 4% Manganese (In particular, lately I've
wanted to use a reliable cone 10 black satin/waxy glaze, in case you
know of one.) Eric, you might like to try Charlie D Manganese. I've
seen it used successfully at the 92nd Street Y in the gas kiln, cone
10, reduction for more years than it would be discreet to say: Hope
you enjoy it, Jaine in Cresskill

Glaze name: Black H38-40 Sondahl Gloss

Recipe: (Percent, Batch)

Dolomite                  8.5        8.50
Custer feldspar          23.3       23.30
Nepheline syenite         8.8        8.80
Kaolin                   13.7       13.70
Flint                    16.2       16.20
Kona F-4 spar            16.7       16.70
Wollastonite              6.7        6.70
Bone ash                  1.5        1.50
Whiting                   4.7        4.70
                        -----    --------
Totals:                 100.0      100.10

Also add:

Red iron oxide            1.5        1.50
Cobalt carbonate          2.3        2.30
Copper carbonate          2.3        2.30

Comments:

So here's a black glaze I've just developed, and I hereby throw to
the sharks It's probably unnecessarily complicated because it's a
hybrid of two other glazes. I think I'd rather have more RIO than
Cobalt, due to cost, but it's hard to knock success, and it breaks to
a nice blue when white is over it. -- Also, it wouldn't surprise me a
bit if the bone ash is superfluous The recent posts on foodsafe black
have prompted me to state my own opinion on black glazes. I think
black glazes need not be avoided totally for foodware, but common
sense argues that some blacks are better than others. If the base
glaze doesn't leach harmful chemicals, then one must concentrate on
combinations of oxides to produce the color with the least toxicity.
Though I've never seen an authoritative ordered list of nasty
chemicals, Red Iron Oxide, Cobalt Carb, and Copper Carb seem safer to
me than Manganese Dioxide, Nickel, Cadmium, and Chrome. From an old
Laurel's Kitchen cookbook, I read that Iron, Copper, Zinc, Manganese,
Cobalt, Chromium, Nickel, Tin, and even Vanadium are all trace
minerals essential for animals. I assert that most glazes release
traces at best of these minerals. However, we are caught in a world
which can measure in Parts per Billion, and all kinds of things look
significant at that level. I sometimes wonder how long the ozone
holes at the poles existed before we had the means to ascertain their
existence. Brad Sondahl http://www.camasnet.com/~asondahl
Contributing to the potluck of the WWW

Glaze name: Black Hendley's Rhodes

Recipe: (Percent, Batch)

Minspar Soda Feldspar    57.0       57.00
EPK                       9.0        9.00
Redart                   25.0       25.00
Dolomite                  6.5        6.50
Whiting                   2.5        2.50
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            5.0        5.00
Manganese dioxide         3.7        3.70
Cobalt oxide              1.3        1.30

Comments:

This glaze is well balanced and has plenty of silica, but with all
those metals, I don't use it on food surfaces. My 'Rhodes Black' is
quite different than yours.  David Hendley Maydelle, Texas
See David Hendley's Pottery Page at http://ww.sosis.com/hendley/david

Glaze name: Black Kelly Cowan's

Recipe: (Percent, Batch)

Dolomite                 20.0       20.00
Soda feldspar            42.0       42.00
EPK                      18.0       18.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 1.0        1.00
Red iron oxide            3.5        3.50
Chrome oxide              3.5        3.50
Manganese dioxide         3.5        3.50

Comments:

Stable semimatt black. You can reduce the cobalt and increase the
other metals to save some $$. I use Dave's porcelain from Laguna.
Dean McRaine  on the north shore of Kauai

 * INFORMATION FOR GLAZEBASE
 * (Please fill in whatever information you can -
    if you don't know, leave blank, or delete question)

 * How long have you been using this glaze?

 * Where is it used? (name of studio/school)

 * Where did this recipe come from?
(name of person/book/etc. and approximate date)

 * What do you like most about this glaze?

 * Is this glaze reliable?

 * Does this glaze tend to craze/crawl/pinhole/etc.?
What conditions encourage the flaws?
How do you avoid them?

 * How do different firing temperatures/atmospheres affect the glaze?

 * How does the glaze behave on different clay bodies?

 * What consistency should the glaze be for pouring/dipping?
(Give specific gravity if known.)

 * Do you experience problems with the raw glaze?
(rapid settling, pudding consistency, mold, evil smell, etc.)
Do you know a cure for the problem?

 * How thickly should the glaze be applied to the pot?

 * How does this glaze interact with other glazes?
Can you suggest some good combinations?

 * Kiln type and size -

 * Firing data (heat/cooling ramps, soak time, reduction) -

 * Water pH -

 * Your name and email address -

Glaze name: Black Loretta

Recipe: (Percent, Batch)

Nepheline syenite        16.7       16.70
Albany Slip Clay         83.3       83.30
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt Oxide, Black       5.6        5.60

Comments:

^10 glaze,
 can be used in either reduction or oxidation. It looks metallic and satiny only
in reduction, though. It is extremely stable and very dependable... Its a great
glaze. It even matures as early as ^6. Of course its an Albany glaze. submitted
by: Becky Shope e-mail: rashope@iglou.com

Glaze name: Black Matte

Recipe: (Percent, Batch)

Cornwall Stone           42.0       42.00
Dolomite                 15.0       15.00
Whiting                  10.0       10.00
EPK                      23.0       23.00
Flint                    10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

ochre                     6.0        6.00
Cobalt carbonate          2.0        2.00
Chromium oxide            1.0        1.00

Comments:

From Sam Chung.

Glaze name: Black McKensie Decorative

Recipe: (Percent, Batch)

Talc                      5.0        5.00
Soda feldspar            42.0       42.00
Calcined kaolin          13.0       13.00
Ball clay                 8.0        8.00
Whiting                  15.0       15.00
Silica                   17.0       17.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          1.2        1.20
Chrome oxide              2.2        2.20
Iron oxide               10.0       10.00
Manganese dioxide         3.0        3.00

Comments:

Note - make sure you add the black stain, which cannot be listed in the regular
 ingredients, or the program won't calculate
Variations --
Black Stain	      5

Glaze name: Black Mirror

Recipe: (Percent, Batch)

Barnard clay              9.5        9.45
Custer feldspar          49.6       49.60
Whiting                  15.4       15.35
Barium carbonate          2.4        2.36
Flint                    23.2       23.24
                        -----    --------
Totals:                 100.0      100.00

Also add:

Manganese dioxide         2.4        2.36
Cobalt oxide              3.5        3.54
Chrome oxide              1.2        1.18
Red iron oxide            4.7        4.72

Comments:

Here is a Mirror Black recipe but with barium, manganese and chrome I
don't think you'd call it non-toxic...Strontium might sub for Barium
okay (.75/1) but not sure what about the chrome and manganese...
Mishy Michelle Lowe, potter in the Phoenix desert \|/ |
mishlowe@indirect.com -O- | | mishlowe@aztec.asu.edu /|\ | | | |_|_|
http://www.amug.org/~mishlowe ____ | -\ /-----|----- ( ) <__>
------------------------------

Glaze name: Black Noir Lindo Gloss

Recipe: (Percent, Batch)

G-200 spar               43.1       45.30
Whiting                  18.3       19.30
Flint                    11.0       11.60
EPK                      22.8       24.00
Zinc oxide                4.8        5.00
                        -----    --------
Totals:                 100.0      105.20

Also add:

Rutile                    2.9        3.00
Tin oxide                 1.9        2.00
Cobalt oxide              1.0        1.00
Red iron oxide            7.6        8.00
Manganese dioxide         2.9        3.00

Comments:

 Pitch-black "tête de nègre" glossy glaze. The description is from
the author but he does not mean to offend anyone

*How long have you been using this glaze?  20 years

*Where did this recipe come from?
 Michel Lemire M.F.A., Trois-Rivières, Québec. Michel had a lot to do
with the founding of the Canadian "National Biennial of Ceramics".

*What do you like most about this glaze?  Great glossy black glaze

*Is this glaze reliable?  Yes

*Does this glaze tend to craze/crawl/pinhole/etc.?  No

*What consistency should the glaze be for pouring/dipping?  Medium

*How thickly should the glaze be applied to the pot?  Medium

*What is your kiln type and size?
 Downdraft, propane, atmospheric and 60 cubic feet

*How do you typically fire?
Oxidation until clay reduction at cone/08.then light reduction
increasing with time until the final total reduction of 20 minutes
followed by a period of reoxidation of the same length

*GlazeBase recipe*
 Submitted by: Edouard Bastarache (edouardb@sorel-tracy.qc.ca

Glaze name: Black perfect

Recipe: (Percent, Batch)

Potash feldspar          42.0       42.00
Whiting                  13.0       13.00
Zinc oxide               12.0       12.00
Soda ash                  3.0        3.00
Kaolin                    8.0        8.00
Silica                   22.0       22.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Iron oxide                4.0        4.00
Cobalt carbonate          2.0        2.00
Chrome oxide              4.0        4.00

Comments:

Glaze name: Black Peter's Metallic

Recipe: (Percent, Batch)

Custer feldspar          78.8       78.84
Colemanite               10.7       10.69
Whiting                   5.5        5.51
EPK                       5.0        4.96
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          4.2        4.19
Manganese dioxide         4.2        4.19
Cobalt carbonate          2.1        2.09

Comments:

A really great glossy black. from Michelle Lowe, potter in the
Phoenix desert mishlowe@indirect.com mishlowe@aztec.asu.edu

Glaze name: Black Pizzaz Lorna Meaden

Recipe: (Percent, Batch)

Redart                   55.0       55.00
Nepheline syenite        20.0       20.00
Talc theoretical         15.0       15.00
Strontium carbonate      10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chromium oxide            1.0        1.00
Cobalt carbonate          2.0        2.00
Manganese dioxide         2.0        2.00

Comments:

reduction soda. From Lorna Meaden.

Glaze name: BLACK SATIN

Recipe: (Percent, Batch)

Kona F-4 feldspar        20.0       20.00
Custer feldspar          20.0       20.00
Dolomite                 15.0       15.00
Talc theoretical         13.0       13.00
Whiting                   2.0        2.00
Ball clay                10.0       10.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Iron oxide                3.0        3.00
Cobalt oxide              2.0        2.00
Manganese dioxide         1.0        1.00
Chrome oxide              3.0        3.00

Comments:

a very nice, stable, satiny
cone 9-10 reduction black satin glaze. gail dapogny in ann arbor  james dapogny 

Glaze name: BLACK SATIN MATT V.C.

Recipe: (Percent, Batch)

Kona F-4  Spar           20.0       20.00
Custer feldspar          20.0       20.00
Dolomite                 15.0       15.00
Talc theoretical         13.0       13.00
Whiting                   2.0        2.00
Ball clay                10.0       10.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              1.0        1.00
Red iron oxide            3.0        3.00
Manganese dioxide         2.0        2.00
Cobalt oxide              3.0        3.00

Comments:

Use granular Mn 80 mesh if you want silvery looking specks.
Formulated as an Albany-free replacement for Black Satin Doll. Tested
EAC Summer '91 VC ed

Glaze name: BLACK SATIN MATT V.C.

Recipe: (Percent, Batch)

Kona F-4  Spar           20.0       20.00
Custer feldspar          20.0       20.00
Dolomite                 15.0       15.00
Talc                     13.0       13.00
Whiting                   2.0        2.00
Ball clay                10.0       10.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              1.0        1.00
Red iron oxide            3.0        3.00
Manganese dioxide         2.0        2.00
Cobalt oxide              3.0        3.00

Comments:

Use granular Mn 80 mesh if you want silvery looking specks.
Formulated as an Albany-free replacement for Black Satin Doll. Tested
EAC Summer '91 VC ed

Glaze name: BLACK SATIN MATT V.C.

Recipe: (Percent, Batch)

Kona F-4  Spar           20.0       20.00
Custer feldspar          20.0       20.00
Dolomite                 15.0       15.00
Talc theoretical         13.0       13.00
Whiting                   2.0        2.00
Ball clay                10.0       10.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              1.0        1.00
Red iron oxide            3.0        3.00
Manganese dioxide         2.0        2.00
Cobalt oxide              3.0        3.00

Comments:

Use granular Mn 80 mesh if you want silvery looking specks.
Formulated as an Albany-free replacement for Black Satin Doll. Tested
EAC Summer '91 VC ed

Glaze name: Black Seacrest

Recipe: (Percent, Batch)

Custer feldspar          52.9       53.00
Whiting                  12.6       12.60
Strontium carbonate       1.8        1.80
Zinc oxide                2.4        2.40
EPK                       8.7        8.70
Flint                    21.6       21.60
                        -----    --------
Totals:                 100.0      100.10

Also add:

Red iron oxide            5.0        5.00
Bentonite                 3.0        3.00

Comments:

Glaze name: Black Shige's

Recipe: (Percent, Batch)

Kona F-4 feldspar        67.0       67.00
Whiting                   6.0        6.00
Dolomite                  5.0        5.00
EPK                       5.0        5.00
Silica                   17.0       17.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            5.0        5.00
Cobalt carbonate          3.0        3.00
Bentonite                 2.0        2.00

Comments:

Reliable black with a silvery sheen. UF shop glaze.

Glaze name: Black Sloan's

Recipe: (Percent, Batch)

Potash feldspar          43.1       43.10
Whiting                  18.4       18.40
Silica                   11.0       11.00
Kaolin                   22.8       22.80
Zinc oxide                4.7        4.70
                        -----    --------
Totals:                 100.0      100.00

Also add:

Tin oxide                 1.9        1.90
Rutile                    2.9        2.90
Cobalt oxide              1.0        1.00
Red iron oxide            7.6        7.60

Comments:

Here is a cone 9-10 black glaze recipe that has no name but looks
like what you describe; irridescent, satin charcoal black in
reduction; like a black pearl. I acquired this glaze 25 years ago &
if I had a gas kiln this would still be my favorite glaze. submitted
by: Anne Fallis-Elliott, NYC e-mail: FallisT@aol.com

Glaze name: Black Sloan's revisited

Recipe: (Percent, Batch)

Custer spar              45.9       45.85
Flint                    24.5       24.45
Whiting                  14.2       14.19
Ball clay                 8.7        8.73
Borax                     4.6        4.59
Zinc oxide                2.2        2.18
                        -----    --------
Totals:                 100.0       99.99

Also add:

Cobalt oxide              5.0        5.02
Red iron oxide            3.3        3.28
Chrome oxide              1.1        1.09

Comments:

----------------------------Original
message---------------------------- You probably got the recipe
already considering how long it takes me to research it, but here is
the one that we use at the school. Note that this recipe is set for
larger batches and all quantities are in grams. Good Luck Sorry I
forgot the particulars. And since I have neglected ( because I was
movingwhile working full time) to keep up with the group, I am now
looking at 802 messages, many of which I will not read and will have
to pick up the new threads as they come along. It is also why this
response is not more timely. Sloan's Black is a cone 10 glaze; as I
am sure that Vince or someone in this group has subsequently pointed
out. At (10) the glaze is a thick rich black with a silvery surface
finish. At (11) it is a very nice glossy black of the same thick
substance. Dave Durnford Box 2145 Missoula, Montana 59806 University
of Montana Art Department Durnford@selway.umt.edu

Glaze name: Black Sloan's revisited

Recipe: (Percent, Batch)

Custer spar              45.9       45.85
Flint                    24.5       24.45
Whiting                  14.2       14.19
Ball clay                 8.7        8.73
Borax                     4.6        4.59
Zinc oxide                2.2        2.18
                        -----    --------
Totals:                 100.0       99.99

Also add:

Cobalt oxide              5.0        5.02
Red iron oxide            3.3        3.28
Chrome oxide              1.1        1.09

Comments:

----------------------------Original
message---------------------------- You probably got the recipe
already considering how long it takes me to research it, but here is
the one that we use at the school. Note that this recipe is set for
larger batches and all quantities are in grams. Good Luck Sorry I
forgot the particulars. And since I have neglected ( because I was
movingwhile working full time) to keep up with the group, I am now
looking at 802 messages, many of which I will not read and will have
to pick up the new threads as they come along. It is also why this
response is not more timely. Sloan's Black is a cone 10 glaze; as I
am sure that Vince or someone in this group has subsequently pointed
out. At (10) the glaze is a thick rich black with a silvery surface
finish. At (11) it is a very nice glossy black of the same thick
substance. Dave Durnford Box 2145 Missoula, Montana 59806 University
of Montana Art Department Durnford@selway.umt.edu

Glaze name: Black St John's

Recipe: (Percent, Batch)

Albany slip              75.0       75.00
Nepheline syenite        25.0       25.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          5.0        5.00

Comments:

Karen Newgard uses Alberta slip in place of Albany in this.

Glaze name: Black St John's Brian's

Recipe: (Percent, Batch)

Nepheline syenite        25.1       25.10
Dolomite                  8.5        8.50
Soda ash                  0.0        0.05
Whiting                   3.6        3.60
Custer feldspar           3.2        3.20
Redart clay              43.8       43.80
EPK                       2.4        2.40
Silica                   13.4       13.40
                        -----    --------
Totals:                 100.0      100.05

Also add:

Cobalt carbonate          5.0        5.00
Rutile                    0.2        0.20

Comments:

The original
recipe that I have is: Albany Slip 75 Neph Sy 25 Cobalt Carb 5 Since
I haven't had a source for Albany, I incorporated the glaze with an
Albany substitute formula out of CM: If this is not fired properly,
it boils in an enclosed container, but in my copper firings it always
seems to turn out. It turns a dark, cobalt blue over white base
glazes. It never breaks brown. good luck submitted by: Brian Voth
e-mail: bvoth@southwind.net

Glaze name: Black St John's by Brian Voth

Recipe: (Percent, Batch)

Nepheline syenite        25.1       25.05
Dolomite                  8.5        8.53
Soda ash                  0.1        0.05
Whiting                   3.6        3.59
Custer feldspar           3.2        3.18
Redart clay              43.8       43.82
EPK                       2.4        2.41
Silica                   13.4       13.36
                        -----    --------
Totals:                 100.0       99.99

Also add:

Cobalt carbonate          5.0        5.01
Rutile                    0.2        0.21

Comments:

I use St. John's Black. It sounds like something that would work for
you. It is very stable as far as flowing is concerned. The original
recipe that I have is: Albany Slip 75 Neph Sy 25 Cobalt Carb 5 Since
I haven't had a source for Albany, I incorporated the glaze with an
Albany substitute formula out of CM: If this is not fired properly,
it boils in an enclosed container, but in my copper firings it always
seems to turn out. It turns a dark, cobalt blue over white base
glazes. It never breaks brown. good luck submitted by: Brian Voth
e-mail: bvoth@southwind.net

Glaze name: Black St. John's Alberta Slip

Recipe: (Percent, Batch)

Alberta slip             80.0       80.00
Nepheline syenite        20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              5.0        5.00

Comments:

From Margaret Bohls. Fired cone 9 electric.
Very shiny black in oxidation, slightly metallic in reduction. I use this as a liner
for most things, but not with the Rexrode glazes as it sometimes shows up through
them if the pot is too thin, or if I've dripped it on the outside of the pot and
wiped it off before glazing the outside. For pots with light colored glazes on the
outside, I use a shiny white liner.

Glaze name: Black Super

Recipe: (Percent, Batch)

Potash feldspar          32.7       34.00
Whiting                  15.4       16.00
Silica                   32.7       34.00
EPK                      19.2       20.00
                        -----    --------
Totals:                 100.0      104.00

Also add:

Iron oxide                5.8        6.00
Copper carbonate          4.8        5.00

Comments:

Glaze name: Black Tenmoku

Recipe: (Percent, Batch)

Potash feldspar          57.1       57.14
Whiting                  15.4       15.38
Kaolin                    6.6        6.59
Silica                   20.9       20.88
                        -----    --------
Totals:                 100.0       99.99

Also add:

Red iron oxide            9.9        9.89

Comments:

This glaze fires to a deep black breaking to red on rims at cone 10.
The following ar two Tenmoku's that I have used with continued
success. David Stuchbery School of Art & Design Ph (054) 447-279 La
Trobe University, Bendigo d.stuchbery@bendigo.latrobe.edu.au

Glaze name: Black V.C. Satin

Recipe: (Percent, Batch)

Custer feldspar          20.0       20.00
Kona F-4 feldspar        20.0       20.00
Flint                    20.0       20.00
Dolomite                 15.0       15.00
Talc                     13.0       13.00
Kentucky OM #4           10.0       10.00
Whiting                   2.0        2.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            3.0        3.00
Cobalt oxide              3.0        3.00
Manganese dioxide         2.0        2.00
Green chrome oxide        1.0        1.00

Comments:

From Peter Beasecker

Glaze name: Black V.C. Satin Doll

Recipe: (Percent, Batch)

Albany slip              65.0       65.00
Nepheline syenite        15.0       15.00
Barium carbonate         10.0       10.00
Talc theoretical         10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              1.0        1.00
Red iron oxide            2.0        2.00
Manganese dioxide         2.0        2.00
Cobalt carbonate          2.0        2.00

Comments:

Similar to V.C. Black A & B. Needs Cone 9.5 to 10 for best satin
smooth results.To replace Albany, see VCSDB Rev.

Glaze name: Black V.C. Satin Doll Revised

Recipe: (Percent, Batch)

Redart                   40.0       40.00
Nepheline syenite        15.0       15.00
Barium carbonate         10.0       10.00
Talc theoretical         15.0       15.00
Whiting                  10.0       10.00
Flint                    10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              1.0        1.00
Red iron oxide            2.0        2.00
Manganese dioxide         2.0        2.00
Cobalt carbonate          2.0        2.00

Comments:

Revised to replace Albany Slip. Needs Cone 9.5 to 10 for best satin
smooth results.

Glaze name: Blacksmith

Recipe: (Percent, Batch)

Custer feldspar          51.4       51.40
Dolomite                 17.1       17.10
Whiting                   2.9        2.90
EPK                      28.6       28.60
                        -----    --------
Totals:                 100.0      100.00

Also add:

Manganese dioxide         2.0        2.00
Cobalt carbonate          3.0        3.00
Chrome oxide              1.0        1.00
Red iron oxide            4.0        4.00
Bentonite                 2.0        2.00

Comments:

From Erin Hayes via ClayArt. Formulated by Tony Holmes. The glaze is a
lovely pitch-black satin. One of those textures you want to pick up and
fondle. Apply a little on the heavy side.

Glaze name: Blanc cendré

Recipe: (Percent, Batch)

Custer spar              30.0       30.00
Hardwood ash             30.0       30.00
Flint                    30.0       30.00
Ball clay                10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Ultrox                   15.0       15.00

Comments:

 Beautiful cream white. It is not pure white due to the impurities
contained in the wood ash even if the amount of Ultrox is very high.
The harwood ash was washed 5 times and 60 mesh-sieved. The glaze base
is the same as Bass Bleu. .

*How long have you been using this glaze?
 One year

*Where is it used?
 Studio

*Where did this recipe come from?
 My own experimentation

*What do you like most about this glaze?
 The color that is original.

*Is this glaze reliable?
 Yes

*Does this glaze tend to craze/crawl/pinhole/etc.?
 No surface flaws

*How does the glaze behave on different clay bodies?
 Well

*What consistency should the glaze be for pouring/dipping?
 Medium

*How thickly should the glaze be applied to the pot?
 Medium

*How does this glaze interact with other glazes?
 Not tested

*What is your kiln type and size?
 Downdraft. propane, atmospheric and 60 cubic feet

*How do you typically fire?
 Oxidation until clay reduction at c/08,then light reduction
increasing with time until the final total reduction followed by a
period of reoxidation

*Do you experience problems with the raw glaze?
 No

*What is your water pH?
 7.2

*GlazeBase recipe*
 Submitted by: Edouard Bastarache (edouarb@sorel-tracy.qc.ca)
 Ice Cream Flavor: Plain vanilla

  --------------------------------------------------------------------
----

Glaze name: Blanc de Michel

Recipe: (Percent, Batch)

Custer spar              36.0       36.00
Spodumene                14.0       14.00
Whiting                  25.0       25.00
Colemanite                5.0        5.00
EPK                      20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Zircopax                  5.0        5.00

Comments:

 Reliable satin white

*How long have you been using this glaze?
 20 years

*Where is it used?
 Studio

*Where did this recipe come from?
 Michel Lemire M.F.A.,Trois-Rivières, Quebec.

*What do you like most about this glaze?
 Its reliability, color and satin surface

*Is this glaze reliable?
 Yes

*Does this glaze tend to craze/crawl/pinhole/etc.?
 It has no surface defects

*How do different firing temperatures/atmospheres affect the glaze?
 Not tested

*How does the glaze behave on different clay bodies?
 Well

*What consistency should the glaze be for pouring/dipping?
 Medium

*How thickly should the glaze be applied to the pot?
 Medium

*How does this glaze interact with other glazes?
 Well

*What is your kiln type and size?
 Downdraft, propane atmospheric and 60 cubic feet

*How do you typically fire?
 Oxidation until clay reduction at cone 08, then light reduction
increasing with time until the final total reduction followed by a
period of reoxidation

*Do you experience problems with the raw glaze?
 No

*What is your water pH?
 7.2

*GlazeBase recipe*
 Submitted by: Edouard Bastarache (edouardb@sorel-tracy.qc.ca)
 Ice Cream Flavor: Always vanilla

  --------------------------------------------------------------------
----

Glaze name: Blanc Julien Glacé

Recipe: (Percent, Batch)

Custer spar              62.5       62.50
Ball clay                 5.7        5.68
Spodumene                 9.1        9.09
Whiting                  17.0       17.04
Zinc oxide                5.7        5.68
                        -----    --------
Totals:                 100.0       99.99

Also add:

Zircopax                 12.0       12.00

Comments:

 Beautiful white gloss

*How long have you been using this glaze?
 28 years

*Where is it used?
 Studio

*Where did this recipe come from?
 Julien Cloutier, my first teacher of ceramics, Quebec City

*What do you like most about this glaze?
 Reliable white gloss that accepts glaze trailing with contrasting
colored glazes very well.

*Is this glaze reliable?
 Yes

*Does this glaze tend to craze/crawl/pinhole/etc.?
 It has no surface defects

*How do different firing temperatures/atmospheres affect the glaze?
 Not tested

*How does the glaze behave on different clay bodies?
 Well

*What consistency should the glaze be for pouring/dipping?
 Medium

*How thickly should the glaze be applied to the pot?
 Medium

*What is your kiln type and size?
 Downdraft, propane, 60 cubic feet

*How do you typically fire?
 Oxidation until clay reduction at cone/08, then light reduction
increasing with time until the total final reduction, followed by a
period of reoxidation

*Do you experience problems with the raw glaze?
 No

*What is your water pH?
 7.2

*GlazeBase recipe*
 Submitted by: Edouard Bastarache (edouardb@sorel-tracy.qc.ca)
 Ice Cream Flavor: Still vanilla

  --------------------------------------------------------------------
----

Glaze name: Blatant Blue

Recipe: (Percent, Batch)

Flint                    32.7       32.65
Whiting                  19.4       19.39
G-200 feldspar           27.6       27.55
Kentucky OM #4           20.4       20.41
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          2.0        2.04

Comments:

from Ellen Baker Rich glossy deep blue. no crazing (although it's
hard to tell with such a deep blue) Well I finally got around to
typing this thing up...^9-10 Blues Thank you one and all for all the
donated recipes. I only tested 31 out of almost 100 I received. I'll
continue testing and reporting as the winter DRAGS on. All the glazes
were tested on #900 Miller clay which is a toasty ^10 stoneware. One
side of the test tile was brushed with a thick coating of Cynthia
Bringle's wet/dry white slip. Each glaze was dipped in three
thicknesses on a heavily textured tile. All tiles were fired to a
(hard)^9 (10 tipping)reduction firing. 1 hr. Body reduction at ^08
and 1 hr. glaze reduction at ^9 then a quick reox. before shutdown.
Any time potash or Custer spar is called for, I used G-200. All ball
clay is OM-4 . Many glazes I substituted 75% of the amount of Barium
with Strontium. All kaolin is EPK. Remember... glazes don't travel
well. Your results will probably be TOTALLY different. Please test
before use. Tracy Wilson Saltbox Pottery 4 Shaw Rd. Woolwich, ME
04579 phone: 207-443-5586 fax: 207-442-8922 email: saltbox@ime.net
web: http://www.ime.net/~dwilson/

Glaze name: Bleached Albany

Recipe: (Percent, Batch)

Alberta slip             64.0       64.00
Whiting                  20.0       20.00
EPK                      16.0       16.00
                        -----    --------
Totals:                 100.0      100.00

Comments:

Froom Sam Chung.

Glaze name: Bleu Bass

Recipe: (Percent, Batch)

Custer spar              30.0       30.00
Hardwood ash             30.0       30.00
Flint                    30.0       30.00
Ball clay                10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Ultrox                   15.0       15.00
Cobalt oxide              5.0        5.00

Comments:

 Ash washed 5 times and 60-mesh sieved
 Beautiful deep blue ash glaze

*How long have you been using this glaze?
 1 year

*Where is it used?
 Studio

*Where did this recipe come from?
 From my own experimentation

*What do you like most about this glaze?
 Its deep blue shiny color

*Is this glaze reliable?
 Yes

*Does this glaze tend to craze/crawl/pinhole/etc.?
 If applied too thick it may pinhole a little bit

*How do different firing temperatures/atmospheres affect the glaze?
 It is always fired at cone 8-10 in reduction

*How does the glaze behave on different clay bodies?
 Well

*What consistency should the glaze be for pouring/dipping?
 Medium consistency

*How thickly should the glaze be applied to the pot?
 Medium coat

*How does this glaze interact with other glazes?
 Not tested

*What is your kiln type and size?
 Downdraft propane and 60 cubic feet

*How do you typically fire?
 Clay reduction at cone/08, then slight reduction increasing with
time until the final total reduction, followed by a period of
reoxidation

*Do you experience problems with the raw glaze?
 No

*What is your water pH?
 7.2

*Any other comments?
 Glaze named by my colleagues as "Bass Bleu" - Bass having been my
nickname since my teen years, Bass is also the name that I use to
sign my pots.

*GlazeBase recipe*
 Submitted by: Edouard Bastarache (edouardb@sorel-tracy.qc.ca)
 Ice Cream Flavor: Vanilla

  --------------------------------------------------------------------
----

Glaze name: Bleu texturé

Recipe: (Percent, Batch)

Custer spar              40.8       38.50
Whiting                  17.0       16.00
Strontium carbonate       5.3        5.00
EPK                      20.9       19.70
Flint                    16.0       15.10
                        -----    --------
Totals:                 100.0       94.30

Also add:

Rutile                    4.8        4.50
Cobalt carbonate          2.5        2.40

Comments:

 It is a variation of James Chappell's SG-187 (copyright 1977). Titanium dioxide
is replaced by Rutile for darker more richly textured glaze.

*What consistency should the glaze be for pouring/dipping?
 Medium. Even applied very thick it does not run.

*How thickly should the glaze be applied to the pot?
 Medium to thick.

Glaze name: Blue Carlton Mottled revised

Recipe: (Percent, Batch)

G-200 feldspar           43.7       43.72
EPK                       1.9        1.87
Flint                    28.2       28.25
Whiting                   2.7        2.70
Gerstley borate           9.1        9.14
Dolomite                  9.1        9.14
Zinc oxide                1.8        1.77
Strontium carbonate       3.4        3.43
                        -----    --------
Totals:                 100.0      100.02

Also add:

Tin oxide                 2.7        2.70
Rutile                    4.1        4.15
Copper carbonate          0.5        0.52
Bentonite                 3.1        3.12

Comments:

Tracy Wilson Saltbox Pottery 4 Shaw Rd. Woolwich, ME
04579 phone: 207-443-5586 fax: 207-442-8922 email: saltbox@ime.net
web: http://www.ime.net/~dwilson/

Glaze name: Blue #1 Israeli

Recipe: (Percent, Batch)

Soda feldspar            50.0       50.00
EPK                      20.0       20.00
Magnesium carbonate      10.0       10.00
Whiting                  10.0       10.00
Flint                    10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          2.0        2.00
Manganese dioxide         1.0        1.00

Comments:

Satin deep blue going to tan where thick. Buttery
Tracy Wilson Saltbox Pottery 4 Shaw Rd. Woolwich, ME 04579 phone:
207-443-5586 fax: 207-442-8922 email: saltbox@ime.net web:
http://www.ime.net/~dwilson/

Glaze name: Blue Acero

Recipe: (Percent, Batch)

Custer feldspar          50.9       50.90
Talc theoretical          3.8        3.80
EPK                      24.0       24.00
Whiting                  21.3       21.30
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          0.2        0.20
Red iron oxide            1.7        1.70
Bentonite                 1.9        1.90

Comments:

From Doug Casebeer, used at Curaumilla. In soda, more fluxed w/soda. Muted
blue-green.

Glaze name: Blue Aldrich

Recipe: (Percent, Batch)

Custer feldspar          38.0       38.00
Dolomite                 17.0       17.00
Whiting                   6.0        6.00
EPK                      22.0       22.00
Silica                   17.0       17.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          1.0        1.00
Rutile (powdered)         2.0        2.00
Rutile (granular)         1.0        1.00

Comments:

I have used the same blue semimat glaze (surface rutile crystals),
cone 9 electric, for 20 years. I use it on EVERYTHING.
This glaze will go shiney if over
fired. Cindy
Aldrich Durham, NC aldric3@IBM>NET

Glaze name: Blue Anderson

Recipe: (Percent, Batch)

Soda feldspar            57.1       57.10
EPK                      14.3       14.30
Kentucky OM #4            7.2        7.20
Whiting                  21.4       21.40
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          7.2        7.20

Comments:

Matt glaze almost black where thin, army green where thick. Nice
colonial (bluish slate) over white slip. All the glazes
were tested on #900 Miller clay which is a toasty ^10 stoneware. One
side of the test tile was brushed with a thick coating of Cynthia
Bringle's wet/dry white slip. Each glaze was dipped in three
thicknesses on a heavily textured tile. All tiles were fired to a
(hard)^9 (10 tipping)reduction firing. 1 hr. Body reduction at ^08
and 1 hr. glaze reduction at ^9 then a quick reox. before shutdown.
Any time potash or Custer spar is called for, I used G-200. All ball
clay is OM-4 . Many glazes I substituted 75% of the amount of Barium
with Strontium. All kaolin is EPK. Remember... glazes don't travel
well. Tracy Wilson Saltbox Pottery 4 Shaw Rd. Woolwich, ME
04579 phone: 207-443-5586 fax: 207-442-8922 email: saltbox@ime.net
web: http://www.ime.net/~dwilson/

Glaze name: Blue c10

Recipe: (Percent, Batch)

Cornwall Stone           20.4       20.40
Kona F-4                 26.5       26.50
Whiting                   9.2        9.20
Dolomite                 10.2       10.20
Talc                      6.1        6.10
EPK                       4.1        4.10
Calcined kaolin          15.3       15.30
Flint                     8.2        8.20
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 2.0        2.00
Cobalt carbonate          0.5        0.50

Comments:

Glaze name: Blue Carlton Mottled

Recipe: (Percent, Batch)

G-200 feldspar           43.7       43.70
EPK                       1.9        1.90
Flint                    28.3       28.30
Whiting                   2.7        2.70
Gerstley borate           9.1        9.10
Dolomite                  9.1        9.10
Zinc oxide                1.8        1.80
Strontium carbonate       3.4        3.40
                        -----    --------
Totals:                 100.0      100.00

Also add:

Tin oxide                 2.7        2.70
Rutile                    4.2        4.20
Copper carbonate          0.5        0.50
Bentonite                 3.1        3.10

Comments:

Heavy texture glossy glaze. Lavender to blue over white
slip. Nice rutile blue where thick breaking to brown.
All the glazes were tested on #900 Miller clay which is a toasty ^10
stoneware. One side of the test tile was brushed with a thick coating
of Cynthia Bringle's wet/dry white slip. Each glaze was dipped in
three thicknesses on a heavily textured tile. All tiles were fired to
a (hard)^9 (10 tipping)reduction firing. 1 hr. Body reduction at ^08
and 1 hr. glaze reduction at ^9 then a quick reox. before shutdown.
Any time potash or Custer spar is called for, I used G-200. All ball
clay is OM-4 . Many glazes I substituted 75% of the amount of Barium
with Strontium. All kaolin is EPK.  Tracy Wilson Saltbox Pottery 4 Shaw Rd. Woolwich, ME
04579 phone: 207-443-5586 fax: 207-442-8922 email: saltbox@ime.net
web: http://www.ime.net/~dwilson/

Glaze name: Blue Celadon - Choy Blue

Recipe: (Percent, Batch)

Custer feldspar          50.0       50.00
Barium carbonate         14.0       14.00
Whiting                   7.0        7.00
Grolleg Kaolin            5.0        5.00
Silica                   24.0       24.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            2.0        2.00

Comments:

Spanish red iron oxide is prefered. I have found that my blue celadon
glaze, which is very similar to others given to you, likes all the
reduction I can give it. I fire blue celadon pieces in the same
firings I go for carbon trapping with my shinos. The extra reduction
along with a good thick application of the blue celadon glaze, I
think, encourages the bubbles trapped in the glaze which gives it a
nice softness to the glossy glaze. I introduce a heavy reduction at
cone 010 through to cone 06 then lighten up a bit for the rest of the
firing. Also, drips melt out and do not show. Despite the only
average amount of clay in the glaze, but high amount of feldspar and
flint, the glaze does not run at all at cone 10 EPK helps and use
Spanish Red Iron oxide and do not get any speckling. I feel the blue
celadon glaze is much nicer on porcelain. You may need to add a
suspender, I don't though. I have substituted Strontium Carbonate for
half of the Barium and all of the Barium at 1 part Barium to 3/4
parts Strontium and received just as nice results. I have the
understanding from talking with other colleagues that the glaze
should be safe from Barium poisoning because it is a glossy glaze
where enough silica molecules have combined with the Barium molecules
to make it stable. But, I have never had it tested. Does anyone know
if this is true or not? Please reply. Enjoy, Cone 10 down, submitted
by: Steve Loucks e-mail: STEVLOUCKS@aol.com

Glaze name: Blue Chun Glaze

Recipe: (Percent, Batch)

Potash feldspar          54.8       54.80
Whiting                  13.7       13.70
Bone ash                  1.4        1.40
Barium carbonate          2.7        2.70
Silica                   27.4       27.40
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            1.1        1.10

Comments:

This glaze has to be fired as you would fire a copper red glaze
otherwise you will not get the beautiful colour and texture. If the
glaze is clear then you are not applying it thick enough. Also, I
guess I should mention that it should be fired to cone 9-10.
Hopefully it works for you as it has for me. Happy testing! submitted
by: Craig Pearce e-mail: i931009@redgum.ucnv.edu.au

Glaze name: Blue Cobalt Midnight

Recipe: (Percent, Batch)

Flint                    31.0       31.00
Whiting                  20.0       20.00
G-200 feldspar           33.0       33.00
EPK                      14.0       14.00
Spodumene                 2.0        2.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          7.0        7.00

Comments:

from Ellen Baker Very deep dark glossy blue All the
glazes were tested on #900 Miller clay which is a toasty ^10
stoneware. One side of the test tile was brushed with a thick coating
of Cynthia Bringle's wet/dry white slip. Each glaze was dipped in
three thicknesses on a heavily textured tile. All tiles were fired to
a (hard)^9 (10 tipping)reduction firing. 1 hr. Body reduction at ^08
and 1 hr. glaze reduction at ^9 then a quick reox. before shutdown.
Any time potash or Custer spar is called for, I used G-200. All ball
clay is OM-4 . Many glazes I substituted 75% of the amount of Barium
with Strontium. All kaolin is EPK. Remember... glazes don't travel
well. Your results will probably be TOTALLY different. Please test
before use. Tracy Wilson Saltbox Pottery 4 Shaw Rd. Woolwich, ME
04579 phone: 207-443-5586 fax: 207-442-8922 email: saltbox@ime.net
web: http://www.ime.net/~dwilson/

Glaze name: Blue Conrad G375 Moonlight

Recipe: (Percent, Batch)

Cornwall Stone           63.8       63.81
Gerstley borate          14.3       14.30
Silica (A-25 best)        7.6        7.60
Whiting                   7.6        7.60
EPK                       4.8        4.80
Zinc oxide                1.9        1.90
                        -----    --------
Totals:                 100.0      100.01

Also add:

Cobalt carbonate          0.5        0.50
Rutile (powdered)         3.2        3.20
Ilmenite (325 mesh best)    2.0        2.00

Comments:

(Mile Hi in Denver has Ilmenite). Likes a fast cooling to develop
that electric blue. One dip gives you brown, two dips a deep blue.
Tends to break on ridges. Where real heavy you get white. Flows quite
a bit, especially combined with other glazes. Watch your bottom
feet,try to give it a good foot or a strong ridge to stop flow.
Tapering the bottom edge with a straight edge helps too. Otherwise
your shelf will be a beautiful shade of blue. If thick, tends to
pinhole, likes to dry and be rubbed out before firing. Tempermental
glaze---can crawl just enough to make you crazy generally under rims
and on the inside of rims....probably is thicker there and shrinks
when drying. To Mix, we've found it best to dissolve the Cornwall
first and let set a bit, then add everything else. Screen through a
40 once and an 80mesh twice for finest crystalization. This is a
compilation of several background messages re: the Conrad Moonlight.
We use Conrads Moonlight (which was discussed about 6 months ago
here) with about 1/2%cobalt Carb. added. It's a cone 10 glaze. I
first started using it in electric firing, and a year ago switched to
gas. At first in the gas, it was muddier and tended toward rutile
blue-green. Then, experimenting, we cooled the kiln faster to match
the curve of the electrics. Voila, nice sharp crystals and blue. It
also seems to be quite sensitive to temperature, over fire it and it
grabs iron from anywhere and goes blue green or brownish. I also
might note that it is quite sensitive to application. It must go on
thick to develop a good blue. (even sometimes giving almost purple).
Thick in the bucket, double dip as soon as the sheen leaves, dry
completely, then rub lightly everywhere and especially on compund
curves. This is a Cornwall recipe and tends to crawl if not thorughly
bonded to the clay surface. The thickness required doesn't help.
Don't know what it might do at c6 but if you can get it there, the
above notes might help. One note, I mentioned that it's sensitive to
temp. It's happiest between 9-1/2 and 10-1/2. Also we use it on a
white stoneware. On iron body clays, it tends toward blue green or
brown-green...not too pretty. Joyce brought up a good pointThe rutile
blue Moonlight from Conrad (G375) is r understand, most rutile blues
are. The way we work around this is to provide a ridge at the foot
and, when Betsy applies the glaze, she takes a stainless rib and
carves a taper into the ridge. Sounds time consuming, and is, but it
goes pretty fast after you've done (not had) a few. The main time we
lose pieces from running now is where there's an overlap with another
glaze, especially Temmoku. But by keeping it high on the pot, it can
be controlled. Good Luck. It can be a fantastic rutile blue, best
I've seen. I'll be off the list for a week, at Rosen, but will pull
digests during the week. Tom Wirt Clay Coyote Pottery Hutchinson, MN
claypot@hutchtel.net

Glaze name: Blue Cool

Recipe: (Percent, Batch)

Nepheline syenite        28.0       28.00
Dolomite                 12.0       12.00
Whiting                   7.0        7.00
Barium carbonate          6.0        6.00
Lithium carbonate         1.0        1.00
EPK                      10.0       10.00
Silica                   36.0       36.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Bentonite                 3.0        3.00
Copper carbonate          2.0        2.00
Cobalt carbonate          0.3        0.25

Comments:

The color is
a cool grey-blue that pools darker, especially in carved areas.
 Kat Neely-Jones e-mail: SolvejgMa@aol.com

Glaze name: Blue Crazy Rutile Jillian's

Recipe: (Percent, Batch)

G-200 feldspar           44.9       43.70
EPK                       2.0        1.90
Flint                    29.1       28.30
Gerstley borate           9.4        9.10
Dolomite                  9.4        9.10
Zinc oxide                1.8        1.80
Strontium carbonate       3.5        3.40
                        -----    --------
Totals:                 100.0       97.30

Also add:

Tin oxide                 2.8        2.70
Rutile                    6.9        6.70
Copper carbonate          1.5        1.50
Bentonite                 2.1        2.00

Comments:

Sort of denim-colored with creamy mottling. Copper red develops where it contacts
clear or celadon. Stable.Breaks over texture.

Glaze name: Blue Dark Gloss

Recipe: (Percent, Batch)

Kona F-4 feldspar        44.0       44.00
Silica                   28.0       28.00
Whiting                  18.0       18.00
Kaolin                   10.0       10.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          1.0        1.00
Red iron oxide            1.0        1.00

Comments:

Here is a recipe for a reliable glossy dark blue. I have fired it in
gas and wood and it works well either way. submitted by: Debbie
Vacchi e-mail: DebbieArt@aol.com

Glaze name: Blue Dark Shiny

Recipe: (Percent, Batch)

Kona F-4 feldspar        40.3       40.30
Flint                    21.5       21.50
Whiting                  14.1       14.10
Ball clay                 3.4        3.40
Cornwall Stone           20.7       20.70
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          2.5        2.50
Copper carbonate          4.0        4.00

Comments:

Corinne Null Bedford,
NH cnull@mv.mv.com

Glaze name: Blue Dunham

Recipe: (Percent, Batch)

G-200 feldspar           43.2       43.20
Whiting                  12.0       12.00
EPK                       6.9        6.90
Strontium carbonate      12.0       12.00
Flint                    25.9       25.90
                        -----    --------
Totals:                 100.0      100.00

Also add:

Copper carbonate          0.4        0.40
Rutile                    4.4        4.40
Iron oxide                4.4        4.40

Comments:

from Bob Santerre glossy black brown. Almost looks like temoku but
very deep blue where it pools.  All the glazes were
tested on #900 Miller clay which is a toasty ^10 stoneware. One side
of the test tile was brushed with a thick coating of Cynthia
Bringle's wet/dry white slip. Each glaze was dipped in three
thicknesses on a heavily textured tile. All tiles were fired to a
(hard)^9 (10 tipping)reduction firing. 1 hr. Body reduction at ^08
and 1 hr. glaze reduction at ^9 then a quick reox. before shutdown.
Any time potash or Custer spar is called for, I used G-200. All ball
clay is OM-4 . Many glazes I substituted 75% of the amount of Barium
with Strontium. All kaolin is EPK. Tracy Wilson Saltbox Pottery 4 Shaw Rd. Woolwich, ME
04579 phone: 207-443-5586 fax: 207-442-8922 email: saltbox@ime.net
web: http://www.ime.net/~dwilson/

Glaze name: Blue Emily's

Recipe: (Percent, Batch)

Custer feldspar          33.3       33.30
Gerstley borate          17.7       17.70
OM-4 Ball Clay           15.6       15.60
Talc                     13.5       13.50
Silica                   13.5       13.50
Dolomite                  6.3        6.30
                        -----    --------
Totals:                 100.0       99.90

Also add:

Zircopax                  4.2        4.20
Cobalt carbonate          3.1        3.10

Comments:

submitted by: Rick Malmgren e-mail: r-malmgren@sjcaedu

Glaze name: Blue Goodrich Mediterranean

Recipe: (Percent, Batch)

G-200 feldspar           33.3       33.30
Whiting                  25.0       25.00
Kentucky OM #4           12.5       12.50
Flint                    25.0       25.00
Zinc oxide                4.2        4.20
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          5.0        5.00
Chrome oxide              2.5        2.50

Comments:

from Don Satin smooth gloss. Deep teal (thick) to black(thin)
Tracy Wilson Saltbox Pottery 4
Shaw Rd. Woolwich, ME 04579 phone: 207-443-5586 fax: 207-442-8922
email: saltbox@ime.net web: http://www.ime.net/~dwilson/

Glaze name: Blue Goodrich Mediterranean

Recipe: (Percent, Batch)

G-200 feldspar           33.3       33.30
Whiting                  25.0       25.00
Kentucky OM #4           12.5       12.50
Flint                    25.0       25.00
Zinc oxide                4.2        4.20
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          5.0        5.00
Chrome oxide              2.5        2.50

Comments:

from Don Satin smooth gloss. Deep teal (thick) to black(thin)  All the glazes were tested on #900 Miller clay which
is a toasty ^10 stoneware. One side of the test tile was brushed with
a thick coating of Cynthia Bringle's wet/dry white slip. Each glaze
was dipped in three thicknesses on a heavily textured tile. All tiles
were fired to a (hard)^9 (10 tipping)reduction firing. 1 hr. Body
reduction at ^08 and 1 hr. glaze reduction at ^9 then a quick reox.
before shutdown. Any time potash or Custer spar is called for, I used
G-200. All ball clay is OM-4 . Many glazes I substituted 75% of the
amount of Barium with Strontium. All kaolin is EPK. Remember...
glazes don't travel well. Your results will probably be TOTALLY
different. Please test before use. Tracy Wilson Saltbox Pottery 4
Shaw Rd. Woolwich, ME 04579 phone: 207-443-5586 fax: 207-442-8922
email: saltbox@ime.net web: http://www.ime.net/~dwilson/

Glaze name: Blue Green Glossy Deep

Recipe: (Percent, Batch)

Whiting                  23.3       23.30
G-200 feldspar           27.2       27.20
EPK                      19.2       19.20
Flint                    27.3       27.30
Zinc oxide                3.0        3.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              0.3        0.30
Cobalt carbonate          1.4        1.40

Comments:

Deep teal over stoneware deep blue with slip. Satin to almost gloss glaze Any time
potash or Custer spar is called for, I used G-200. All ball clay is OM-4 . Tracy Wilson Saltbox Pottery 4 Shaw Rd.
Woolwich, ME 04579 phone: 207-443-5586 fax: 207-442-8922 email: saltbox@ime.net
web: http://www.ime.net/~dwilson/

Glaze name: Blue Green Glossy Deep

Recipe: (Percent, Batch)

Whiting                  23.3       23.30
G-200 feldspar           27.2       27.20
EPK                      19.2       19.20
Flint                    27.3       27.30
Zinc oxide                3.0        3.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Chrome oxide              0.3        0.30
Cobalt carbonate          1.4        1.40

Comments:

Deep teal over stoneware deep blue with slip. Satin to almost gloss glaze Any time
potash or Custer spar is called for, I used G-200. All ball clay is OM-4 . Tracy Wilson Saltbox Pottery 4 Shaw Rd.
Woolwich, ME 04579 phone: 207-443-5586 fax: 207-442-8922 email: saltbox@ime.net
web: http://www.ime.net/~dwilson/

Glaze name: Blue green Satin Mat Clemson U

Recipe: (Percent, Batch)

G-200 feldspar           41.2       41.20
Whiting                  21.4       21.40
EPK                      21.4       21.40
Flint                    16.1       16.10
                        -----    --------
Totals:                 100.0      100.10

Also add:

Cobalt carbonate          1.1        1.10
Rutile (light)            6.4        6.40

Comments:

This is a Blue to Green Satin mat that has alot of nice qualities you
might enjoy. Thin its green and when doubledipped its soft light blue
. It also takes other oxides well, is food safe and stays in
suspension. Good Luck, Mike Vatalaro in Clemson vatalam@clemson.edu

Glaze name: Blue Green V&O

Recipe: (Percent, Batch)

Whiting                  19.6       19.60
Flint                    32.9       32.90
EPK                      20.0       20.00
G-200 feldspar           27.5       27.50
                        -----    --------
Totals:                 100.0      100.00

Also add:

Yellow ochre              2.0        2.00

Comments:

also from Alfred Looks like a pretty typical celedon to me.. glossy
with no crazing All the glazes were tested on
#900 Miller clay which is a toasty ^10 stoneware. One side of the
test tile was brushed with a thick coating of Cynthia Bringle's
wet/dry white slip. Each glaze was dipped in three thicknesses on a
heavily textured tile. All tiles were fired to a (hard)^9 (10
tipping)reduction firing. 1 hr. Body reduction at ^08 and 1 hr. glaze
reduction at ^9 then a quick reox. before shutdown. Any time potash
or Custer spar is called for, I used G-200. All ball clay is OM-4 .
Many glazes I substituted 75% of the amount of Barium with Strontium.
All kaolin is EPK. Remember... glazes don't travel well. Your results
will probably be TOTALLY different. Please test before use. tracy
wilson  Tracy Wilson Saltbox Pottery 4 Shaw Rd.
Woolwich, ME 04579 phone: 207-443-5586 fax: 207-442-8922 email:
saltbox@ime.net web: http://www.ime.net/~dwilson/

Glaze name: Blue Hennessy Revised

Recipe: (Percent, Batch)

K-200 feldspar           44.0       44.00
Wollastonite             20.0       20.00
Dolomite                  4.0        4.00
Grolleg                  12.0       12.00
Flint                    20.0       20.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Red iron oxide            5.0        5.00

Comments:

This glaze was revised by VC. The theory here is that wollastonite is
closer to the Ca source that the Chinese used (calcined chells for CaO
plus high K2O) - no carbonates in wollastonite.

Glaze name: Blue Jeff's Longbeach

Recipe: (Percent, Batch)

Whiting                  19.5       19.49
Custer feldspar          63.6       63.55
EPK                      17.0       16.96
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt carbonate          0.9        0.85
Rutile                    4.0        4.00

Comments:

submitted by: Brian Voth e-mail: bvoth@southwind.net

Glaze name: Blue Leach

Recipe: (Percent, Batch)

G-200 feldspar           57.9       57.89
Whiting                  23.2       23.16
Gerstley borate           4.2        4.21
Flint                    14.7       14.74
                        -----    --------
Totals:                 100.0      100.00

Also add:

Tin oxide                 3.2        3.16
Cobalt carbonate          1.1        1.05
Manganese dioxide         0.5        0.53

Comments:

handed over by Bob Santerre Glossy medium blue where thick and glossy
slate blue where thin. Well I finally got around to typing this thing
up...^9-10 Blues Thank you one and all for all the donated recipes. I
only tested 31 out of almost 100 I received. I'll continue testing
and reporting as the winter DRAGS on. All the glazes were tested on
#900 Miller clay which is a toasty ^10 stoneware. One side of the
test tile was brushed with a thick coating of Cynthia Bringle's
wet/dry white slip. Each glaze was dipped in three thicknesses on a
heavily textured tile. All tiles were fired to a (hard)^9 (10
tipping)reduction firing. 1 hr. Body reduction at ^08 and 1 hr. glaze
reduction at ^9 then a quick reox. before shutdown. Any time potash
or Custer spar is called for, I used G-200. All ball clay is OM-4 .
Many glazes I substituted 75% of the amount of Barium with Strontium.
All kaolin is EPK. Remember... glazes don't travel well. Your results
will probably be TOTALLY different. Please test before use. Tracy
Wilson Saltbox Pottery 4 Shaw Rd. Woolwich, ME 04579 phone:
207-443-5586 fax: 207-442-8922 email: saltbox@ime.net web:
http://www.ime.net/~dwilson/

Glaze name: Blue Leach

Recipe: (Percent, Batch)

G-200 feldspar           57.9       57.89
Whiting                  23.2       23.16
Gerstley borate           4.2        4.21
Flint                    14.7       14.74
                        -----    --------
Totals:                 100.0      100.00

Also add:

Tin oxide                 3.2        3.16
Cobalt carbonate          1.1        1.05
Manganese dioxide         0.5        0.53

Comments:

handed over by Bob Santerre Glossy medium blue where thick and glossy
slate blue where thin. Tracy
Wilson Saltbox Pottery 4 Shaw Rd. Woolwich, ME 04579 phone:
207-443-5586 fax: 207-442-8922 email: saltbox@ime.net web:
http://www.ime.net/~dwilson/

Glaze name: Blue Les's

Recipe: (Percent, Batch)

Custer feldspar          25.0       25.00
Whiting                  25.0       25.00
Flint                    25.0       25.00
Ball clay                25.0       25.00
                        -----    --------
Totals:                 100.0      100.00

Also add:

Cobalt oxide              0.3        0.25
Red iron oxide            1.0        1.00

Comments:

Nice blue toward inky. From Janice Strawder

Glaze name: Blue Limestone

Recipe: (Percent, Batch)

Kaolin                    9.5        9.50
Whiting                  19.0       19.00
Silica                   28.6       28.60
Feldspar                 38.1       38.10
Barium carbonate          4.8        4.80
                        -----    --------
Totals:                 100.0      100.00

Also add:

Rutile                    4.8        4.80
Copper carbonate          1.6        1.60
Cobalt carbonate          1.9        1.90
Bentonite                 2.0        2.00

Comments:

Semi-gloss. Looks good thick,may run where thick.

Glaze name: Blue lithium